The Wiz – Divabetic

04/06/202404/06/2024

The Wiz on Broadway, Luther Vandross Fashion Show & Listening Party

I saw the musical, The Wiz: The Super Soul Musical Wizard Of Oz” on Broadway this week.

The 1975 Broadway production won seven Tony Awards, including Best Musical. Sadly, Stephanie Mills didn’t win a Tony Award, but she did win the Drama Desk Award. I feel you can’t touch her performance. Her voice soars, shines, and shatters your ears. She will always be Dorothy for me.

The musical’s idea originated with producer Ken Harper, who became the director and worked with Geoffrey Holder.

The original Wizard on Broadway actor Andre De Shields wrote, “It was Geoffrey’s masterful people skills and embrace of magical realism that metamorphosed The Wiz from caterpillar to butterfly,” according to Wiki.

The Wiz was a breakthrough for Broadway, a large-scale big-budget musical featuring an all-Black cast. Its success opened the door for future musicals, Dreamgirls, and Sophisticated Ladies, to be produced.

One of the first albums Santa brought me was the original Broadway cast recording. I would repeatedly listen to the music, especially “Ease On Down The Road” and “A Brand New Day.”

I didn’t learn that Luther Vandross wrote “A Brand New Day” until after passing in 2005. He never performed the song in concert, so I had no reason to make the connection. But what a song! I love his creative approach to writing a song about Evillene’s death.

Luther’s joyful concept of what’s to come versus celebrating the tragedy of the witch’s death is inspiring. “A Brand New Day” is featured in the new Broadway production twice.

Watching the show with my friends, Joe and Leisa, and FANDROSS CEO Seveda Williams was a beautiful experience.

I adore Deborah Cox, who plays Glenda. Several years ago, I saw her perform “Absolutely Not” and “Things Just Ain’t The Same” at a KTU radio listening party, and she blew the roof off with her electrifying performance.

Celebrating Luther’s songwriting talents and the cast’s wonderful performances was wonderful. Plus, I got to relive my childhood memories.

The film version of The Wiz starred Diana Ross as Dorothy, Michael Jackson as Scarecrow, Nipsey Russell as Tin Man, Richard Pryor as the Wizard, and Lena Horne as Glinda.

Join me for my Luther Vandross: Never Too Much birthday party celebrating Luther’s iconic Music and Style.

This free program features a Music Panel, Fashion Show, Live Performances, Style Vendors, and Live DJ Dan C.E. on Wednesday, April 17, 2024, from 5:30 -8:30 PM at THREAD Lounge at the Renaissance Hotel.

PANEL: Luther’s Vocalist, Cindy Mizelle, and Luther’s Choreographer, James Ervin, discuss their experience working with Luther. Graffiti Glamour Makeup Artistry Founder Alicia Mitchell shares how small steps led her to big rewards in her healthy journey as she demonstrates how hair and makeup artistry can transform your attitude.

FASHION SHOW: Harlem’s Heaven, Kynetik Soundz, LPS Collection, Baro Sanchez, and Modafleur showcase the hottest trends in fashion. Plus, S Designs spotlights Luther’s Wedding Song, Here & Now, with funky, flashy, and fabulous wedding gowns you won’t miss! Hosted by Catherine Schuller.

LIVE MUSIC: Keith Anthony Fluitt performs some of Luther’s most beloved songs. DJ DAN.C.E. spins Luther’s hits all night long.

I’m thrilled to announce I’ll host the virtual FANDROSS Birthday Listening Party on Saturday, April 20, at 3 PM on Zoom. Join me, Luther Historian Leon Petrossian, Fonzi Thornton, Carlos Alomar, Nat Adderley Jr., and more special guests as we spin the group Luther’s glorious first album, “Luther,” during the program.

03/29/202403/29/2024

Divabetic Salutes Deborah Cox

“I prefer Princess. I would love to be known as a diva later on in life when I’ve had far more experiences,” says Deborah Cox.

With six top-20 Billboard R&B singles and an impressive eleven number-one hits on Billboard’s Hot Dance Club Play, Deborah Cox can call herself anything she wants, including a multi-platinum selling artist.

Deborah Cox, inspired by her idol Whitney Houston, began performing in television commercials at age 12. “I remember wanting to be a singer from when I was a young girl,” she recalls. “I would sing a lot in my room as a kid and just fantasize about being an entertainer.”

She was hired as a professional backup vocalist for Céline Dion.

