Roberta Flack – Divabetic

03/30/202403/30/2024

Divabetic Salutes Gwen Guthrie

“You’ve got to look at different ways to survive,” Gwen Guthrie said in a Blues & Soul Magazine interview. “And being independent could be one way that works for me.”

Singer, songwriter, and pianist Gwen Guthrie is best remembered for her infectious club hit, “Ain’t Nothin’ Goin’ On But the Rent,” It was one of the biggest dance anthems of the Eighties with its catchphrase: “No romance without finance. You gotta have a J.O.B. if you wanna be with me.”
This club icon studied classical music and piano at school.

In the early seventies, she joined the Ebonettes and the Matchmakers alongside Larry Blackmon, who became Cameo’s frontman.

During a studio session, she met musician Patrick Grant, and the pair wrote seven songs for Sister Sledge’s debut album. They also wrote the sublime “This Time I’ll be Sweeter,” in which Angela Boffil created musical magic. The song has been recorded over eighty times.

After touring and recording with Roberta Flack, Gwen Guthrie relocated to Jamacia. She teamed up with Jamaican dub and reggae duo Sly Dunbar and Robbie Shakespeare and released `It Should’ve Been You’ for Island’s R&B department. With Sly Dunbar and Robbie Shakespeare as producers, the singer cut the rest of her debut album, Gwen Guthrie, and the follow-up album, Padlock, featuring “Seventh Heaven” and “Hopscotch.”

I love the concept and imagery of the “Padlock” song lyrics. “Padlock” reached #13 on dance charts, climbed to #25 R&B, and was heard all over New York City during the summer of 1985. Like many of her hits, “Padlock” was remixed by one of the most influential club culture DJs, Paradise Garage DJ Larry Levan. Her frequent performances at the Garage earned her the nickname “The First Lady of the Paradise Garage.”

Robbie Shakespeare recalls how easy it was to work with Gwen Guthrie in the studio.”In the studio, you only had to give Gwen the rhythm. She would sit and draw flowers while she worked on lyrics. She was wicked fun and had a great personality.”

Her biggest hit, “Ain’t Nothin’ Goin’ On But the Rent,” was a monster smash in the UK but didn’t achieve the crossover success it deserved in the US. The song begins with the lyrics “Bill collectors at my door,” and is the funkiest tune about financial hardships.

“Things are much harder in the music business; you’ve got A&R men at major labels who don’t come from a particularly musical-orientated background and make some incredibly strange decisions, then you’ve got to battle for a budget to promote your releases, she said in an interview with Blues & Soul Magazine.

Soon after, Guthrie moved from Polydor to Warner Brothers and released several more albums but with lukewarm sales. “My last album came out at the same time as Prince, Quincy Jones, and Al. B Sure and I felt ignored.”In addition to running and supporting a children’s theatre company, the versatile singer with precise pitch is also one of the first recording artists to raise money for the fight against AIDS. Gwen Guthrie donated proceeds from her 1988 song “Can’t Love You Tonight,” which also addressed the epidemic. Her contributions to disco, house, and dance music will forever endure.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/10/202403/10/2024

Divabetic Salutes Phyllis Hyman

Singer and actress Phyllis Hyman was best known for her soulful music from the late 1970s through the early 1990s, including the songs “You Know How To Love Me” (1979), “Living All Alone” (1986), and “Old Friend” (1991).

Deep-voiced and statuesque, Phyllis Hyman’s power, skill, and versatility as a performer enthralled her audiences.

She earned a Theatre World Award and a Tony Award nomination for Best Performance by a Featured Actress in a Musical for her work in the 1981 musical Sophisticated Ladies, which was based on Duke Ellington’s music and ran from 1981 until 1983.

Born in Pittsburgh in 1950, Phyllis Hyman was the eldest of seven children. She grew up in Philadelphia, listening to a wide range of music from James Brown and Nina Simone to Karen Carpenter and Minnie Ripperton.

