Divabetic Salutes Vesta Williams

Vesta Wiliams was an American singer-songwriter who started her artistic career.

In her teens, she was a member of her cousin, a former member of the 60’s & 70’s supergroup ‘5th Dimension,  Ron Townsend’s group, ‘Wild Honey’. She was a sought-after session singer providing background vocals for Anita Baker (‘Rapture’), Jermaine Jackson (‘Precious Moments’), Jeffrey Osborne (‘Emotional’), Stephanie Mills (‘If I Were Your Woman’), Gladys Knight (‘Good Woman’), and Sting (‘Nothing Like The Sun’) among others.  This exposure led her to be signed by  A&M Records label. She released her first album in 1986 called “Vesta,” which spawned the hit single “Once Bitten, Twice Shy.”

She was disappointed with her first album. She told Donny Simpson that it could have been better if there had been better energy between her team of e-producers. She said, “You have to let some butterflies be free, and I have to be free.” 


On her follow-up album, one of our favorites, “Vesta 4 U”, she showed a flair for dramatics. Working with Attala Zane Giles, Eric Daniels, Tena Clark, Gary Prim, and Billy Osbourne, Vesta poured her heart and soul into every lyric. “I always felt that to deliver a song successfully, you have to be an actress,” she said. “A good actress becomes the part, just as a good singer becomes the song.”

The first single, “Sweet, Sweet Love,” reached #4 on the Billboard R&B chart before she released what I consider her signature song, the mega-hit “Congratulations,” a rollercoaster of emotions and frothy camp perfection! The song’s video is like a soap opera on steroids! The song tells the story of a woman mistakenly congratulated by her old friend on her wedding day, but it’s not her wedding. Her boyfriend is marrying another woman. What? Plot twist!

The song tells the story of a woman mistakenly congratulated by her old friend on her wedding day, but little does she know that her soulmate is marrying another woman. What? Plot twist! Vesta, decked out in 80’s fashion staples, runs to the church with her shopping bags, ready to stop the wedding. She arrives just in time with her red lacquered nails and opens the church door. We can only imagine the sound she must have made because several people turned around to notice her. Why didn’t the director didn’t let her drop to her knees, roll on the ground, and crawl to the altar?


Vesta, decked out in 80’s fashion staples, initially laughs off her old friend’s assumption, but then she is completely gobsmacked at the realization. The next thing you know, she takes off like a freight train to head to the church. She doesn’t even put down her shopping bags or throw them in the trunk of her car; Vesta is determined to stop the wedding. Her shady old friend must have given her the address, or there is only one church in town because Vesta knows exactly where to go. Of course, she arrives just in time. Her glossy red lacquered nails open the church door as the couple exchange vows at the altar.

We can only imagine the sound she must have made, like a wolf howling at the moon, because several people turned around to notice her. Won’t you know one of them who catches Vesta throwing daggers at the altar is her old friend? Okay, so if the old friend received a wedding invitation, why did she ask Vesta if she was getting married? Vesta’s cold-hearted old friend set her up.  BFF’s?? No, I didn’t think so! I almost expect the old friend to pull out a bag of popcorn, kick off her shoes, and settle in, getting ready to enjoy the show. 

Sadly, brokenhearted Vesta sulks in the back of the church and casts a mean shadow. Why didn’t the director let Vesta drop to her knees, roll on the ground, and crawl to the altar instead of standing at the back of the church looking like the Grim Reaper? 

Still in the shadows, Vesta reminisces about the ups and downs of her relationship with the groom before having a crazy fantasy about being the bride. It’s like watching a telenovela but with sassy mermaid-style wedding dresses and fluffy tulle veils with lots of bodacious bows. Why Vesta is so verclemped is puzzling, too.  In one of her ‘between the sheets’ flashbacks, we see the groom for who he really is –  a dirty dog. After passionately making love, the couple is in the kitchen wearing satin robes. Vesta catches the groom on the phone talking to someone and scowls at him. Was he talking to Vesta’s old friend? I don’t think so. 

Back at the church, Vesta faces the hateful hand of cards she’s been dealt. Once the service is over, the newlyweds drive off in a limousine. A disgusted Vesta crosses the street and, I assume, heads to the closest dive bar. Ultimately, we learn that Vesta needs therapy and a new friend. Her old friend knew exactly what button she was pushing when she dropped the bomb of life on Vesta. She didn’t even get up to console Vesta when she saw her lurking in the back of the church. But hey, at least we got an epic song out of a backhanded slap in the face. 

The big payoff is listening to Vesta repeatedly deliver the word “congratulations” throughout the video. She flexes, stretches, and marinates in every syllable like she’s getting paid per “congratulations.” It requires repeated listening, but trust me, it’s worth it. 

