Freddie Jackson has been diagnosed with kidney disease. According to People Magazine, he made the statement yesterday on his social media.
“After a lot of thought and reflection, I’ve come to a point where I feel I’m ready to talk about a recent chapter in my life,” Freddie Jackson, 67, said in the video.
Freddie Jackson, who topped Billboard’s R&B singles charts in the 1980s with a slew of hits including “You Are My Lady,” “Have You Ever Loved Somebody,” and “Jam Tonight,” said that he hopes his work with the National Kidney Foundation will “help shine a light on the importance of this issue.”
“It’s important to me that I share this with you, not just as a part of my personal story, but as a way to make a positive difference,” Freddie Jackson said. He’s partnered with the National Kidney Foundation to raise awareness about kidney health and provide support.
Freddie Jackson is not living with diabetes, but there is a strong link between mismanaged diabetes and kidney disease.
Over time, diabetes that isn’t tightly managed can damage blood vessels in the kidneys that filter waste from the blood. This can lead to kidney damage and cause high blood pressure.
High blood glucose, also called blood sugar, can damage the blood vessels in your kidneys. When the blood vessels are damaged, they don’t work as well.
On this Divabetic podcast, we’re talking with Nephrologist Dugan Maddux about kidney health. The music is by H.E.R. courtesy of SONY Music.
High blood pressure can also damage your kidneys.
Keeping your blood glucose levels and blood pressure within your target range is the best prevention for kidney disease. But it sounds easier than it is. If you’re struggling to manage your diabetes and blood pressure, seek help. A team approach to managing health conditions with competent, friendly, and open-minded collaborators.
Freddie Jackson thanked his fans for their support: “As I take this step, I’m turning my personal experience into a platform for greater understanding and advocacy. With your help, we can work towards better awareness and improved outcomes for everyone with kidney disease.
Join me tonight for the free screening of the Luther: Never Too Much documentary, live Luther Tribute performances by Keith Anthony Fluitt, and a Q&A Panel with Fonzi Thornton and Dawn Porter in Marcus Garvey Park in Harlem.
Knowing and working for such an incredible artist and caring man was an honor. It’s a privilege to appear in the documentary to raise awareness of the tragic consequences of mismanaged type 2 diabetes. Seeing the trauma I experienced in my face on screen as I recalled the initial moments after Luther’s stroke made me realize how grateful I am to everyone who has supported, encouraged, and partnered with me on my various diabetes outreach efforts through my nonprofit organization, Divabetic. Org
Sadly, I wasn’t able to help Luther initially after he suffered a stroke. Heed my advice: if you are someone you love who has experienced a stroke, don’t wait to seek help or try to sleep. Every minute counts. The longer a stroke goes untreated, the greater the potential for brain damage and disability.
Act F.A.S.T. to help identify the early signs and symptoms of a stroke:
F: Is there drooping on one side of the face? Is the person unable to smile? Has their mouth or eye drooped?
A: Can the person raise both arms and keep them there? Is there weakness or numbness in an arm or leg?
S: Is the person’s speech slurred or garbled? Are they unable to speak at all? Do they need help understanding what you’re saying to them?
T: If you notice any of these signs, call emergency services immediately
If you’re a Luther fan, please, “Keeping Your House A Home” by learning how to prevent diabetes health-related complications such as stroke, kidney failure, lower limb amputation, and blindness has been my mission for the past 20 years, and it will continue to be.
If you see this documentary or love Luther’s music, you owe it to his legacy to educate and empower yourself about your health.
Music can inspire conversations about different life topics, even ones that are different from the song lyrics. For example, Ledisi’s hit song, “I Blame You,” is an upbeat track about loving someone so good that you have no choice but to keep loving them. With song lyrics, “I blame you each and every day, It’s your fault that I’m completely blown away, You’ve been building castles in the sky, A place for only you and I, I, I, I”, who wouldn’t want to be told that you make someone you love to feel loved, and feel joy, how beautiful is that?