Her big break came when she gained the attention of jazz drummer Norman Connors, who had a reputation for discovering female vocalists such as Jean Carne. Norman Connors produced Phyllis Hyman’s sultry rendition of The Stylistics’ “Betcha By Golly Wow,” which proved a favorite on R&B radio stations in the United States.

She signed to the New York-based Buddha Record label and cut several fine tracks, which became staple fare on an emerging radio format, the “Quiet Storm,” soul ballads played late into the night.

Later, she signed with Arista Records, reaching an international audience with her albums “Somewhere In My Lifetime,” “Can’t We Fall in Love Again,” and the album that bears the title of one of her biggest hit singles, “You Know How To Love Me.”

1986 she returned to Philadelphia and signed with Kenny Gamble at Philadelphia International Records. Their hit album, “Living All Alone,” included the now-classic single “Old Friend.” This song was a comfort for many of us during the AIDS epidemic. She visited New York City hospices and performed at countless benefits. Phyllis mentioned her own loss made it difficult for her to perform the song. It’s still one of the most beautiful songs ever recorded, filled with sadness and a heartfelt plea to reunite with a lost love.

Phyllis was often plagued with self-criticism. In a 1991 interview with David Nathan, she said, “Up until 5 years ago, I didn’t listen that much to myself… When people would say they loved my voice, I’d wonder, ‘Why are they moved?’ Now, I’m beginning to understand how people can be turned on by my singing… I’ve been told that people can feel a lot more love and calm coming from me these days.”

When she should have been soaring like the songbird she was, Phyllis Hyman’s mental health issues took over her life. She was diagnosed as being “bipolar,” a medical term for someone who suffers from the disease of manic-depression.

As she got older, her disease became more and more challenging t for her to manage. She chose not to use pharmaceutical medication and instead self-medicate. Her self-medication distorted her disease more and more until she felt helpless about ever being able to recover from it. Her self-destructive behavior and problems became more evident to her family, friends, and music industry peers. She attempted suicide twice before she took her life a few days before her 45th birthday and only a few hours before she was due to appear at the Apollo Theatre in Harlem.

“As an artist, she sang her desperation. She has a song that is a soundtrack of her entire life, ‘You Just Don’t Know What I’ve Been Going Through,’ ” said Frank Sheffield, Hyman’s long-time friend who managed the jazz station at Hampton (Va.) University, where Hyman often appeared.

After Phyllis’ passing, Roberta Flack said, “Phyllis’ voice, at once breathy and resonant, will sing in my heart and spirit forever.”

We’re talking about ‘Diabetes, Sleep & Mental Health Issues’ on Diabetes Late Nite with musical inspiration from the iconic Phyllis Hyman.

Podcast guests include Alyson Williams, Queen Diva, Patricia Farrell, PhD, Kristina Wolfe, ‘Tabouli: The Story of a Heart-Driven Diabetes Alert Dog’ Author Matt Pelicano, Elizabeth Vaughan Gallagher, Stacie Shonkwiler, and the Charlie’s Angels of Outreach with Patricia Addie-Gentle.

Throughout the podcast, we will feature music from “The Essential Phyllis Hyman” album courtesy of SONY Music.

09/06/202209/06/2022

Mama’s Kitchen Table Makes For An Unforgettable Summer

Earlier this summer, the song Mama’s Kitchen Table by Ivan Hampden Jr. featuring Paulette McWilliams was a new entry on the UK Soul Chart debuting at #15.

Paulette and I co-wrote the lyrics and Ivan produced the track.

The three of us met while working for Luther Vandross. Ivan Hampden Jr. was Luther’s drummer, Paulette McWilliams was one of his backing vocalists, and I was his assistant.

Before working for Luther, Paulette was in The American Breed who later became Rufus, and she introduced Chaka Khan to them to take her place. She sang with Quincy Jones, featured on Michael Jackson’s “Off The Wall” and has toured with Aretha Franklin, Marvin Gaye, and so many others. She was a guest on Richard Marzetti’s Solar Radio show on June 3, 2022. Click HERE to listen.

