Prime Suspect: The Cannoli Countess

Have you heard of the Canolli Countess?

She’s a famous Italian baker who has risen to fame with her delicious cannoli treats.

However, her romantic involvement with the victim, Conrad Rivera, also known as the Vanilla King of Madagascar, has caused her to become a prime suspect in our team’s ongoing murder investigation.

It’s all part of this year’s Divabetic Mysteries podcast titled “Murder Plain As Vanilla,” now available for streaming on popular platforms like Spotify, iTunes, and BlogTalkRadio.

If you’re a fan of true crime and love solving mysteries, you won’t want to miss this thrilling podcast series.

Our mystery podcast isn’t only for mystery lovers. It’s a fun way to learn about diabetes and self-care. In between colorful characters, crazy adventures, and mysterious surroundings, we pack health and wellness tips that can help you take charge of your diabetes. We also hope to encourage you to think like a detective the next time you experience unexpected blood sugar fluctuations. Search for clues, collect data, talk to witnesses, and bring your ideas to the authorities (healthcare collaborators) for solutions. A team approach to managing your diabetes isn’t a bad idea either.

Here’s a short synopsis of “Murder Plain As Vanilla”:

When Mr. Divabetic’s arch-nemesis baking sensation Renata Whisk calls, offering a chance to participate in the Visions of Vanilla baking competition, he can’t refuse. It’s an invitation to compete against culinary giants Best-Selling Cookbook Author Lily Frost, Green Thumb Gourment, Hazel Honeywell, and the Cannoli Countess and, most importantly, a chance to pay back his debt owed to his mother.

But before Max’s hands touch flour, he discovers the dead body of the Vanilla King of Madagascar. As luck has it, Max is the last person to see the Vanilla King alive.

To prove his innocence, he enlists his team, USA Today’s best-selling author Tonya Kappes, health educator MaryAnn Nicolay MEd, NDTR, and his mother, Mama Rose Marie. But when another baker’s dead body is found near Max’s station, even his mother tastes a recipe for disaster. Now, armed with only Renata Whisk’s Puffed Pastry recipe, a rolling pin, and his team’s expertise in solving murders and dispersing diabetes health information, Max has no choice but to solve the mystery or at least die trying.

Divabetic Mysteries: “Murder Plain As Vanilla” features Lorraine Brooks, Catherine Schuller, Dave Jones, Seveda Williams, Leisa Chester Weir, and Amparo Peterkin. Written by Max Szadek and Wendy Radford. Produced by Leisa Chester Weir. Animated by Max Szadek

Enjoy all of Divabetic Mysteries Podcasts streaming on Blog TalkRadio, iTunes and Spotify: Pink Panther Phantom of the Okra Suspect Boulevard Gypsies, Tramps & Peas Swan Wake Gingerbread Men Prefer Blondes Kill Me Madam A Christmas Peril Tomorrow Is Not On the Menu Website: Divabetic.Org

Divabetic Salutes Brandy

“I needed to explore my talents and versatility and see if I had another side of me, another sound,” says Brandy Norwood.

Singer, songwriter, and actress Brandy Norwood is from McComb, Mississippi. Brandy received her first recording contract with Atlantic Records while she was still in 9th grade of high school. Soon, she also received a role on an ABC television sitcom, Thea. Although the show was canceled shortly after its premiere, Brandy took it as a good sign to focus on her priorities. She told Vogue, “It was a good thing, because I could do what I had to do, because I wanted to sing.”

Her song “I Wanna Be Down” from her debut album, “Brandy,” reached the No. 1 position on the Billboard Hot 100 charts, staying there for four weeks in 1994. The album earned Brandy two Grammy Award nominations for Best New Artist and Best Female R&B Vocal Performance. 

Brandy returned to acting in the UPN sitcom “Moesha.” The popular show ran for 6 seasons, and Brandy received an NAACP Image Award.Brandy released her second album, “Never Say Never,” featuring the duet, “The Boy Is Mine” with Monica.  The song reached the #1 spot on the US Billboard Hot 100 charts and won the Grammy for “Best R&B Performance by a Duo or Group with Vocals”. Brandy’s “Never Say Never” became the bestselling R&B album of 1998 in the United States and sold more than 16 million copies worldwide.

