rnbmusic – Divabetic

Singer Levi Stubbs‘s life journey serves as both an inspiration and a cautionary tale. His iconic contributions to music, particularly through the Four Tops, highlight the beauty and power of artistic expression. Yet, beneath the glittering surface of fame lies a stark reality that many artists and fans overlook—the fragility of health.

The alarming statistics surrounding strokes and health disparities in communities of color are especially poignant in the context of Stubbs’s life. Despite his immense talent and success, he faced significant health challenges, including prostate cancer and diabetes, which ultimately overshadowed his musical legacy. It’s a bittersweet reminder that even the most beloved figures are not immune to the realities of life, and the pressures of a demanding career can often lead to neglecting personal well-being.

The statements from those close to him, like Norman Whitfield, resonate deeply. They remind us that health should be prioritized, not just as a personal responsibility but as a communal one, particularly in conversations about race and health equity. The struggles of Levi Stubbs, Luther Vandross, Ella Fitzgerald, LaVerne Baker and Angela Bofill illuminate a critical narrative that transcends music, urging us to listen—both to the voices of these phenomenal artists and to our own bodies.

As fans, we often celebrate the triumphs of our favorite celebrities, yet we can easily forget the personal battles they may be facing. It’s essential to draw lessons from their stories, recognizing that health should never be taken for granted. Rather than focus solely on their public personas, we need to consider their holistic journeys, full of both shining moments and difficult struggles.

Levi Stubbs‘s legacy is a blend of soulful melodies and a reminder of the importance of health awareness. His approach to singing—living each song deeply—could be extended to how we approach our lives and well-being. It’s an invitation to not only appreciate the music but also engage in self-care and health advocacy, ensuring that we don’t repeat the patterns of neglect that can come with the pursuit of success.

In honoring his memory, let us strive to embrace a fuller understanding of health—one that encompasses not just the physical, but also the emotional and communal aspects of our well-being.

Ultimately, we can ensure that the voices we cherish continue to inspire us long after their passings.

Teena Marie was an R&B singer, songwriter, musician, and producer. She was known by her childhood nickname Tina before taking the stage name Teena Marie, and later, Rick James nicknamed her Lady T.

During her lifetime, she made music that shattered narrow-minded marketing categories and gender roles. Teena Marie was the rare woman in charge of her material. She wrote, produced, and performed her records for much of her career, which took off in 1979.

Early in her career, Teena Marie told Dick Clark on American Bandstand that from the time she was eight years old, she dreamed of being on Motown Records. She said, “I used to look at the blue label and say, Oh, God, it (Motown) must be the most fabulous place’.”

After several creative delays at Motown, she caught the attention of Rick James, who was establishing himself in 1970s soul funk music.

In his autobiography Memoirs Of A Super Freak, Rick James describes his first encounter with Teena Marie as, “Never in my life had I heard such a range with so much passion in a white voice.”

With Rick’s help, Teena’s first single, ‘I’m A Sucker For Your Love,’ conceived initially as a potential duet for Rick James and Diana Ross, exploded into the Top Ten of Billboard’s R&B charts. “We deliberately didn’t put her picture on the album cover,” said Rick James, “because we wanted to confuse people and make them wonder whether Teena was black or white.” The song spent six months on the charts.

Looking back at that time, Teena Marie said, “Black people would always say, “I didn’t know you were White.” But people like good music,” She added, “At the end of the day, you have to sing what’s in your own soul.”

After Rick James passed, Teena Marie became addicted to Vicodin, initially diagnosed for her physical pain from a series of accidents. “Once I realized that those pills not only took away my physical agony by masking my emotional pain, I really became addicted,” she told Essense Magazine.

For Teena, Losing Rick James meant losing her musical soulmate, and her grief was unbearable. “We were like an extension of each other. I miss all our talks. We were like family; only family can talk about family, not anyone else.”

I am grateful to Teena Marie for paving the way for people like me. I was one of a handful of white men working for R&B performers in the 1990s. I traveled my path by following Teena Marie’s footprints.

On this Divabetic podcast, we’re talking about BLUES, Addiction, and Diabetes with musical inspiration from Etta James. Etta James is a Grammy Award-winning singer best known for her iconic hits “At Last.” Guests include Poet Lorraine Brooks, the Charlie’s Angels of Outreach, Dr. Monique Renee Rolle DPM, Catherine Schuller, Susan Greenberg Weiner MS, RDN, CDE, CDN, and Mama Rose Marie. Prize giveaways courtesy of Earth Brand Shoes, Dr. Greenfield’s Diabetic Foot Creams, Cabot Cheese, and Nu Naturals.

Tag: rnbmusic

Remembering Levi Stubbs

Divabetic Salutes Teena Marie