Tag: UK Soul Charts

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Divabetic Salutes Paulette McWilliams

“I started singing before I could really talk, “Paulette McWilliams told Pop Matters.  “I would watch all the musicals and wish I was in them.”

Over the last decades, my friend Paulette McWilliams turned her childhood fantasies into reality. She has emerged as the consummate vocalist, equally at home in rock, R&B, jazz, house, Broadway, and hundreds of commercial jingles to her credit.

Paulette McWilliams is an incredible talent with a captivating voice. Her versatility and effortless transitions between genres are remarkable. I’m so impressed by her career journey and the impact she has made in the music industry.

Paulette’s first flirtations with fame were in Chicago, where she was the lead singer in Rufus before enlisting her friend Chaka Khan. After that, she appeared on Quincy Jones’s Mellow Madness (1975) album. A stint singing duets with Marvin Gaye and Johnny Mathis soon followed. But she met Luther Vandross while she was performing as one of Bette Midler’s Harlettes. For many years, Paulette recorded and toured with Luther Vandross, and we met on a Luther tour. 

Paulette’s voice is so distinctive. Her rich, warm tones, especially her low ones, give me chills and worldwide fans. 

Last year, her career went into overdrive with the release of her stunning album, “These Are The Sweet Things.” The album captivated UK listeners’ hearts, and various album cuts appeared on the Sweet Rhythm and UK Soul charts for months.  

Lucky for me, she agreed to share her exceptional talents, co-write, and perform the song “Mama’s Kitchen Table.” Honestly, I could have chosen to spotlight any of the wonderful songs from “These Are Sweet Things,” her lovely rendition of Luther’s “So Amazing” from her impeccable “A Woman’s Story” album, or even my favorite untraditional Christmas song, “Pink Champagne” but selfishly I chose to spotlight the lyrics to “Mama’s Kitchen Table.”

I love the way her voice sounds in this song. Her low tones are spellbinding to me. She’s in the pocket with the groove, and she just sounds funky. Paulette’s a magician in how she seamlessly made my quirky lyrics seem funky.  Plus, my friend Ivan Hampden Jr. produced the heck out of this track. He’s truly a genius!!

My lyrics are inspired by my experience of accepting myself as a gay man. The dream of feeling comfortable bringing a partner home and welcoming him at our kitchen table was precious to me. The kitchen table symbolizes so many things to me. It reflects trust and honesty in a relationship. As gay men, many of us struggle with acceptance and often choose to keep that part of our lives a secret. Monsters grow in the dark.

A friend’s advice and objectivity are nonexistent in unhealthy, abusive relationships that are secretive. Denying yourself the support, encouragement, and resources of a friend’s shoulder and ear can have devastating consequences. I’ve known too many gay men who stayed in relationships because they felt they had no one to turn to. Thankfully, in my lifetime, my parents always welcomed me and my partners to their home.


I adore this woman! Please check out her music on your favorite streaming apps and her sensational rendition of “A Thousand Years” on YouTube.

You’ll be in for a treat! I hope you listen to more of her music and explore her unique artistry.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2o24 at Thread Lounge in New York City.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Pop Goes Country, and I Love It!!

Billboard Magazine posted an article about Pop Goes Country on the heels of Tracy Chapman and Luke Combs’ epic ‘Fast Car’ duet that symbolized how music bridges cultures and unifies us.

Sadly, at a moment when we feel hope that people can set aside their differences and come together, there are people to keep us apart.

I was upset hearing about a Country Radio station refusing to play Beyoncé’s new song, “Texas Hold ‘Em.” They should be thrilled that this incredibly talented songwriter, producer, and singer is creating music for their audiences.

I’ve heard the song, and I love it!

What’s so surprising about Beyoncé making country music? She’s from Texas! And she’s not the first musician to create music for multiple radio formats. 

According to the story, Lionel Richie’s hit “Stuck on You” topped the Adult Contemporary chart but also reached No. 24 on the Hot Country Songs chart in 1984. By the way, on a Michael Jackson World Tour, I had one of the most romantic nights of my life singing this song at a Karaoke Bar in South Korea.

Lionel In 2012, Richie (who was also the sole writer on the Kenny Rogers hit “Lady”) released the album Tuskegee, reworking several of his own hits as collaborations with a slew of country artists. 