Dubbed “The Vocal Bible,”  Brandy’s body of work is filled with glorious vocal moments that many have attempted to duplicate.  The way she harmonizes with herself has been compared to Enya and Janet Jackson in the intricate precision and speed. “In my life right now, in my music, and just overall I feel like I’m winning. It doesn’t matter what this person is saying or what the charts are saying or what award shows are saying, the public opinion doesn’t matter. I feel like I’m winning in my spirit.”


The song, “Have You Ever?” was written by Diane Warren and produced by David Foster. According to Wikipedia, the recording of the song marked the first time Brandy “had been in the studio with a producer like David Foster”,  she said in a 2005 interview. “My voice wasn’t as developed as it is now and the song required what producers call ‘money notes’ — the kind that get you a No. 1 on the charts! I was nervous but it all worked just fine.”

Her music and acting success allowed her to work with Whitney Houston on the TV movie Cinderella. Brandy said, “Whitney Houston is my idol and my mentor and my dream forever, like she will always be my favorite artist, ever, on the planet.”

The TV movie drew over 60 million viewers during its premiere on ABC in November 1997. In 1998, it earned an Emmy for Outstanding Art Direction.

Over the years, Brandy has also dealt with heartache and tragedy. Sadly, she was involved in a heavily publicized car accident in 2006.

“I went through a struggle, and I really needed to get myself together and connect with my purpose which is music.”

In April 2015, Norwood made her Broadway debut as Roxie Hart in the musical “Chicago.” 

Most recently, Brandy announced her major label return after signing with Motown Records.

“It just feels like I’m no the right path musically and I’m in the right mindset to continue out my mission in the music because I’m not putting myself in a box.”

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

https://youtube.com/watch?v=YZ122kzm70E%3Fversion%3D3%26rel%3D1%26showsearch%3D0%26showinfo%3D1%26iv_load_policy%3D1%26fs%3D1%26hl%3Den-US%26autohide%3D2%26wmode%3Dtransparent

Luther’s Big 80’s Birthday Bash in New York 2024

Luther Vandross’s home furnishings also displayed his fantastic sense of style on stage and off. Although he didn’t own these chairs, he loved to upholster his chairs, sofas, and ottomans with animal prints.

During my tenure working as his assistant, Luther owned homes in Beverly Hills, CA, New York, NY, and Greenwich, CT. His Beverly Hills mansion’s decor stopped my heart when I first visited. It was lush, opulent, inviting, and beautiful. You knew you were in a star’s home the moment you walked through the front door.

He had black onyx kitchen countertops with blonde cabinetry. I was equally impressed by how he chose not to display his awards and merits in the foyer or front rooms. Instead, when you descended the stairs to his private screening room, he had all his Gold and Platinum Records, American Music Awards, Grammy Awards, BET Awards, and more on display in the rotunda. It was awe-inspiring.

Luther was a fan of the Art Deco and Art Nouveau styles. Art Deco leans toward geometric shapes, while Art Nouveau uses organic shapes and lines. On stage, Luther mixed both together to create a truly magical experience for his audience.

When his choreographer, James Ervin, was teaching me the arm movements of Luther’s song, Never Too Much, he mentioned that Erte’s poses inspired many of them.

Please join us for the upcoming Luther Never Too Much Big 80s Birthday Celebration, which will spotlight his iconic style and music on 4/17/24 at Thread Lounge in the Renaissance in NYC.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem Heaven’s Hats, S Designs, DIG Ferreira Kynetik Soundz, Teresa Marie Collection, LPF Collection, and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs by vocalists Keith Anthony Fluitt and Christopher Faison.

DJ DAN.C.E. has developed his style of open-format DJing, which he refers to as RetroFitted. He developed his style of open format DJing, RetroFitted, playing the family of R&B music (Funk, Soul, Disco, House, and Hip-Hop) across eras. He also leans heavily into spinning Hip-Hop/Lo-Fi instrumentals, which he calls “Spinning the Essence.”

SHOP VENDORS: Support a dazzling array of small entrepreneurs offering apparel, jewelry, and True Serenity Tea (For the Love Of Luther Tea blend).

True Serenity Tea’s for the Love Of Luther blends organic black tea, ginseng, peppermint, and anise.