Ivan Hampden Jr. is a four-time Grammy winner and, as well as Luther’s albums, has appeared on albums by Ashford & Simpson, Diana Ross, Roberta Flack, The Temptations, Beyonce, Mavis Staple, and Ann Nesby to name some of the more famous ones.

After Luther’s stroke, related to mismanaged type 2 diabetes, I founded the nonprofit, Divabetic in 2003. Since then, I have reached thousands of at-risk people affected by and living with diabetes through live events, videos, and podcasts. I was thrilled to return to music with my friends, Ivan and Paulette. Seeing Mama’s Kitchen Table on the UK Soul Charts brought me so much joy. It was an unexpected but equally enchanting moment in an unforgettable Summer.

I’m also thrilled to announce the three of us teamed up again to write the new Christmas song, Pink Champagne, coming out in late Fall.

“Pink Champagne is dedicated to anyone experiencing a painful heartbreak during the holidays,” says Paulette McWilliams.

Breakups are hard. But the holidays seem to magnify the loneliness of heartache: parties with everyone coupled up, romantic Christmas music and movies, and those annual Christmas letters brimming with friends’ burgeoning families. The airwaves are filled with upbeat holiday classics leaving little room for sadness and contemplation.

Pink Champagne is a story of a woman’s journey from victim to victor at Christmastime. A mindset that Paulette believes can help someone with a broken heart find fulfillment.

“You can’t experience the joy of the holidays unless you let go of the painful emotions instead of holding them in,” she says. “I hope Pink Champagne helps people who are hurting be able to move on.”

Nancy Wilson’s Guess Who I Saw Today and Marlena Shaw’s Go Away Litte Boy inspired my lyrics and story.

A true classic, Guess Who I Saw Today was written by Murray Grand with lyrics by Elisse Boyd. The delicious, dignified, and elegant Nancy Wilson’s storytelling ability remains unsurpassed. Her timeless tone and delivery satisfy Jazz lovers of all generations.

For the first Lady of Blue Note, Marlena Shaw’s Go Away Little Boy lifted her career to new heights. Her dash of wit and attitude provide a virtual tour de force, a classic moment of 1970’s soul. Marlena’s recording is one part hilarious stand-up routine (a la Millie Jackson or Patti Labelle) and one part slow-jam mood music.

05/21/2022

Mama’s Kitchen Table Song Added to Solar Radio’s Playlist

Yesterday was an exciting day! DJ Richard Marzetti featured the song, Mama’s Kitchen Table, that I co-wrote with Ivan Hampden Jr. and Paulette McWilliams on his show Soul Life on Solar Radio! Paulette McWilliams returns for an exclusive interview on Richard’s show on Friday, June 3, 2022.

Mama’s Kitchen Table is about a woman’s desire for a good, reliable, honest, and decent guy. Someone who doesn’t give up when times are tough but shows up. A respectable man you can bring home to your mama’s kitchen table – the heart of the home. The place where your family gathers to mark milestones, celebrate accomplishments, and honor commitments —the one place in the world where you feel comfortable being your true, authentic self.

Mama’s Kitchen Table continues Luther Vandross‘s musical legacy by uniting his background vocalist, Paulette McWilliams, his songwriter, drummer, and studio engineer Ivan Hampden Jr. and his long-time assistant, Max Szadek.

Paulette McWilliams is a singer and songwriter. She began her career singing with the bands The American Breed and Rufus and has appeared as a backing vocalist on recordings and on tour for numerous artists. She worked with Marvin Gaye, Luther Vandross, Aretha Franklin, The Jacksons, Michael Jackson, Quincy Jones, and as a member of Bette Midler’s backing group the Harlettes, among many others.