I’m not the only one who loved this song or the video.”Congratulations” received massive airplay, and Vesta‘s popularity soared as a singer and songwriter.  I found she co-wrote the song with Tena Clark and Gary Prim, too.  

Of “Congratulations,” Vesta said “Tena wanted a situation where ‘congratulations’ is the last word you’d expect to hear. And so we came up with a concept about having it be about a woman who lost her love. She runs into the church and the only thing she could say is congratulations – unless she ran in and blew up the place, which would have ended the song rather abruptly.” Vesta’s performance of the song on “The Arsenio Hall Show” earned Vesta a standing ovation, one of a handful of ovations in the show’s history. When asked during an appearance on the Arsenio Hall show if she had written “Congratulations” based on a personal experience, the songstress replied, “Oh No Honey, if that ever happened to me, I’d probably burn the church down, or something.”

Vesta’s stage show featured much more than music. She liked to tell jokes, make funny quips, and was a gifted impressionist of famous singers like Tina Turner during her live performances. “A lot of people called me the black Bette Midler, and I regard that as a compliment, “she said. 

During her music career, Vesta Williams recorded songs for films, including Soul Man and Mississippi Burning, and the theme from the television mini-series Women Of Brewster Place.  Sadly, Vesta Williams’s unexpected and untimely death left a hole in our hearts. She became a folk heroine for R&B fans because she beautifully conveyed betrayal and loss, which we laughed along with, not at her. This self-proclaimed diva with a four-octave range is a part of the soundtrack of my life. She epitomizes all the emotions between heartbreak, love, and romance in The Quiet Storm, and we thank her for that. 

If you’re living with, at risk of, or affected by diabetes, planning, or attending a wedding, this inside guide to one of life’s most important celebrations is for you! Join Mr. Divabetic as he officiates a full hour featuring a guest list of wedding, food, and fashion experts with tips and suggestions for brides, grooms, attendants, and attendees. Guests include Jessica Issler and Judi Wilcox, certified diabetes educators; Christine Campanelli, wedding cake designer; Holly Clegg, celebrity cookbook author; Catherine Schuller, fashion stylist and a group of former brides.

Sadly, Vesta remains restrained throughout the ceremony, reminiscing about their awkward relationship with the groom and fantasizing about being the bride. It’s like watching a telenovela but with more mermaid-style wedding dresses and fluffy tulle veils with lots of big bows. The big payoff is listening to how Vesta delivers the word “congratulations” repeatedly throughout the video. She flexes, stretches, and marinates in every syllable like she’s getting paid per “congratulations.” It requires repeated listening, but trust me, it’s worth it. Ultimately, we learn that Vesta needs therapy and a new friend. Her old friend knew exactly what button she was pushing and dropped the bomb of life on her. But hey, at least we got an epic song out of it!

Sadly, Vesta Williams’s unexpected and untimely death left a hole in our hearts. She became a folk heroine for R&B fans because she beautifully conveyed betrayal and loss. She was gifted at doing impressions of famous singers like Tina Turner, often telling jokes and making quips during her live performances. “If you got it, flaunt it; if you don’t, cover it up,” is how she defended wearing low-cut dresses. We laughed along with the self-proclaimed diva with a four-octave range, not at her. 

Divabetic Salutes Stephanie Mills



Stephanie Mills’ voice is so distinctive that it is hard to mistake it for anyone else’s. She has been nicknamed “the little lady with a big voice,” but this hardly does justice to her status as a living legend. Although her impressive string of hits in the ’80s and early ’90s might qualify her as an R&B icon, it was her electrifying performance as Dorothy in the Broadway show “The Wiz” that made her a household name.

Did you know an up-and-coming songwriter named Luther Vandross penned “A Brand New Day“, also known as “Everybody Rejoice“? 


If you do a few Google searches,  you’ll find “The Wiz” wasn’t her first foray into showbiz. At the ripe old age of nine, she achieved considerable success in a background role for the 1968 musical “Maggie Flynn. After that, she won amateur night not once, not twice, but six sensational times at Showtime at the Apollo. 

Her Broadway success in “The Wiz” led Stephanie Mills to be signed with 20th Century, scoring her first top 10 R&B hit in 1979 with “What Cha Gonna Do With My Lovin’.” From there, she segued to Casablanca and then MCA, where she recorded five No. 1 R&B singles, including “I Feel Good All Over” and “Home.”
She freely admits, “I love all my albums [but] I think my prime album would be the Home album because I put a lot of thought into re-recording ‘Home‘ and the songs on that album. But each of my albums [has] a story of a time in my life [and] what I may have been going through at that time.”