Luther Vandross Music & Style Celebration In April

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ Dan C.E.  on Wednesday, April 17, 2024, 5:30 – 9 PM

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

“When I listen to Luther Vandross’s music, it makes me happy. I want to sing along and move to the beat, snap my fingers, and stomp my feet. There is joy in his music,” says Harlem Heaven’s milliner, Evetta Petty. “When I design hats, I want them to make the customer happy. I am dressing people for important events in their life. I want them to smile when they see the hats and look great in them. I want my hats to evoke that same joy that I feel from Luthers’ music.”

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

Dan C.E. has been a professional DJ for 20+ years. Throughout his career, he developed his style of open-format DJing, which he refers to as RetroFitted, by has been a professional DJ for 20+ years. He developed his style of open format DJing, which he refers to as RetroFitted, over the course of his career, playing the family of R&B music (Funk, Soul, Disco, House, and Hip-Hop) across eras. He also leans heavily into spinning Hip-Hop/Lo-Fi instrumentals, which he calls “Spinning the Essence.”

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Fashion Talk With Todd Synder

I attended the creator of New York Fashion Week and author of two volumes of “Fashion Lives, Fern Mallis’s interview with menswear designer Todd Synder at 92Y.


These Fashion Talks are something I always look forward to. You won’t find talks like these anywhere except in New York. 

Fern described her special guest as the patron saint of approachable menswear. She said Tood Synder’s clothes embody ‘cool’ and ‘classic.’ 

I don’t think anyone would consider his clothes edgy. He’s known for turning the J. Crew menswear collections, mostly preppy dressing, into a big business. According to Todd, his customers are looking for beautifully constructed basics. He doesn’t push color, print, or silhouette. As Fern said, his clothes resemble those of an elevated Mr. Ripley.  How many shades of beige are there? Todd Synder probably knows. 

It’s fun to catch Fern during these Fashion Talks, not listening to her guest’s responses. With her head down, looking at her notes, she seems more focused on the next question than the discussion. I’ve seen her do this more than once during the evening.  Don’t get me wrong, I am a big Fern fan. I love what she’s doing and getting top designers to discuss their processes. 

The good news is Todd Snyder has a lot of personality. His down-to-earth, friendly mannerisms made his story so compelling. He was born on a farm in the Midwest, not in a fashion capital as he shared insights into his life, inspirations, and professional milestones. you could tell the key to his success has been hard work and determination. 

From his humble beginnings in Huxley, Iowa, to being voted Best Dressed in high school, reading GQ for the first time was an eye-opening experience that ignited a passion for fashion. While working in retail, Todd Synder hung out in the tailor shop, learning the tricks of the trade. He applied to all the fashion houses in New York before landing his first intern job at Ralph Lauren.
His big break came when one of his bosses noticed the shirt he was wearing in a meeting. It was one of his designs. He said his weekend sewing hobby helped him relax and quickly moved up the design ladder. 

He ping-ponged back and forth from Ralph Lauren to the Gap, J. Crew, and back to Ralph Lauren. Eventually, he left J. Crew in 2009 and launched his label. J. Crew’s success had a lot to do with it. “I wanted a chance to have my own crack at it,” he said. His goal is to create clothes that help guys look their best. Todd mentioned firsthand how clothes transformed lives when he worked in retail. 

Craft is essential to him. He told Fern that tailoring is front and center in all his design collections. 
He told Fern he’s always looking for people who ‘go the extra mile’ to join his team. 
He has been part of my successful fashion collaborations. First and foremost, L.L. Bean creates high-style New England outdoor gear. Most recently, he started designing for Woolrich’s Black label. He chose to work with Woolrich because he feels the pandemic turned outdoors into a trend. Todd Synder’s outerwear embodies the fusion of Woolrich’s rich heritage, quality, and craftsmanship. The Woolrich Black Label comprises two distinct and complementary lines: Heritage and Technical.

Since becoming an impactful presence on the global fashion stage, Todd Snyder has branched out to create twenty interiors for rustic Maine bungalows for the Hidden Pond resort.  He saw this new collaboration into interior design as an “opportunity to really take a deep dive into Maine aesthetics,” he told Architectural Digest. “What’s so interesting and remarkable to me about this place is that it’s so diverse, area by area. You drive half an hour, and it’s totally different.” Snyder’s narrative is a testament to the blend of heritage, hard work, and visionary creativity.