Words have power, especially when put to music. You can find yourself singing along to a chorus without even knowing what you’re saying. Repeated listening to a song can trigger random associations that slip into your subconscious and support or hinder your actions. This is why self-reflection is crucial. It allows us to understand how our words and thoughts impact our actions and, ultimately, our diabetes management.
Imagine if we ‘reframed’ Ledisi’s song title, which means changing the perspective or context to refer to the words you might find yourself saying about your diabetes daily. For example, instead of ‘I Blame You ‘, we could think of it as ‘It’s All My Fault’ or ‘I Gave Myself Diabetes ‘.
Blame and shame are the two biggest culprits that often sabotage your ability to manage your self-care. It’s not hard to imagine that these negative thoughts can slip into their minds without much effort. The light might be green, but we can still see red if we’re in the midst of despair. It’s a struggle to keep the negative self-talk at bay when you find yourself in the valley rather than at the peak of the mountain top.
How can you succeed at making lifestyle changes if your starting point begins with a negative mindset?
Regret, despair, anger, and frustration are the common emotions people experience when they’re initially diagnosed with diabetes. But here’s the thing: some people can overcome these emotional obstacles and improve their quality of life, while others cannot.
Many people who make and sustain changes to improve their care cite their children and grandchildren for giving them a reason. Others feel they have no choice but to change and return to the quality of life they once enjoyed.
What is your experience? We encourage you to share your thoughts and feelings about the impact of negative self-talk on your diabetes management. Your insights could be valuable to others in our community.
“I want to be who I am now. I rock my gray hair because it is a blessing,” says Regina Belle. “I colored mine for many years, but I’ve gotten compliments from so many men and women about being brave enough to sport the gray. I even wear it on the cover of my record. I am comfortable in my skin and I want listeners to feel that as well.”
Regina Belle began performing at a young age at Englewood’s Mount Calvary Baptist Church in New Jersey. She studied opera and jazz at Rutgers University, with a combined major in Africana Studies and Music. She learned to play trombone, tuba, and steel pans before leaving college to purse a music career.
Her debut album, All by Myself, had her first hits, “So Many Tears” and “Show Me the Way.”
Regina, “If I cannot identify with the songs, and if the music does not move my soul, make me feel better, take me up when I’m down or higher when I’m up, then I don’t want to record it, play it or sing it!”
A few years later, her duets with Peabo Bryson, “I Can’t Imagine,” “Without You,” and “A Whole New World,” solidified her pop music success. “A Whole New World, from the soundtrack to the 1992 Disney film Aladdin, peaked at no.1 on the Billboard Hot 100 Singles chart and received a Grammy Award in 1993 for Best Pop Performance by a Duo or Group with Vocal and the Academy Award for Best Song of the Year.
I saw Regina Belle perform at B.B. King’s in New York City a few years ago. So many of Regina Belle’s songs are embedded in my soul, and I was excited about her concert.
Sadly, Regina Belle was still grieving over the loss of her brother, who passed away a few days before the concert. She admitted she wasn’t really in the right frame of mind. Her show underwhelmed me. I was frustrated when she melodied many of her biggest hits, “Make It Like It Was,” “Show Me,” “So Many Tears,””Baby Come To Me,” and “All I Want Is Forever.” I loved these songs, and a medley was not cutting it.
My disappointment got the better of me, and I took to social media to express my displeasure. Would you believe she responded? Regina Belle apologized and admitted that her brother’s recent death had affected her performance. So much for social media anonymity!
Thirty years after leaving Rutgers and 10 albums later, Belle started taking online courses, which earned her Bachelor’s Degree in Africana Studies and a Minor in Music. Belle walked the stage with her ‘new class’ from Rutgers in May 2015. She states, “This achievement of finishing my degree, which I started almost 30 years ago and finally being done, was a bittersweet moment and rates as high as my Grammy Awards.”
Her life was eventful, the journey purposeful but not without misfortune. After releasing her first Gospel album, Love Forever Shines, she was diagnosed with a brain tumor. Regina Belle returned to performing after two surgeries, health challenges, and 10 months of rehabilitation.