Although we’re glad to hear she loves her albums and still tours, we can imagine the time, dedication, drive, and diligence it takes to be at the top of your game for over six decades. “I sing every day, but I get a lot of rest. I sleep a lot, but I love touring,” she said in an interview with one of our favorite websites, Rated R&B. “It’s not taxing. I’m older, so when I come home, I am tired, but it’s a good tired because I love leaving everything I have on stage with my audience.”

Recently, Stephanie Mills chose to fund her own recording. She explained to the White Mountain Independent, ” “I’m doing this on sheer will, faith, and my experience in the business. I didn’t set out to do this on my own; it just happened. But I believe in this.”

When asked what keeps her inner rhinestones glowing, Stephanie Mills said, “Seeing the audience’s faces and seeing them enjoy my singing. I take pride in trying to sound as close to my records as I can. In fact, when I sing, I sing to my original recording. People pay their hard-earned money to come see you. That’s big. That’s a lot.”On social media, Stephanie Mill has no problem speaking her mind. She’s shared her feelings regarding the R&B whitewashing and defended her friend, the late Michael Jackson. 

Her recording of Angela Winbush’s “I Have Learned To Respect The Power Of Love” is a standout. Her voice is rich, clear, and powerful. She pours emotion into every line of lyrical sentiment that speaks to your heart. It’s one of my most beloved Quiet Storm ballads. You don’t hear songs like this anymore. 

“I’ve had a fabulous life and fabulous career,” the legendary singer confidently told Rated R&B. Asked what she credits for her longevity in the music industry, she said, “Never following a trend. I’ve always done my own path and stayed on my own path. I didn’t listen to a lot of noise of what people say: “Oh, you should do this, you should do that.” I took the best from whatever they said that I felt was best for me and would work for me and I would do that. I always took my time and just slowly did the slow walk. I didn’t do a fast run. I did a slow walk.”

We can’t forget that our friend, singer, and songwriter Tawatha Agee penned the monumental duet “Two Hearts” for Stephanie Mills and Teddy Pendergrass. Released in 1981, the song reached #3 on the Billboard R & B Charts.


After working in showbiz for half a century, Stephanie Mills must feel content knowing that people still enjoy watching her perform. It’s difficult to imagine the numerous setbacks, disappointments, and frustrations she has faced throughout her career. From the singles that failed to make it to the top of the charts to auditions for roles that she didn’t get, Stephanie has likely endured more challenges than most of us could handle. Therefore, we celebrate her longevity steeped in excellence with great admiration.

Divabetic remembers Luther Vandross (April 20, 1951 – July 1, 2005) with this special podcast. Luther Vandross was a musical master whose style has influenced an entire generation of today’s vocalists. His distinctive brand of satin-smooth vocal magic moved international audiences and continues to touch people today. Max “Mr. Divabetic” Szadek, who worked with Vandross for more than 14 years, hosts this tribute podcast featuring Luther’s former vocalists Paulette McWilliams, Pat Lacy, Tawatha Agee, Cindy Mizelle, and Kevin Owens, band member Bryon Miller, Vandross family member, Seveda Williams, friends Darren Margo and David Jones, the Luther Vandross historian, Leon Petrossian and Luther super fan, Jane Goodman from Great Britain. Throughout the podcast, we will play selected Luther Vandross songs that he recorded during the 1990’s courtesy of SONY Music.

Luther Vandross ‘Live at Radio City Music Hall 2003’ 20th Anniversary Edition Announced

I was there when Luther Vandross recorded his first and only live album at Radio City Music Hall in 2003. It’s a bittersweet memory because it was also Luther’s last live performance. Unfortunately, in April 2003, Luther suffered a stroke due to mismanaged type 2 diabetes. His Radio City concerts would be his last, and he was at the peak of his powers during these shows. Thankfully, the newly-restored concert recording captures Luther’s masterful showmanship, soulful singing, and deep connection to his audience. Luther’s live concerts were indeed a spectacle. Great music, vocals, lavish costumes, and staging ensured concertgoers got their money’s worth.

J  Records and Legacy Recordings, the catalog division of Sony Music Entertainment, are pleased to announce the deluxe digital release of Luther Vandross – Live Radio City Music Hall 2003 – Expanded 20th Anniversary Edition – The Last Concert on Friday, February 10.

A romantic prelude to Valentine’s Day 2023, Luther’s Radio City rendition of “I’d Rather” [the second #1 Billboard Adult R&B Songs chart-topper from 2001’s Top 10 platinum-selling eponymous album] is being released as a single accompanied by an elegant new lyric video [the first-ever created for the song] premiering online today.