If you’re watching any of our videos embedded in this post, the American Heart Association recommends that men consume no more than 9 teaspoons of added sugar daily and women consume no more than 6 teaspoons. If the numbers seem tricky, a 12-ounce can of soda contains 8 teaspoons (32 grams) of added sugar!

Divabetic Salutes Gwen Guthrie

“You’ve got to look at different ways to survive,” Gwen Guthrie said in a Blues & Soul Magazine interview. “And being independent could be one way that works for me.”

Singer, songwriter, and pianist Gwen Guthrie is best remembered for her infectious club hit,  “Ain’t Nothin’ Goin’ On But the Rent,” It was one of the biggest dance anthems of the Eighties with its catchphrase: “No romance without finance. You gotta have a J.O.B. if you wanna be with me.”
This club icon studied classical music and piano at school.

In the early seventies, she joined the Ebonettes and the Matchmakers alongside Larry Blackmon, who became Cameo’s frontman.

During a studio session, she met musician Patrick Grant, and the pair wrote seven songs for Sister Sledge’s debut album. They also wrote the sublime “This Time I’ll be Sweeter,” in which Angela Boffil created musical magic. The song has been recorded over eighty times. 


After touring and recording with Roberta Flack, Gwen Guthrie relocated to Jamacia. She teamed up with Jamaican dub and reggae duo Sly Dunbar and Robbie Shakespeare and released `It Should’ve Been You’ for Island’s R&B department. With Sly Dunbar and Robbie Shakespeare as producers, the singer cut the rest of her debut album, Gwen Guthrie, and the follow-up album, Padlock, featuring “Seventh Heaven” and “Hopscotch.” 

I love the concept and imagery of the “Padlock” song lyrics. “Padlock” reached #13 on dance charts, climbed to #25 R&B, and was heard all over New York City during the summer of 1985. Like many of her hits, “Padlock” was remixed by one of the most influential club culture DJs,  Paradise Garage DJ Larry Levan. Her frequent performances at the Garage earned her the nickname “The First Lady of the Paradise Garage.”

Robbie Shakespeare recalls how easy it was to work with Gwen Guthrie in the studio.”In the studio, you only had to give Gwen the rhythm. She would sit and draw flowers while she worked on lyrics. She was wicked fun and had a great personality.”

Her biggest hit, “Ain’t Nothin’ Goin’ On But the Rent,” was a monster smash in the UK but didn’t achieve the crossover success it deserved in the US.  The song begins with the lyrics “Bill collectors at my door,” and is the funkiest tune about financial hardships.

“Things are much harder in the music business; you’ve got A&R men at major labels who don’t come from a particularly musical-orientated background and make some incredibly strange decisions, then you’ve got to battle for a budget to promote your releases, she said in an interview with Blues & Soul Magazine. 

Soon after, Guthrie moved from Polydor to Warner Brothers and released several more albums but with lukewarm sales. “My last album came out at the same time as Prince, Quincy Jones, and Al. B Sure and I felt ignored.”In addition to running and supporting a children’s theatre company, the versatile singer with precise pitch is also one of the first recording artists to raise money for the fight against AIDS. Gwen Guthrie donated proceeds from her 1988 song “Can’t Love You Tonight,” which also addressed the epidemic. Her contributions to disco, house, and dance music will forever endure.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Nancy Wilson

“I just always did it. I never sat down and said, ‘I want to be, I’m going to be,” Nancy Wilson said in a CBS Sunday Morning interview. “The voice just had a life of its own, and it just happened.”

Nancy Wison stands among the greatest performers of all time.  During the 1960s, she was second only to the Beatles in record sales for Capital Records. 

Nancy Wilson blurs the line between jazz and pop singers, preferring to be called a “song stylist.” 
Nancy Wilson attended West High School in Columbus, Ohio, where she won a talent contest and was rewarded with a role as a host for a local television show.

In 1956, Wilson auditioned and won a spot as a vocalist for Rusty Bryant’s Carolyn Club Band. Afterward, she moved to New York and began working as a secretary at the New York Institute of Technology. While in New York, Wilson became friends with jazz saxophonist “Cannonball” Adderley, who introduced her to her manager, John Levy. With Levy’s help, she landed a record deal with Capitol Records and released her songs “Guess Who I Saw Today” and “Sometimes I’m Happy.” 