“I’m amazingly blessed. I will never ever say that I’ve lived the perfect life to be shown such favor with God or the people but here I am,” declares Regina Belle.
I wanted to create this series for Women’s History Month because many artists who made music in the 80s and 90s are no longer with us, or they’re not promoted as prominently as I had hoped. Once hip-hop took center stage, the lush, elegant songs I loved were being pushed aside. Sadly, most of these artists are no longer with us or aren’t actively performing.
I chose artists whom I greatly admired, and their music touched my soul and shaped my ideas about love and romance.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“You’ve got to look at different ways to survive,” Gwen Guthrie said in a Blues & Soul Magazine interview. “And being independent could be one way that works for me.”
Singer, songwriter, and pianist Gwen Guthrie is best remembered for her infectious club hit, “Ain’t Nothin’ Goin’ On But the Rent,” It was one of the biggest dance anthems of the Eighties with its catchphrase: “No romance without finance. You gotta have a J.O.B. if you wanna be with me.” This club icon studied classical music and piano at school.
In the early seventies, she joined the Ebonettes and the Matchmakers alongside Larry Blackmon, who became Cameo’s frontman.
During a studio session, she met musician Patrick Grant, and the pair wrote seven songs for Sister Sledge’s debut album. They also wrote the sublime “This Time I’ll be Sweeter,” in which Angela Boffil created musical magic. The song has been recorded over eighty times.
After touring and recording with Roberta Flack, Gwen Guthrie relocated to Jamacia. She teamed up with Jamaican dub and reggae duo Sly Dunbar and Robbie Shakespeare and released `It Should’ve Been You’ for Island’s R&B department. With Sly Dunbar and Robbie Shakespeare as producers, the singer cut the rest of her debut album, Gwen Guthrie, and the follow-up album, Padlock, featuring “Seventh Heaven” and “Hopscotch.”
I love the concept and imagery of the “Padlock” song lyrics. “Padlock” reached #13 on dance charts, climbed to #25 R&B, and was heard all over New York City during the summer of 1985. Like many of her hits, “Padlock” was remixed by one of the most influential club culture DJs, Paradise Garage DJ Larry Levan. Her frequent performances at the Garage earned her the nickname “The First Lady of the Paradise Garage.”
Robbie Shakespeare recalls how easy it was to work with Gwen Guthrie in the studio.”In the studio, you only had to give Gwen the rhythm. She would sit and draw flowers while she worked on lyrics. She was wicked fun and had a great personality.”
Her biggest hit, “Ain’t Nothin’ Goin’ On But the Rent,” was a monster smash in the UK but didn’t achieve the crossover success it deserved in the US. The song begins with the lyrics “Bill collectors at my door,” and is the funkiest tune about financial hardships.
“Things are much harder in the music business; you’ve got A&R men at major labels who don’t come from a particularly musical-orientated background and make some incredibly strange decisions, then you’ve got to battle for a budget to promote your releases, she said in an interview with Blues & Soul Magazine.
Soon after, Guthrie moved from Polydor to Warner Brothers and released several more albums but with lukewarm sales. “My last album came out at the same time as Prince, Quincy Jones, and Al. B Sure and I felt ignored.”In addition to running and supporting a children’s theatre company, the versatile singer with precise pitch is also one of the first recording artists to raise money for the fight against AIDS. Gwen Guthrie donated proceeds from her 1988 song “Can’t Love You Tonight,” which also addressed the epidemic. Her contributions to disco, house, and dance music will forever endure.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“I needed to explore my talent and versatility and see if I had another side to me, another song, ” says Brandy Norwood.
Singer, songwriter, and actress Brandy Norwood is from McComb, Mississippi. Brandy received her first recording contract with Atlantic Records while she was still in 9th grade of high school. Soon, she also received a role on an ABC television sitcom, Thea. The song “I Wanna Be Down” from her debut album, “Brandy,” reached the No. 1 position on the Billboard Hot 100 charts, staying there for four weeks in 1994.