Luther Vandross–the award-winning American singer, songwriter, producer, and performer whose exquisite tenor vocals combined elements of R&B, pop, soul, and indefinable magic while selling millions of records–performed two sold-out shows at New York’s fabled Radio City Music Hall on February 11 and 12, 2003. These shows were part of an annual tradition of performing at Radio City Music Hall on Valentine’s Day.

At these shows, superstar stylist June Ambrose helped me to borrow Harry Winston jewels for Luther and his backing vocalists to wear on stage. The sparkle of real diamonds added to the elegance and excitement of the evening.

J Records released Luther Vandross – Live Radio City Music Hall 2003, an eleven-song edited version of the concert, on October 14, 2003. On the 20th anniversary of Luther’s final shows, J/Legacy are releasing an expanded edition featuring the full concert, with the setlist restored to original concert order and Luther’s on-stage banter providing insight into his personality, sense of humor and commitment to his audience and his songs.

The expanded 20th-anniversary edition of Luther Vandross – Live Radio City 2003 includes the eleven songs from the original release as well as four new tracks–“Power of Love/Love Power,” “Going Out of My Head,” “Any Day Now,” and “Say It Now”–and more.

Luther Vandross – Live Radio City Music Hall 2003 – Expanded 20th Anniversary Edition – The Last Concert
1. Power of Love / Love Power [new track]
2. Happy Valentine’s Day [spoken word]
3. Never Too Much
4. Work It/ Here and Now [spoken word]
5. Here And Now
6. Going Out Of My Head [new track]
7. Stop To Love
8. Love Won’t Let Me Wait
9. Any Day Now [new track]
10. A House Is Not A Home
11. I’d Rather
12. Take You Out
13. Say It Now [new track]
14. Superstar
15. Band Introduction [spoken word and music including :30 seconds of “I Believe”]
16. Intro to “Glow Of Love” [spoken word]
17. Glow Of Love
18. Encore [spoken word]
19. If Only For One Night
20. Creepin’

Luther Vandross ‘Live at Radio City Music Hall 2003’ 20th Anniversary Edition album is available now for preorder on iTunes. Release date February 10, 2023.

Toast the Holidays with New Christmas Song, Pink Champagne!

Please help me toast the holidays by listening to my new Christmas song, Pink Champagne, by Ivan Hampden Jr. and Paulette McWilliams

The song is a passionate story of self-love and a woman’s journey from victim to victor at Christmastime. A mindset that I hope anyone who feels brokenhearted can find comfort in.   

Breakups are hard. But the holidays seem to magnify the loneliness of heartaches: parties with everyone coupled up, romantic Christmas music and movies, and those annual Christmas letters brimming with friends’ burgeoning families. The airwaves are filled with upbeat holiday classics leaving little room for sadness and contemplation. 

Take it from me, you can’t experience the joy of the holidays unless you let go of the painful emotions instead of holding them in. Hopefully, Pink Champagne can help bring joy and help those of us experiencing the same to move on during the holidays.

If you like my new release, Pink Champagne. please ‘like’ and share

Nancy Wilson Inspires New Holiday Song: Pink Champage

I’m thrilled to share my new holiday song, “Pink Champagne,” by Ivan Hampden Jr. and Paulette McWilliams, with you.
Pink Champagne’s lyrics came to me from binge-watching Hallmark Holiday movies. After watching three or more of these films (!) I longed to see more about the breakup that led to the main character returning to her hometown and finding her soul mate. This is why Pink Champagne’s main character is a woman ending her relationship at Christmastime on her terms.
Paulette’s voice has so many rich, sophisticated and varied textures and tones; I knew she had more than enough talent to capture the character’s essence.  She created the song’s melody and phrasing, filling my words with raw emotion.
Ivan’s incredible musicianship took over from there. He polished the track, adding a lush, elegant orchestration worthy of our former friend, colleague, and employer Luther Vandross.

“When I received the story from Max, I quickly thought of the connection “Pink Champagne” has to Nancy Wilsons “Guess Who I Saw Today, ” says Ivan Hampden Jr. He adds, “The classy breakup song and one of her biggest hits. It also brought back memories of being on the stage performing with Eartha Kitt, an amazing storyteller, through her songs, particularly her rendition of “All By Myself.”

Feeling ‘blue’ while the rest of the world is acting ‘merry’ isn’t ideal for anyone. Especially if the proverb, “misery loves company,” rings true. I hope anyone with a broken heart finds some comfort in our song, “Pink Champagne.”
Cheers!

