One of the standout moments from my incredible trip to London, where I was there to promote the premiere of the Luther: Never Too Muchdocumentary in UK theaters, was my delightful interview on Solar Radio with my good friend Richard Marzetti, the host of Soul Life.
During our chat, Richard posed a fantastic question about my all-time favorite Luther song.
Without hesitation, I chose Crazy Love from Luther Vandross‘s brilliant album, Secret Love.
This track is not only a breathtaking showcase of his unparalleled artistry but also evokes a flood of wonderful memories from our days working on that album together. I can still picture the vibrant recording sessions at the Hit Factory, the unforgettable photo shoot at Milk Studios, and the thrilling promotional tour across the US and UK. Those were truly special times!
I was also excited to introduce Seveda Williams, the CEO of FANDROSS and Luther’s niece, to Richard. Seveda surprised Richard with a fantastic gift bag from FANDROSS that was bursting with goodies for vinyl enthusiasts—think classic records, a stylish FANDROSS t-shirt, and a chic tote bag!
I hope you all enjoy listening to our Soul Life interview with Richard Marzetti on Mixcloud!
Singer Levi Stubbs‘s life journey serves as both an inspiration and a cautionary tale. His iconic contributions to music, particularly through the Four Tops, highlight the beauty and power of artistic expression. Yet, beneath the glittering surface of fame lies a stark reality that many artists and fans overlook—the fragility of health.
The alarming statistics surrounding strokes and health disparities in communities of color are especially poignant in the context of Stubbs’s life. Despite his immense talent and success, he faced significant health challenges, including prostate cancer and diabetes, which ultimately overshadowed his musical legacy. It’s a bittersweet reminder that even the most beloved figures are not immune to the realities of life, and the pressures of a demanding career can often lead to neglecting personal well-being.
The statements from those close to him, like Norman Whitfield, resonate deeply. They remind us that health should be prioritized, not just as a personal responsibility but as a communal one, particularly in conversations about race and health equity. The struggles of Levi Stubbs, Luther Vandross,Ella Fitzgerald, LaVerne Baker and Angela Bofill illuminate a critical narrative that transcends music, urging us to listen—both to the voices of these phenomenal artists and to our own bodies.
As fans, we often celebrate the triumphs of our favorite celebrities, yet we can easily forget the personal battles they may be facing. It’s essential to draw lessons from their stories, recognizing that health should never be taken for granted. Rather than focus solely on their public personas, we need to consider their holistic journeys, full of both shining moments and difficult struggles.
Levi Stubbs‘s legacy is a blend of soulful melodies and a reminder of the importance of health awareness. His approach to singing—living each song deeply—could be extended to how we approach our lives and well-being. It’s an invitation to not only appreciate the music but also engage in self-care and health advocacy, ensuring that we don’t repeat the patterns of neglect that can come with the pursuit of success.
In honoring his memory, let us strive to embrace a fuller understanding of health—one that encompasses not just the physical, but also the emotional and communal aspects of our well-being.
Ultimately, we can ensure that the voices we cherish continue to inspire us long after their passings.
Fear isn’t the best way to motivate ourselves, and while it might give you a little boost to take better care of your diabetes, it often doesn’t last.
The stress and anxiety that come along with fear can really weigh us down. Instead, a more effective way is to mix a little fear with positive incentives, creating a supportive environment that encourages actions in a happier, more uplifting way.
As I reflected on the experience of finding my boss, Luther Vandross, after he suffered a stroke due to mismanaged type 2 diabetes in the Luther: Never Too Much documentary, I became acutely aware of the trauma I endured. Those memories still feel fresh, even after two decades!
Rather than using Luther’s health journey to scare or pressure people at Divabetic programs into tighter diabetes management, I created an upbeat atmosphere using games, music, crafts and makeover experiences to empower people.
I aim to boost everyone’s confidence in their ability to manage their self-care and guide them towards optimal health. Inspiring someone by uplifting their self-belief is far more effective—encouraging them with a heartfelt ‘Yes, you can do it!’ is much better than saying ‘Be careful, watch out!’
It could be fact or fable, but I was told that director Dawn Porter’s team listened to my Luther Vandross Tribute podcasts while developing. the Luther: Never Too Much documentary.
I’m thrilled to share that my holiday ballad, “Pink Champagne,” featuring Paulette McWilliams, is creating a buzz and has been named ‘Christmas Song of the Week’ on Toni B.’s UGONE Radio Show.