Brandy returned to acting in the UPN sitcom “Moesha”. The popular show ran for 6 seasons, and Brandy received an NAACP Image Award.
Brandy released her second album, “Never Say Never,” featuring the duet “The Boy Is Mine” with Monica. The song reached the #1 spot on the US Billboard Hot 100 charts and won the Grammy for “Best R&B Performance by a Duo or Group with Vocals”.
Brandy’s “Never Say Never” became the bestselling R&B album of 1998 in the United States and sold more than 16 million copies worldwide.
.“In my life right now, in my music, and just overall I feel like I’m winning. It doesn’t matter what this person is saying or what the charts are saying or what award shows are saying, the public opinion doesn’t matter. I feel like I’m winning in my spirit.”
The song, “Have You Ever?” was written by Diane Warren and produced by David Foster. According to Wikipedia, the recording of the song marked the first time Brandy “had been in the studio with a producer like David Foster”, she said in a 2005 interview. “My voice wasn’t as developed as it is now and the song required what producers call ‘money notes’ — the kind that get you a No. 1 on the charts! I was nervous but it all worked just fine.”
Her success allowed her to work with Whitney Houston on the TV movie Cinderella. Brandy said, “Whitney Houston is my idol and my mentor and my dream forever, like she will always be my favorite artist, ever, on the planet.”
Over the years, Brandy has also dealt with heartache and tragedy. Sadly, she was involved in a heavily publicized car accident in 2006.
“I went through a struggle, and I really needed to get myself together and connect with my purpose, which is music.”
In April 2015, Norwood made her Broadway debut as Roxie Hart in the musical “Chicago.”
Most recently, Brandy announced her major label return after signing with Motown Records, under which she will release new music.
“It just feels like I’m on the right path musically and I’m in the right mindset to continue out my mission in music because I’m not putting myself in a box.”
The happy healthcare host, Mr. Divabetic takes on the hot topic of ‘Drinking Divas & Diabetes’ with inspiration from Kathie Lee and Hoda.
According to experts, drinking too much alcohol can raise blood pressure to unhealthy levels. Having more than three drinks in one sitting temporarily raises blood pressure. Repeated binge drinking can lead to long-term increases in blood pressure.
Kathie Lee Gifford and Hoda Kotb always seem to have a drink in hand for the fourth hour of The Today Show. If you’re around a TV at 10 AM with nothing to do, you should be watching the fourth hour of Today, filled with Hoda and Kathie Lee’s theater reviews, occasional dancing, wine reviews, and women’s issues. It’s eclipsed The View as my new favorite hour of mid-morning television.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“I learned a lot about discipline when I was a backup singer,” Meli’sa Morgan recalled in an interview with the Los Angeles Times. “You really need discipline and control. You have to know what your voice can do and know how to use it just right.”
Singer-songwriter Meli’sa Morgan is perhaps best known for her #1 hit in the eighties: “Do Me, Baby,” an original recording by Prince. She has sung backup and collaborated with Chaka Khan, Kashif, and Whitney Houston.
“I idolized Chaka Khan; she was the ultimate, so cute, feathery, big hair, leather-wearing singer of all times. I wore my style after how she presented herself, and what she had that was becoming legendary,” she told Chocolate Voice. “Every Black female singer in America sang “Sweet Thing” at a talent show somewhere.”
She studied music theory at the Julliard School of Music.“I do lyrics and melodies,” she told the Los Angeles Times.
Her vocal ability landed her a record deal at Capitol Records in the 1980s. She took the music industry by storm, releasing hit after hit, including “Do You Still Love Me,” “Fools Paradise,” and “Love Changes,” a duet with Award-winning singer-songwriter Kashif.
Music critics mention her knack for saturating a song with passion and sensuality. Whether she sings up-tempo funk or a silky smooth slow jam, she pours her soul into a song.