Heart Attack Signs for Women Are Like A Quiet Storm

Did you know that women are at a much higher risk to have a silent heart attack and be unaware that it’s happening or confuse it with something else?

The symptoms of a heart attack can come on like a quiet storm.

Studies have shown that women who have had a heart attack often did not experience chest pain — the most telling sign of a heart problem. Instead, women have a set of symptoms that come on slowly and progress gradually, including:

Unusual fatigue
Sleep disturbance
Flu-like discomfort
Paleness or clammy skin
Inability to sleep

Men are much more likely to experience the most common symptoms suddenly and with more severity. They can have cold sweats, dizziness or a feeling that they’re going to pass out.

Most fans we’re shocked to learn that Peabo Bryson suffered a mild heart attack last year. He credits his wife’s quick thinking and fast response for his his speedy recovery. In honor of this Quiet Storm icon we’re encourage you to learn the common warning signs of heart attack.

Memorize the common heart attack warning signs like the words to your favorite love song:

Chest discomfort. Most heart attacks involve discomfort in the center of the chest that lasts more than a few minutes – or it may go away and then return. It can feel like uncomfortable pressure, squeezing, fullness or pain

Discomfort in other areas of the upper body. Symptoms can include pain or discomfort in one or both arms, the back, neck, jaw or stomach.

Shortness of breath. This can occur with or without chest discomfort.

Other signs. Other possible signs include breaking out in a cold sweat, nausea or lightheadedness.

If you can spot them early, you can limit the damage from the heart attack. Keep your house a home and learn the signs for heart attack, and remember: Even if you’re not sure it’s a heart attack, have it checked out.

Minutes matter. Fast action can save lives – maybe your own. Call 911 if you experience heart attack warning signs. Calling 911 is almost always the fastest way to get lifesaving treatment. Learn more at heart.org

Join us for Quiet Storm Fans’ Peabo Bryson Listening Party with Leon Petrossian on Saturday, July 18, 8 – 10 PM. We will sharing heart health and heart attack information between Peabo Bryson’s most beloved songs.

Divabetic was inspired by the late music legend, Luther Vandross and created in 2005 by Max ‘Mr. Divabetic’ Szadek, who, as Vandross’ assistant of 14 years, witnessed his boss, mentor, and friend struggle in silence and solitude with the diabetes and its related complications. Since its inception, Divabetic has presented outreach programs in 15 major U.S. cities, reaching hundreds of thousands of women, their families and health care professionals.

Experience more of our GLAM MORE, FEAR LESS philosophy at divabetic.org

Quiet Storm Fans: Lyrics Lovers Game 1

Can you identify the artist and the song of this popular Quiet Storm ballad  just by looking at the lyrics from the 2nd verse? Good Luck!

After all this time
Slip on your nightgown
Step into our bedroom
First I want to take sometime

I just want to look at you
Girl you are so fine
I can’t believe you’re mine
And all I want to do

I want to make love to you
Tonight will be a special night
A minute more to come
And I’m so proud to be with you
So proud to share you’re love

Watch this video to see the answer

 

The smooth R&B programming nicknamed ‘the Quiet Storm’ starting in 1976 and came to prominence in the mid-80s, breaking artists including Luther Vandross, Anita Baker, and Sade, and establishing hit-makers like Jimmy Jam and Terry Lewis and LA Reid and Babyface. It was an alternative to funk, disco, and boogie that also gifted “old-school” R&B artists with the extended careers that classic rock artists enjoyed.
An urban alternative to soft rock or easy listening, Quiet Storm ignores most of the programming rules of commercial radio. Songs can be current or decades old, deep cuts or singles, and are more likely to be a live version or extended length than a radio edit. Instrumentals also get burn; jazz fusion is a favorite.
The Quiet Storm was and is multipurpose mood music; perfect for everything from sexy-time to just general wind-down.
Excerpts from Naima Cochrane’s Vibe magazine article, May 2019
The Quiet Storm Fans page is moderated by Luther Vandross’s former assistant, Max “Mr. Divabetic” Szadek.
“My aim is to empower quiet storm music fans to learn more about the health conditions affecting their favorite artists and apply it to their own lives,” says Max Szadek. “For example, Quiet Storm legend, Barry White suffered from chronic hypertension, like many of his fans,  which caused severe kidney damage before his death. In fact, the prevalence of high blood pressure (HBP or hypertension) in African-Americans in the United States is among the highest in the world. More than 40 percent of non-Hispanic African-American men and women have high blood pressure. For African-Americans, high blood pressure also develops earlier in life and is usually more severe according to the American Heart Association.

https://youtu.be/bwn7ztGyY3M