Additionally, it has been added to RhythmAndSoul‘s festive playlist and will be highlighted on Steve Quirk’s Christmas Eve show.
In the Black Muse video podcast, my friend and talented singer-songwriter Paulette McWilliams discusses the story behind our lush holiday ballad, “Pink Champagne.”
“Pink Champagne” is more than just a song; it serves as a heartfelt tribute to anyone grappling with heartbreak during the holidays.
Toni B shared her reasons for choosing “Pink Champagne” as her Christmas Song of the Week, saying, “I simply love the sentiments of the lyrics, the arrangement, Paulette’s delivery, and the fabulous storytelling.” Toni also expressed that Paulette, Ivan Hampden Jr., and my passion for creating music and celebrating Luther Vandross‘s musical legacy warm her heart.
Be sure to subscribe to the Black Muse YouTube channel, hosted by Clarence Waldron, to hear Paulette reflect on her incredible musical journey, discuss the new documentary “Luther: Never Too Much,” and share insights about her collaborations with notable artists like Bette Midler, Johnny Mathis, Marvin Gaye, and Aretha Franklin. To top it off, she showcases her stunning vocals with a few signature riffs that are sure to leave everyone wanting more.
Fresh off the success of their UK Soul Chart smash hit, Mama’s Kitchen Table, singer-songwriter Paulette McWilliams, multi-Grammy nominated Ivan Hampden Jr., and lyricist Max Szadek present the self empowerment anthem, Pink Champagne — a celebration of overcoming heartache during the holidays!
“This song is a heartfelt shout-out to anyone navigating the tough waters of heartbreak this season,” declares Paulette McWilliams, who powerful vocals have backed up many musical icons such as Marvin Gaye, Aretha Franklin, Johnny Mathis, Bette Midler, and Luther Vandross.
The moving tale of resilience in Pink Champagne has captured the attention of UGONE Radio Host Toni B, who proudly named it the ‘Christmas Song Of The Week’ for her show from December 16-21, 2024.
Additionally, Pink Champagne has been added to RhythmAndSoul’s festive holiday playlist, proving its resonance!
Breakups can be challenging, but the holiday season magnifies those feelings of loneliness.
Surrounded by couples at festive gatherings, playing romantic holiday tunes, and reading cheerful family updates, it’s easy to feel isolated. The airwaves are usually filled with upbeat classics, leaving little room for reflection—until now!
“Outside of Elvis Presley’s Blue Christmas, I can’t think of any holiday classics that resonate with those of us feeling low,” says the talented Ivan Hampden Jr. “With Pink Champagne, listeners can find solace and realize they’re not alone in their struggles.”
This empowering track narrates a woman’s journey from heartache to triumph at Christmastime. Paulette envisions it as a source of strength for anyone hurting, encouraging them to embrace their feelings and transform them into joy. With inspiration from the vocal greatness of Nancy Wilson, Marlena Shaw, and Eartha Kitt,Pink Champagne is a fresh and vibrant take on the traditional holiday tune.
“You simply can’t savor the joy of the holidays while clinging to painful emotions. It’s time to release them!” she emphasizes. “I truly believe Pink Champagne will help those who are hurting move forward with a brighter outlook.”
Expertly arranged and produced by the gifted Ivan Hampden Jr., known for his work with Luther Vandross, Ashford & Simpson, Roberta Flack, and Eartha Kitt, this track promises to be a new holiday favorite. His previous Christmas classic, Mistletoe Jam, featured on Luther Vandross’s platinum-certified This Is Christmas album, continues to delight fans.
Pink Champagne is poised to follow in its footsteps with joy and assertiveness!
“You’ve got to look at different ways to survive,” Gwen Guthrie said in a Blues & Soul Magazine interview. “And being independent could be one way that works for me.”
Singer, songwriter, and pianist Gwen Guthrie is best remembered for her infectious club hit, “Ain’t Nothin’ Goin’ On But the Rent,” It was one of the biggest dance anthems of the Eighties with its catchphrase: “No romance without finance. You gotta have a J.O.B. if you wanna be with me.” This club icon studied classical music and piano at school.
In the early seventies, she joined the Ebonettes and the Matchmakers alongside Larry Blackmon, who became Cameo’s frontman.
During a studio session, she met musician Patrick Grant, and the pair wrote seven songs for Sister Sledge’s debut album. They also wrote the sublime “This Time I’ll be Sweeter,” in which Angela Boffil created musical magic. The song has been recorded over eighty times.