Years ago, I saw her electrifying performance when she opened for Freddie Jackson in Rochester, New York. Her trademark hair was on full display. She admits she loved Chaka’s Big Hair and gave it her twist.
But let’s go way back to her amazing vocals on the dance hit “Keep In Touch (Body To Body) by Shades of Love. This New York City group of stelllar vocalists included Meli’sa Morgan, Lisa Fischer, Claudette Polite and Jean Steals.
About a decade later, Junior Vasquez and Johnny Vicious dominated the dancefloors in Gay clubs with her monster remix of this song. I still get up to dance every time I hear it.
Two years ago, the scarlet-red-haired singer released the single “Footprints Of An Angel” on her independent record label, Asilem Productions. The song is a movie theme with the same title. Meli’sa Morgan co-stars as a mother who loses her daughter to cancer. “Footprints of An Angel” was a solid hit on the UK Soul Charts and the Independent Urban Influencer R & B/Soul Charts.
I had the chance to interview Meli’sa Morgan for Divabetic’s Studio d podcast. If given the chance, she admitted that she would love to cover Luther’s “Bad Boy/Having a Party” song. Meli’sa Morgan maintains her health by following a strict diet and making time for herself.
When asked about the challenges of navigating a five-decade career in the music industry, Meli’sa Morgan said, “The easiest part of the business is, once you’re there, performing for your fans is the fun part. You embrace them, and they embrace you. But getting to the stage is the hardest—the political games, getting the gigs, promotion, the money, and all of that.”
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“I always want to associate myself with any piece of music that feels good and sounds good. And a good song can come from anywhere,” says Randy Crawford.
Randy Crawford is an exceptional artist with a remarkable ability to connect with her audience through her soulful and emotional performances. Her pure, warm tone and emotional vibrato can transform any music she selects, creating mesmerizing light and breezy jazz and funk arrangements.
Born in Macon, GA, she started singing in Ohio nightclubs at 15. “Everyone was encouraging me to sing,” Randy Crawford told the BBC. Her collaboration on “Street Life” offered her a chance to join the Crusaders for a tour that gained her international recognition, and she remained more popular overseas than in America. “Street Life was a musical challenge to learn,” Randy Crawford told the BBC. “But it’s still a fun song because people related to it. It gets everybody up and happy.”
Her consequent albums were geared toward a more smooth jazz audience and played well overseas. She wrote the love about two political refugees from Eritrea, entitled “Almaz.” Randy Crawford witnessed an older man’s love and commitment to a younger woman. In the season of love, no song touches the heartstrings quite like Randy Crawford’s ‘Almaz’ wrote Justice B. Hill for Cleveland.com. “The song speaks of love surviving,” she said when discussing the song.
Since then, Randy Crawford has released over 15 albums and had several international multi-platinum hits. And if she still goes relatively unrecognized in her native land, she has become one of the world’s most successful popular singers.
“I hope I will always sing. I don’t want to do anything else.”
Randy Crawford’s music can transform any music she selects, creating light and breezy jazz and funk arrangements that are mesmerizing. She has won numerous awards and accolades, including being named the ‘Most Outstanding Performer’ at the 1980 Tokyo Music Festival. With over 15 albums and several international multi-platinum hits, Randy Crawford has become one of the world’s most successful popular singers. She is truly a remarkable artist, and her music will continue to inspire and touch the hearts of listeners for years to come.
Singer and actress Phyllis Hyman was best known for her soulful music from the late 1970s through the early 1990s, including the songs “You Know How To Love Me” (1979), “Living All Alone” (1986), and “Old Friend” (1991).
Deep-voiced and statuesque, Phyllis Hyman’s power, skill, and versatility as a performer enthralled her audiences.
She earned a Theatre World Award and a Tony Award nomination for Best Performance by a Featured Actress in a Musical for her work in the 1981 musical Sophisticated Ladies, which was based on Duke Ellington’s music and ran from 1981 until 1983.
Born in Pittsburgh in 1950, Phyllis Hyman was the eldest of seven children. She grew up in Philadelphia, listening to a wide range of music from James Brown and Nina Simone to Karen Carpenter and Minnie Ripperton.