I am someone who grew up on R&B radio. I’ve endured a lot of nasty nicknames over my lifetime for my love of Soul Music.  One Christmas, I remember Santa brought my brother, Bob, a “Supertramp” album, and I received the original soundtrack to “The Wiz.”

The memory still makes me laugh. I can’t explain why or how this music appeals to me. 
Thankfully, people’s taunts and awful name-calling didn’t stop me from pursuing my dreams. I feel fortunate to have worked with talented entertainers like Luther Vandross (who wrote the song “A Brand New Day” for the Wiz), Lionel Richie, and Maxwell. I’ve also written songs with some very talented songwriters, producers, and vocalists, including Ivan Hampden Jr., Cindy Mizelle, Paulette McWilliams, and Crystal Penny.

Back in the 90’s, I wrote the lyrics to a dance song, “That Man Of Mine”, that made on the Billboard Dance Charts.

One of my songs, “Mama’s Kitchen Table,” landed on the UK Soul Chart.

Another one of my songs, “Standards,” made it to #2 on the BCfm Soul Chart last Summer. This song is about how my love of popular ballads from the Quiet Storm radio format influenced my thoughts and attitudes about love.

I want to hold on to the feeling I had watching Tracy Chapman and Luke Combs perform. I know plenty of us in the world believe we can all get along. 

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Mama’s Kitchen Table Makes For An Unforgettable Summer

Earlier this summer, the song Mama’s Kitchen Table by Ivan Hampden Jr. featuring Paulette McWilliams was a new entry on the UK Soul Chart debuting at #15.

Paulette and I co-wrote the lyrics and Ivan produced the track.

The three of us met while working for Luther Vandross.  Ivan Hampden Jr. was Luther’s drummer, Paulette McWilliams was one of his backing vocalists, and I was his assistant.  

Before working for Luther, Paulette was in The American Breed who later became Rufus, and she introduced Chaka Khan to them to take her place. She sang with Quincy Jones, featured on Michael Jackson’s “Off The Wall” and has toured with Aretha Franklin, Marvin Gaye, and so many others. She was a guest on Richard Marzetti’s Solar Radio show on June 3, 2022. Click HERE to listen.

Ivan Hampden Jr. is a four-time Grammy winner and, as well as Luther’s albums,  has appeared on albums by Ashford & Simpson, Diana Ross, Roberta Flack, The Temptations, Beyonce, Mavis Staple, and Ann Nesby to name some of the more famous ones.

After Luther’s stroke, related to mismanaged type 2 diabetes, I founded the nonprofit, Divabetic in 2003. Since then, I have reached thousands of at-risk people affected by and living with diabetes through live events, videos, and podcasts. I was thrilled to return to music with my friends, Ivan and Paulette. Seeing Mama’s Kitchen Table on the UK Soul Charts brought me so much joy. It was an unexpected but equally enchanting moment in an unforgettable Summer.

 

I’m also thrilled to announce the three of us teamed up again to write the new Christmas song, Pink Champagne, coming out in late Fall.

“Pink Champagne is dedicated to anyone experiencing a painful heartbreak during the holidays,” says Paulette McWilliams. 

Breakups are hard. But the holidays seem to magnify the loneliness of heartache: parties with everyone coupled up, romantic Christmas music and movies, and those annual Christmas letters brimming with friends’ burgeoning families. The airwaves are filled with upbeat holiday classics leaving little room for sadness and contemplation.

Pink Champagne is a story of a woman’s journey from victim to victor at Christmastime. A mindset that Paulette believes can help someone with a broken heart find fulfillment.

“You can’t experience the joy of the holidays unless you let go of the painful emotions instead of holding them in,” she says. “I hope Pink Champagne helps people who are hurting be able to move on.”

Nancy Wilson’s Guess Who I Saw Today and Marlena Shaw’s Go Away Litte Boy inspired my lyrics and story.

A true classic, Guess Who I Saw Today was written by Murray Grand with lyrics by Elisse Boyd.  The delicious, dignified, and elegant Nancy Wilson’s storytelling ability remains unsurpassed. Her timeless tone and delivery satisfy Jazz lovers of all generations.

For the first Lady of Blue Note, Marlena Shaw’s Go Away Little Boy lifted her career to new heights. Her dash of wit and attitude provide a virtual tour de force, a classic moment of 1970’s soul. Marlena’s recording is one part hilarious stand-up routine (a la Millie Jackson or Patti Labelle) and one part slow-jam mood music.

 

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