After touring and recording with Roberta Flack, Gwen Guthrie relocated to Jamacia. She teamed up with Jamaican dub and reggae duo Sly Dunbar and Robbie Shakespeare and released `It Should’ve Been You’ for Island’s R&B department. With Sly Dunbar and Robbie Shakespeare as producers, the singer cut the rest of her debut album, Gwen Guthrie, and the follow-up album, Padlock, featuring “Seventh Heaven” and “Hopscotch.”
I love the concept and imagery of the “Padlock” song lyrics. “Padlock” reached #13 on dance charts, climbed to #25 R&B, and was heard all over New York City during the summer of 1985. Like many of her hits, “Padlock” was remixed by one of the most influential club culture DJs, Paradise Garage DJ Larry Levan. Her frequent performances at the Garage earned her the nickname “The First Lady of the Paradise Garage.”
Robbie Shakespeare recalls how easy it was to work with Gwen Guthrie in the studio.”In the studio, you only had to give Gwen the rhythm. She would sit and draw flowers while she worked on lyrics. She was wicked fun and had a great personality.”
Her biggest hit, “Ain’t Nothin’ Goin’ On But the Rent,” was a monster smash in the UK but didn’t achieve the crossover success it deserved in the US. The song begins with the lyrics “Bill collectors at my door,” and is the funkiest tune about financial hardships.
“Things are much harder in the music business; you’ve got A&R men at major labels who don’t come from a particularly musical-orientated background and make some incredibly strange decisions, then you’ve got to battle for a budget to promote your releases, she said in an interview with Blues & Soul Magazine.
Soon after, Guthrie moved from Polydor to Warner Brothers and released several more albums but with lukewarm sales. “My last album came out at the same time as Prince, Quincy Jones, and Al. B Sure and I felt ignored.”In addition to running and supporting a children’s theatre company, the versatile singer with precise pitch is also one of the first recording artists to raise money for the fight against AIDS. Gwen Guthrie donated proceeds from her 1988 song “Can’t Love You Tonight,” which also addressed the epidemic. Her contributions to disco, house, and dance music will forever endure.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“I always want to associate myself with any piece of music that feels good and sounds good. And a good song can come from anywhere,” says Randy Crawford.
Randy Crawford is an exceptional artist with a remarkable ability to connect with her audience through her soulful and emotional performances. Her pure, warm tone and emotional vibrato can transform any music she selects, creating mesmerizing light and breezy jazz and funk arrangements.
Born in Macon, GA, she started singing in Ohio nightclubs at 15. “Everyone was encouraging me to sing,” Randy Crawford told the BBC. Her collaboration on “Street Life” offered her a chance to join the Crusaders for a tour that gained her international recognition, and she remained more popular overseas than in America. “Street Life was a musical challenge to learn,” Randy Crawford told the BBC. “But it’s still a fun song because people related to it. It gets everybody up and happy.”
Her consequent albums were geared toward a more smooth jazz audience and played well overseas. She wrote the love about two political refugees from Eritrea, entitled “Almaz.” Randy Crawford witnessed an older man’s love and commitment to a younger woman. In the season of love, no song touches the heartstrings quite like Randy Crawford’s ‘Almaz’ wrote Justice B. Hill for Cleveland.com. “The song speaks of love surviving,” she said when discussing the song.
Since then, Randy Crawford has released over 15 albums and had several international multi-platinum hits. And if she still goes relatively unrecognized in her native land, she has become one of the world’s most successful popular singers.
“I hope I will always sing. I don’t want to do anything else.”
Randy Crawford’s music can transform any music she selects, creating light and breezy jazz and funk arrangements that are mesmerizing. She has won numerous awards and accolades, including being named the ‘Most Outstanding Performer’ at the 1980 Tokyo Music Festival. With over 15 albums and several international multi-platinum hits, Randy Crawford has become one of the world’s most successful popular singers. She is truly a remarkable artist, and her music will continue to inspire and touch the hearts of listeners for years to come.
Sade’s music has been a staple in the hearts of millions for five decades. With over 50 million records sold worldwide, Sade’s music has been a constant reminder that true talent doesn’t need to be loud or flashy. She has always let her music speak for itself.
Although her body of work is considered paltry by industry standards, her music has been covered by everyone from Frank Ocean and Lauryn Hill to Herbie Hancock. Sade and the band seem obsessed with less rather than more.