Her big break came when she gained the attention of jazz drummer Norman Connors, who had a reputation for discovering female vocalists such as Jean Carne. Norman Connors produced Phyllis Hyman’s sultry rendition of The Stylistics’ “Betcha By Golly Wow,” which proved a favorite on R&B radio stations in the United States.
She signed to the New York-based Buddha Record label and cut several fine tracks, which became staple fare on an emerging radio format, the “Quiet Storm,” soul ballads played late into the night.
Later, she signed with Arista Records, reaching an international audience with her albums “Somewhere In My Lifetime,” “Can’t We Fall in Love Again,” and the album that bears the title of one of her biggest hit singles, “You Know How To Love Me.”
1986 she returned to Philadelphia and signed with Kenny Gamble at Philadelphia International Records. Their hit album, “Living All Alone,” included the now-classic single “Old Friend.” This song was a comfort for many of us during the AIDS epidemic. She visited New York City hospices and performed at countless benefits. Phyllis mentioned her own loss made it difficult for her to perform the song. It’s still one of the most beautiful songs ever recorded, filled with sadness and a heartfelt plea to reunite with a lost love.
Phyllis was often plagued with self-criticism. In a 1991 interview with David Nathan, she said, “Up until 5 years ago, I didn’t listen that much to myself… When people would say they loved my voice, I’d wonder, ‘Why are they moved?’ Now, I’m beginning to understand how people can be turned on by my singing… I’ve been told that people can feel a lot more love and calm coming from me these days.”
When she should have been soaring like the songbird she was, Phyllis Hyman’s mental health issues took over her life. She was diagnosed as being “bipolar,” a medical term for someone who suffers from the disease of manic-depression.
As she got older, her disease became more and more challenging t for her to manage. She chose not to use pharmaceutical medication and instead self-medicate. Her self-medication distorted her disease more and more until she felt helpless about ever being able to recover from it. Her self-destructive behavior and problems became more evident to her family, friends, and music industry peers. She attempted suicide twice before she took her life a few days before her 45th birthday and only a few hours before she was due to appear at the Apollo Theatre in Harlem.
“As an artist, she sang her desperation. She has a song that is a soundtrack of her entire life, ‘You Just Don’t Know What I’ve Been Going Through,’ ” said Frank Sheffield, Hyman’s long-time friend who managed the jazz station at Hampton (Va.) University, where Hyman often appeared.
After Phyllis’ passing, Roberta Flack said, “Phyllis’ voice, at once breathy and resonant, will sing in my heart and spirit forever.”
We’re talking about ‘Diabetes, Sleep & Mental Health Issues’ on Diabetes Late Nite with musical inspiration from the iconic Phyllis Hyman.
Podcast guests include Alyson Williams, Queen Diva, Patricia Farrell, PhD, Kristina Wolfe, ‘Tabouli: The Story of a Heart-Driven Diabetes Alert Dog’ Author Matt Pelicano, Elizabeth Vaughan Gallagher, Stacie Shonkwiler, and the Charlie’s Angels of Outreach with Patricia Addie-Gentle.
Throughout the podcast, we will feature music from “The Essential Phyllis Hyman” album courtesy of SONY Music.
Stephanie Mills’ voice is so distinctive that it is hard to mistake it for anyone else’s. She has been nicknamed “the little lady with a big voice,” but this hardly does justice to her status as a living legend. Although her impressive string of hits in the ’80s and early ’90s might qualify her as an R&B icon, it was her electrifying performance as Dorothy in the Broadway show “The Wiz” that made her a household name.
Did you know an up-and-coming songwriter named Luther Vandross penned “A Brand New Day“, also known as “Everybody Rejoice“?
If you do a few Google searches, you’ll find “The Wiz” wasn’t her first foray into showbiz. At the ripe old age of nine, she achieved considerable success in a background role for the 1968 musical “Maggie Flynn. After that, she won amateur night not once, not twice, but six sensational times at Showtime at the Apollo.