The exceptional storytelling of “Guess Who I  Saw Today” and Nancy Wilson’s dazzling delivery inspired me to write the lyrics to “Pink Champagne.” I was fortunate to collaborate with Paulette McWilliams and Ivan Hampden Jr. on this Christmas tune.  

She has appeared on several television shows and films throughout her career, including I Spy and The Cosby Show.

Nancy Wilson won a Grammy Award for her album “How Glad I Am” and hosted the Nancy Wilson Show from 1967 to 1968. 


“I’m a storyteller,” said Nancy Wilson. “I believe in a song with a lyric. I want you to feel something. I want it to touch the heart.” 

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesay, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Val Young

“I can get in where I fit in, ” says Val Young. “I love all music.”

R&B/soul singer-songwriter Val Young, also known as “Lady V,” was one of the original Mary Jane Girls Band members.

The Detroit-born former Motown recording artist began singing background vocals for The Gap Band, George Clinton, Teena Marie, El Debarge, Evelyn ‘Champagne’ King, Bobby Womack, and Roy Ayers. Her all-time favorite artist is Gladys Knight. Growing up, she used to listen to her music all of the time.

She began singing with Rick James in 1981 on the Street Songs tour. Teena Maire was the opening act. She was also a member of the original Mary Jane Band.

“What a great, great time I had with RJ (Rick James). Recording, working, touring, personal, everything,” says Val Young. “We could be laughing and talking, and he could create a song. Rick James was the best of everything.” She added, “I learned from Rick to be focused. Rick always told me to be someone that someone else wants to be.”

Rick James produced her debut album, Seduction, which included the hits “Mind Games,” “Piece Of My Heart,” and “If You Should Ever Be Lonely.”

“I always wanted to be solo,” said Val Young in a Truth in Rhythm interview on YouTube. “But I still sung backgrounds on the Mary Jane Girls records.”

Her talent and physical attributes impressed Rick James so much that he promoted her as the “Black Marilyn Monroe.”

Packed with so many great songs, Rick James decided against including Val Youngs’ recording of the song “In My House” on the album. Instead, he gave the song to his fledging girl group, The Mary Jane Girls, who released “In My House,” it became a mega-hit. Regardless, Val Young’s Seduction album achieved gold status.

I would listen to Val Yong’s hits on WDKX in Rochester, New York. After school, I would turn up the radio in the art room when I heard the first bars of “If You Should Ever Be Lonely.” I was such a big Val Young fan that I dragged my brother, Rich, and his friend, Teresa, to see her perform live at a small club in Downtown Rochester. The three of us stuck out like a sore thumb in the club.

I may never understand why I grew up listening to R&B when no one else in my family did, but I can trace my career trajectory back to those early years of listening to Val Young, Rick James, and Luther Vandross nonstop on WDKX.

I was a Luther fan long before I worked for him, so I am passionate about helping promote his legacy. It was one of the most magical, defining moments in my life. I’m grateful to stay in touch with Luther’s musical family, promote his musical legacy, and offer diabetes outreach support to his fans.

After the success of her first album and Rick James’s passing, I didn’t hear much of Val Young. I’m not a rap fan, so I assumed she had left the music industry. But her voice can be heard on hit songs with Dr. Dre, Snoop Dogg, Too Short, Mark Morrison, and Napoleon. Her most successful collaboration is the song “To Live & Die In L.A.” with Tupac Shakur.

You can’t help but fall in love with Val Young listening to her Truth in Rhythm interview. She’s down-to-earth, funny, and very humble about her success. She was genuinely surprised to learn Mariah Carey covered her song, “If Should Ever Be Lonely.” She said, “I was just so happy and truly blessed.”

Most recently, Val Young, Candice Ghant, and Rick James’ daughter, Ty James, have been performing as the new lineup of The Mary Jane Girls at various Rick James tribute shows.

Thank you, Val Young, for being part of the soundtrack of my life. Her music reminds me of the kid who grew up listening to R&B and was lucky enough to work for one of his idols.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Jean Knight

“Mr. Big Stuff is better to me now than 31 years ago,” said singer Jean Knight about her biggest hit. “All I have to do is sit at home and wait for the mailman.”