This dedication to her craft has made Sade a mystery to her fans even after all these years. She rarely does interviews and shares very little about her personal life, but her music has been covered by some of the biggest names in the industry.
If you have yet to experience Sade’s music live, you’re missing out. When I attended her Madison Square Garden concert, I was blown away. She and her band were positioned behind a scrim on stage, adding an air of mystery to the atmosphere. Although we could see through the scrim, her lighting technicians projected colors and images, providing an extra visual treat for the audience. The show was fantastic, from the mesmerizing visuals to the smooth, calming sounds.
I fell in love with Sade’s sophisticated jet-set, jazzy romance stories from her first album, Diamond Life. Whether it’s ‘Your Love Is King,’ ‘Smooth Operator,’ or ‘Hang on to Love,’ Their music transported me from the ordinary suburban to a swanky European cafe and the sands of St. Topez.
“Kiss Of Life” is my fantasy wedding song. Sade’s voice and the band’s sultry rhythm make it sound timeless to me.
“It’s strange because most bands are forgotten about when there is a long hiatus between albums, but with us, it seems the opposite, particularly in the last few years,” Sade told GQ Magazine.
Her music is a reminder that sometimes less is more and true talent always stays in style.
We’re talking about ‘THE SWEETEST TABOO’ aka ‘SUGAR’ with musical inspiration from Sade on this episode of Divabetic’s podcast.
Added sugar is everywhere. But do we understand the impact it has on our diabetes health? You may think of sweets, chocolate, sodas, table sugar, and perhaps fruit if asked to name sugary foods. However, sugar also appears in savory foods such as ready meals, soups, salads, sauces, and ‘healthy’ foods such as breakfast cereals and yogurt. Furthermore, starches such as bread, pasta, rice, and potatoes also convert to sugar in our bloodstream, having the same impact on our bodies. These ‘hidden sugars’ can add a surprising amount to our daily intake.
Guests include Patricia Addie-Gentle RN, CDCES, Tameka Milline, Catherine Schuller, Kathy Dolgin aka ‘High Voltage’, and Stephanie MacKendree. Throughout the podcast, we play music from ‘The Essential Sade’ album courtesy of SONY Music. If asked to name sugary foods, you may think of sweets, chocolate, sodas, table sugar, and perhaps fruit.
My friend, Alyson Williams, is an incredibly talented entertainer who knows how to captivate an audience. I had the pleasure of seeing this Emmy Award winner live at Ashford and Simpson’s Sugar Bar on Valentine’s Day, where she performed with Nat Adderley Jr. Her stage presence was absolutely dazzling. She had everyone in the room mesmerized by her music and stories.
In an interview with Perspectives on BronxNet, Alyson said, “There is still an audience that looks to me for what I bring to the table. I have to find new and creative ways to reinvent myself, make it good, and keep it steeped in elegance.”
With a lifetime of experience in the music industry, Alyson has dedicated herself to making people smile through her music. She comes from a musical family, with her father being the bandleader Bobby Booker. She began performing at a young age, showcasing her singing and dancing skills. After college, she became a well-known backing vocalist for Melba Moore, Bobby Brown, and Evelyn Champagne King. She was also part of the singing group High Fashion.
Her work on several early hip-hop songs helped her make a name for herself in the music business, leading to her signing by the Def Jam label’s Russell Simmons in the late 80s. Her sultry signature song, “Just Call My Name,” and success earned her the title of “The First Lady of Def Jam.” Alyson Williams’ soulful delivery of “Just Call My Name” struck a chord with listeners, contributing to its instant success. Its meaningful lyrics and heartfelt delivery make it a powerful expression of love, support, and the universal human yearning for emotional connection.
Recently, Alyson teamed up with Najee for a beautiful rendition of “Valentine Love,” which topped the charts. The song is a true work of art; everything about it feels just right. In addition to her music career, Alyson is an on-air personality on Harlem’s WHCR-FM, where she hosts the popular show “Love Notes with Alyson Williams.” In an interview on Dreamers Unite with Sherri Pullum, she said her favorite singer is Ella Fitzgerald. Dr. Maya Angelou called her ‘the songbird.’
Her talent and charisma shine through in everything she does, making her a true icon in the music world. She said, “Every day is a day at the school of hard knocks. You get another lesson in making it work, keeping the balls in the air, juggling, and still keeping your sanity.”