Clive Davis was signed to Arista Records by Clive Davis. Her debut album featured an infectious mix of pop and R&B and her first dance hit, “Who Do U Love.”

From there, Deborah Cox’s career hit its stride on the dance floor. he released a string of dance songs, “Things Just Ain’t The Same,” “Absolutely Not,” and “It Could’ve Been You,” that stormed the club scene. Some artists look down on being categorized as dance artists or having their songs remixed, but not her. ” I think it’s about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that’s great,” she said. ” f I could do a classical version, that’ll be great too. It’s all just about expression.”

Her sophomore album produced the slow jam hit “Nobody’s Supposed to Be Here.” The soulful ballad became an instant sensation and held the then-record for the longest-running No. 1 R&B single of all time. But then, it got a second life on the dance floor and topped the Dance Charts.

When asked about reworking her signature ballads and dance floor stompers, she said, “My opinion is that music is music. As long as you approach doing a remix with truth, I don’t see the dance remixes being any different than a hip-hop remix—it’s really a different version of the song.”

Deborah Cox lived out her fantasies when she worked with her idol, Whitney Houston, on the song “Same Script, Different Cast” for the album Whitney: The Greatest Hits. Working alongside her idol, she said, “

It gave me a chance to really sit one-on-one with her and have that mentor-to-student sisterhood moment where we could just talk, kick it, and have raw conversations about the business, family, and so much more.”

She took another leap by performing Whtiney’s role in the musical rendition of the classic film, The Bodyguard. She performed the singing vocals on the Lifetime film, ‘I Will Always Love You: The Whitney Houston Story. “I knew I had some big shoes to fill,” says Deborah Cox.

I’m looking forward to seeing Deborah Cox on Broadway, starring in the revival of ‘The Wiz.’

Luther Vandross wrote “A Brand New Day,” also known as “Everybody Rejoice,” for the musical.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

02/16/202402/16/2024

Pop Goes Country, and I Love It!!

Billboard Magazine posted an article about Pop Goes Country on the heels of Tracy Chapman and Luke Combs’ epic ‘Fast Car’ duet that symbolized how music bridges cultures and unifies us.

Sadly, at a moment when we feel hope that people can set aside their differences and come together, there are people to keep us apart.

I was upset hearing about a Country Radio station refusing to play Beyoncé’s new song, “Texas Hold ‘Em.” They should be thrilled that this incredibly talented songwriter, producer, and singer is creating music for their audiences.

I’ve heard the song, and I love it!

What’s so surprising about Beyoncé making country music? She’s from Texas! And she’s not the first musician to create music for multiple radio formats.

According to the story, Lionel Richie’s hit “Stuck on You” topped the Adult Contemporary chart but also reached No. 24 on the Hot Country Songs chart in 1984. By the way, on a Michael Jackson World Tour, I had one of the most romantic nights of my life singing this song at a Karaoke Bar in South Korea.

Lionel In 2012, Richie (who was also the sole writer on the Kenny Rogers hit “Lady”) released the album Tuskegee, reworking several of his own hits as collaborations with a slew of country artists.

I am someone who grew up on R&B radio. I’ve endured a lot of nasty nicknames over my lifetime for my love of Soul Music. One Christmas, I remember Santa brought my brother, Bob, a “Supertramp” album, and I received the original soundtrack to “The Wiz.”

The memory still makes me laugh. I can’t explain why or how this music appeals to me.
Thankfully, people’s taunts and awful name-calling didn’t stop me from pursuing my dreams. I feel fortunate to have worked with talented entertainers like Luther Vandross (who wrote the song “A Brand New Day” for the Wiz), Lionel Richie, and Maxwell. I’ve also written songs with some very talented songwriters, producers, and vocalists, including Ivan Hampden Jr., Cindy Mizelle, Paulette McWilliams, and Crystal Penny.

Back in the 90’s, I wrote the lyrics to a dance song, “That Man Of Mine”, that made on the Billboard Dance Charts.

One of my songs, “Mama’s Kitchen Table,” landed on the UK Soul Chart.

Another one of my songs, “Standards,” made it to #2 on the BCfm Soul Chart last Summer. This song is about how my love of popular ballads from the Quiet Storm radio format influenced my thoughts and attitudes about love.

I want to hold on to the feeling I had watching Tracy Chapman and Luke Combs perform. I know plenty of us in the world believe we can all get along.