Stephanie Mills’ voice is so distinctive that it is hard to mistake it for anyone else’s. She has been nicknamed “the little lady with a big voice,” but this hardly does justice to her status as a living legend. Although her impressive string of hits in the ’80s and early ’90s might qualify her as an R&B icon, it was her electrifying performance as Dorothy in the Broadway show “The Wiz” that made her a household name.
Did you know an up-and-coming songwriter named Luther Vandross penned “A Brand New Day“, also known as “Everybody Rejoice“?
If you do a few Google searches, you’ll find “The Wiz” wasn’t her first foray into showbiz. At the ripe old age of nine, she achieved considerable success in a background role for the 1968 musical “Maggie Flynn. After that, she won amateur night not once, not twice, but six sensational times at Showtime at the Apollo.
Her Broadway success in “The Wiz” led Stephanie Mills to be signed with 20th Century, scoring her first top 10 R&B hit in 1979 with “What Cha Gonna Do With My Lovin’.” From there, she segued to Casablanca and then MCA, where she recorded five No. 1 R&B singles, including “I Feel Good All Over” and “Home.”
She freely admits, “I love all my albums [but] I think my prime album would be the Home album because I put a lot of thought into re-recording ‘Home‘ and the songs on that album. But each of my albums [has] a story of a time in my life [and] what I may have been going through at that time.”
Although we’re glad to hear she loves her albums and still tours, we can imagine the time, dedication, drive, and diligence it takes to be at the top of your game for over six decades. “I sing every day, but I get a lot of rest. I sleep a lot, but I love touring,” she said in an interview with one of our favorite websites, Rated R&B. “It’s not taxing. I’m older, so when I come home, I am tired, but it’s a good tired because I love leaving everything I have on stage with my audience.”
Recently, Stephanie Mills chose to fund her own recording. She explained to the White Mountain Independent, ” “I’m doing this on sheer will, faith, and my experience in the business. I didn’t set out to do this on my own; it just happened. But I believe in this.”
When asked what keeps her inner rhinestones glowing, Stephanie Mills said, “Seeing the audience’s faces and seeing them enjoy my singing. I take pride in trying to sound as close to my records as I can. In fact, when I sing, I sing to my original recording. People pay their hard-earned money to come see you. That’s big. That’s a lot.”On social media, Stephanie Mill has no problem speaking her mind. She’s shared her feelings regarding the R&B whitewashing and defended her friend, the late Michael Jackson.
Her recording of Angela Winbush’s “I Have Learned To Respect The Power Of Love” is a standout. Her voice is rich, clear, and powerful. She pours emotion into every line of lyrical sentiment that speaks to your heart. It’s one of my most beloved Quiet Storm ballads. You don’t hear songs like this anymore.
“I’ve had a fabulous life and fabulous career,” the legendary singer confidently told Rated R&B. Asked what she credits for her longevity in the music industry, she said, “Never following a trend. I’ve always done my own path and stayed on my own path. I didn’t listen to a lot of noise of what people say: “Oh, you should do this, you should do that.” I took the best from whatever they said that I felt was best for me and would work for me and I would do that. I always took my time and just slowly did the slow walk. I didn’t do a fast run. I did a slow walk.”
We can’t forget that our friend, singer, and songwriter Tawatha Agee penned the monumental duet “Two Hearts” for Stephanie Mills and Teddy Pendergrass. Released in 1981, the song reached #3 on the Billboard R & B Charts.
After working in showbiz for half a century, Stephanie Mills must feel content knowing that people still enjoy watching her perform. It’s difficult to imagine the numerous setbacks, disappointments, and frustrations she has faced throughout her career. From the singles that failed to make it to the top of the charts to auditions for roles that she didn’t get, Stephanie has likely endured more challenges than most of us could handle. Therefore, we celebrate her longevity steeped in excellence with great admiration.