Her advice about saying healthy is straightforward, “just try.”
Hear how Alyson Williams, who is living with type 2 diabetes, made a triumphant return to the stage after her near-death experience from COVID on this Divabetic podcast. Additionally, “The Rollercoaster Ride Of Diabetes” blogger, FatCatAnna, who is living with type 1 diabetes, opens up about her attempted suicide and managing diabetes in a mental hospital.
Additionally, we’re sharing an honest, no-filter look at the daily grind of living with diabetes and practical ways to help you pivot and stay positive. We encourage others with diabetes to live fully and apply Barry Manilow’s attitude to their daily lives.
“I believe that we are who we choose to be. Nobody is going to come and save you. You’ve got to save yourself. Nobody is going to give you anything. You’ve got to go and fight for it,” says the Grammy, Tony, and Emmy award-winning music icon with 50 Top 40 hits, 12 #1 singles, and more than 85 million albums.
Guests include The First Lady of Def Jam Alyson Williams, Poet Lorraine Brooks, Patricia Addie-Gentle RN, CDCES, diabetes advocate, blogger, and mentor FatCatAnna. Music from The Essential Barry Manilow courtesy of SONY Music. Hosted by Mr. Divabetic.
I miss the glamour and elegance of Luther Vandross’ performances. All of his dressed-up, glitzy, romanticized love songs were performed to perfection night after night. I loved every sparkling rhinestone, crystal bugle bead, luminous pearl, and shiny metallic thread on his breathtaking encrusted tuxedos. Designer Tony Chase’s wonderous mix of sweeping Art Noveau and geometric Art Deco designs helped Luther transport his audience to a magical place.
Since every show had to look like the first show, these costumes were worn, and the upkeep of these costumes was a nightmare for Luther’s experienced wardrobe department. Beads would break, threads would snag and pull, and collars would get stained. It was aggravating!
But, looking back over a glass of wine, I can appreciate Luther’s keen eye for detail and his unique way of putting on a spectacular show. Combine these costumes with graceful choreography, sophisticated orchestration, and glorious backing vocals, and you get every heart in the audience melt.
It’s incredible to think about the level of detail that went into each show, from the costumes and lighting to the choreography and chrome sets, not to mention the phenomenal talents of his band members and backing vocalists. I’m sure Luther’s performances left a lasting impression on everyone in the audience.
I’m so passionate about this stuff that I’m hosting a Luther Celebration program in New York City on Wednesday, April 17, 2024. This fabulous free event will feature a Panel Discussion with Luther’s backing vocalist, Cindy Mizelle, Luther’s choreographer, James Ervin, a live performance by Keith Anthony Fluitt, a Fashion Show curated by Catherine Schuller spotlighting Luther’s timeless elegance (Harlem’s Hats and Modafluer), a Live DJ, and an inspiring weight loss journey with Graffiti Glamour founder, Alicia Mitchell
I remember Luther performing “The Other Side Of The World” a few times in concert. He would sing a verse or two before sequing into another hit song. Why does this stunning song not get more airplay?
Divabetic remembers the 10th anniversary of losing a legend, the late Luther Vandross (April 20, 1951 – July 1, 2005) with this special podcast, Tribute to Luther Vandross, celebrating his career during the 1990’s. Luther Vandross was a musical master whose style has influenced an entire generation of today’s vocalists. His distinctive brand of smooth satin vocal magic moved international audiences and continues to touch people today.
The happy healthcare host, Max “Mr. Divabetic” Szadek, who worked with Vandross for more than 14 years, hosts this tribute podcast featuring Luther’s former vocalists Paulette McWilliams, Pat Lacy, Tawatha Agee, Cindy Mizelle and Kevin Owens, band member Bryon Miller, Vandross family member, Seveda Williams, friends Darren Margo and David Jones, the Luther Vandross historian, Leon Petrossian and Luther super fan, Jane Goodman from Great Britain. Throughout the podcast we will be playing selected Luther Vandross songs that he recorded during the 1990’s courtesy of SONY Music.
Divabetic, inspired by Luther’s diabetes journey revisits the singer’s career in the decade of hair scrunchies, boy bands, grunge and rave parties. This Luther tribute remembers the moments, the music the man and the motivation to ensure that no one struggles with diabetes alone or in silence. Keep ‘your house a home’ and learn how to prevent a diabetes health-related complication from occurring. Visit: www.divabetic.org