Ivan Hampden Jr. is a jazz and R&B drummer, composer, and record producer. He was Luther Vandross’ tour and session drummer from 1987 to 2003. Throughout his career, Hampden toured and performed with a number of celebrated artists, including Roberta Flack, Chaka Khan, Eartha Kitt, Jennifer Lopez, Bonnie Raitt, India Arie, Stevie Wonder, Dionne Warwick, Little Richard, Gladys Knight, Vanessa Williams, among many others. Ivan Hampden Jr. was recognized for his participation as Arranger/Musician/Programmer on two Grammy Award-winning recordings at the 2004 Grammy Awards: Best R&B Album “Dance With My Father” performed by Luther Vandross, and Best R&B Performance By A Duo or Group with Vocals “The Closer I Get to You” performed by Beyoncé and Luther Vandross.

08/12/202108/12/2021

Luther’s iconic Never Too Much Album Turns 40!

Luther Vandross’ debut solo album Never Too Much, originally released August 12, 1981, celebrates its 40th Anniversary and the start of an epic solo career.

Before the album’s release, Luther worked steadily in the music industry. He worked as a jingle writer and singer on TV commercials for major companies like Burger King, Juicy Fruit, and Kentucky Fried Chicken. He sang backgrounds on many records, sometimes even arranging the parts for major hits by acts like CHIC. He toured with legends Roberta Flack and Bette Midler, and others. He even co-wrote ‘Young Americans’ and ‘Fascination’ with David Bowie. He also gained moderate success as one-fifth of the self-titled R&B quintet Luther, releasing two solid projects on the Cotillion label—1976’s Luther and 1977’s Close to You.

Many consider Luther’s first major break to be The Glow Of Love and subsequently, Searching for the Italian-US disco-soul ensemble Change, formed by businessman and executive producer Jacques Ford Petrus and producer-songwriter Mauro Malauasi. The Glow Of Love. Luther gained valuable name recognition from music fans from the success of these records when disc jockeys started to introduce the singles as “Change featuring Luther Vandross.”

It still boggles my mind that after all of his success, several major record label executives passed on signing Luther after hearing his self-financed demo records. The fact that he kept shopping his demo around to labels pays tribute to his drive and ambition. I have never met anyone else in life with more purpose, ambition, and determination than Luther Vandross. Of course, he was mega-talented, but these other qualities that he possessed should not be overlooked. He was and still is an incredible inspiration in my life. How many people would keep on trying to succeed after being told ‘NO’ multiple times?

I also feel Luther gained invaluable insight into how to successfully shape his career from his years working behind the scenes. He learned from other’s successes and failures. Luther witnessed first-hand the struggles, fights, and frustrations that music artists experience with their record labels, managers, agents, and fans. He also made invaluable connections with other artists, musicians, and producers.

In 1981, a now thirty-year-old Luther Vandross finally got a record deal. The then-senior vice president of CBS Records, Larkin Arnold, and record executive Jerome Gasper sign him to the subsidiary label, Epic Records. Rumor is that they decided after hearing only one song, Never Too Much.

In recognition of 40 years of Luther Vandross’s double-platinum selling album, Never Too Much, his keyboardist and songwriting partner, John “Skip” Anderson remixes his classic hit as a mid-tempo ballad.

https://youtu.be/jr9Pp0RAeIk

Divabetic’s 2021 Luther Vandross Tribute podcast guests include Lisa Fischer, Jason Miles, Jeff James, Patricia Addie-Gentle RN, CDE, and Chuck Flowers.

By the time Luther Vandross headed to the studio to record his fifth album Give Me the Reason in 1986, he’d become one of the most successful soul singers of the first half of the eighties. His four previous albums have been either certified platinum or double-platinum in America. He appears slim and trim on the album cover. Unfortunately, the considerable amount of weight he lost on a liquid diet triggered a lifelong cycle of yo-yo dieting.

For Luther Vandross’ fifth album Give Me the Reason, the album comprised nine tracks, including the hits: So Amazing, There’s Nothing Better Than Love, Stop To Love, and Give Me The Reason.

Throughout the podcast, we will be featuring music from Luther Vandross’s Give Me The Reason album courtesy of SONY Music.