Her Broadway success in “The Wiz” led Stephanie Mills to be signed with 20th Century, scoring her first top 10 R&B hit in 1979 with “What Cha Gonna Do With My Lovin’.” From there, she segued to Casablanca and then MCA, where she recorded five No. 1 R&B singles, including “I Feel Good All Over” and “Home.” She freely admits, “I love all my albums [but] I think my prime album would be the Home album because I put a lot of thought into re-recording ‘Home‘ and the songs on that album. But each of my albums [has] a story of a time in my life [and] what I may have been going through at that time.”
Although we’re glad to hear she loves her albums and still tours, we can imagine the time, dedication, drive, and diligence it takes to be at the top of your game for over six decades. “I sing every day, but I get a lot of rest. I sleep a lot, but I love touring,” she said in an interview with one of our favorite websites, Rated R&B. “It’s not taxing. I’m older, so when I come home, I am tired, but it’s a good tired because I love leaving everything I have on stage with my audience.”
Recently, Stephanie Mills chose to fund her own recording. She explained to the White Mountain Independent, ” “I’m doing this on sheer will, faith, and my experience in the business. I didn’t set out to do this on my own; it just happened. But I believe in this.”
When asked what keeps her inner rhinestones glowing, Stephanie Mills said, “Seeing the audience’s faces and seeing them enjoy my singing. I take pride in trying to sound as close to my records as I can. In fact, when I sing, I sing to my original recording. People pay their hard-earned money to come see you. That’s big. That’s a lot.”On social media, Stephanie Mill has no problem speaking her mind. She’s shared her feelings regarding the R&B whitewashing and defended her friend, the late Michael Jackson.
Her recording of Angela Winbush’s “I Have Learned To Respect The Power Of Love” is a standout. Her voice is rich, clear, and powerful. She pours emotion into every line of lyrical sentiment that speaks to your heart. It’s one of my most beloved Quiet Storm ballads. You don’t hear songs like this anymore.
“I’ve had a fabulous life and fabulous career,” the legendary singer confidently told Rated R&B. Asked what she credits for her longevity in the music industry, she said, “Never following a trend. I’ve always done my own path and stayed on my own path. I didn’t listen to a lot of noise of what people say: “Oh, you should do this, you should do that.” I took the best from whatever they said that I felt was best for me and would work for me and I would do that. I always took my time and just slowly did the slow walk. I didn’t do a fast run. I did a slow walk.”
We can’t forget that our friend, singer, and songwriter Tawatha Agee penned the monumental duet “Two Hearts” for Stephanie Mills and Teddy Pendergrass. Released in 1981, the song reached #3 on the Billboard R & B Charts.
After working in showbiz for half a century, Stephanie Mills must feel content knowing that people still enjoy watching her perform. It’s difficult to imagine the numerous setbacks, disappointments, and frustrations she has faced throughout her career. From the singles that failed to make it to the top of the charts to auditions for roles that she didn’t get, Stephanie has likely endured more challenges than most of us could handle. Therefore, we celebrate her longevity steeped in excellence with great admiration.
Divabetic remembers Luther Vandross (April 20, 1951 – July 1, 2005) with this special podcast. Luther Vandross was a musical master whose style has influenced an entire generation of today’s vocalists. His distinctive brand of satin-smooth vocal magic moved international audiences and continues to touch people today. Max “Mr. Divabetic” Szadek, who worked with Vandross for more than 14 years, hosts this tribute podcast featuring Luther’s former vocalists Paulette McWilliams, Pat Lacy, Tawatha Agee, Cindy Mizelle, and Kevin Owens, band member Bryon Miller, Vandross family member, Seveda Williams, friends Darren Margo and David Jones, the Luther Vandross historian, Leon Petrossian and Luther super fan, Jane Goodman from Great Britain. Throughout the podcast, we will play selected Luther Vandross songs that he recorded during the 1990’s courtesy of SONY Music.