The New Orleans singer reached #2 on the Billboard charts in 1971 with”Mr. Big Stuff.” and received a Grammy nomination. But a decade before her success, Jean Knight cut her first demo recording in 1965, a cover of Jackie Wilson’s “Stop Doggin’ Me Around.”

One of her biggest musical influences was Etta James. “The first time she heard “All I Could Do Was Cry,” she said in an interview on YouTube, “The first time I heard that song, I wanted to be like her.”

Jean Knight recorded a series of singles with lukewarm success. When her career stalled, she left the music industry and worked at a bakery.

Songwriter Ralph Williams connected Jean Knight to record producer Wardell Quezergue a short time later. Her recording sessions with Wardell Quezergue yielded “Mr Big Stuff,” which turned around her fortunes. Reflecting on the recording session, Jean Knight said she liked “Mr. Big Stuff” lyrics but not the melody. She felt the melody didn’t match the tone and emotion of the song’s subject. At some point, the producers let Jean sing it her way. She recorded her infamous version of the song in one take. Stax Records bought the rights and released the record, which peaked at no. 1 on the Billboard R&B chart and no. 2 on the Billboard Hot 100 chart.

“Mr. Big Stuff” topped the US R&B chart and crossed over into the main pop chart, reaching No. 2. The Bee Gees’ hit “ How Can You Mend a Broken Heart” kept her from the top spot. Her popularity soared, and she performed her hit on TV Shows like Soul Train and received Best Female R&B Vocal Performance nominations at the 1972 Grammy Awards.

After “Mr. Big Stuff,” Jean Knight recorded a few modest hits, including “You Think You’re Hot Stuff” and “Carry On,” but disagreements with her producers at Stax led to her being dropped from the label the following year,

Jean Knight said, “I’m the type of person that I never get too big for the people that I have been knowing,” explaining why she didn’t get caught in the trappings of fame. “My friends from when I was much younger are still my friends today.”

In the 80s, she joined the local oldies circuits, where producer Isaac Bolden spotted her. He signed her to his label, Soulin. The two produced the song “You Got The Papers, But I Got The Man.” It was a novelty answer song to Richard Dimples Fields’s hit, “She’s Got Papers On Me.”

“You Got The Papers, But I Got The Man” has one of the best sassy monologues ever recorded! Jean Knight’s defiant mistress tells off her lover’s wife, “What you need, girl, is a complete overhaul, your house, your body, your face and all!” It could be straight out of a season finale of The Real Housewives franchise and requires you to fasten your seatbelt before listening.

After reading the wife from A to Z, she sweetly expresses her undying love for her man. It reminds me of Shirley Brown’s “Woman To Woman” song that my friend, DJ Downtown Donna, used to spin at the classic dive bar Pendulum on Castro Street in San Francisco.

Jean Knight also remade the novelty hit “My Toot Toot,” which became her first international hit. It reached the top ten in the United Kingdom and # 3 in South Africa.

The Louisiana Music Hall of Famer’s legacy extends beyond her music. She passionately shared her time and talents with many New Orleans community causes. She represented the heart and soul of her hometown, earning respect and admiration far beyond her musical talents.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Paulette McWilliams

“I started singing before I could really talk, “Paulette McWilliams told Pop Matters.  “I would watch all the musicals and wish I was in them.”

Over the last decades, my friend Paulette McWilliams turned her childhood fantasies into reality. She has emerged as the consummate vocalist, equally at home in rock, R&B, jazz, house, Broadway, and hundreds of commercial jingles to her credit.

Paulette McWilliams is an incredible talent with a captivating voice. Her versatility and effortless transitions between genres are remarkable. I’m so impressed by her career journey and the impact she has made in the music industry.

Paulette’s first flirtations with fame were in Chicago, where she was the lead singer in Rufus before enlisting her friend Chaka Khan. After that, she appeared on Quincy Jones’s Mellow Madness (1975) album. A stint singing duets with Marvin Gaye and Johnny Mathis soon followed. But she met Luther Vandross while she was performing as one of Bette Midler’s Harlettes. For many years, Paulette recorded and toured with Luther Vandross, and we met on a Luther tour. 

Paulette’s voice is so distinctive. Her rich, warm tones, especially her low ones, give me chills and worldwide fans. 

Last year, her career went into overdrive with the release of her stunning album, “These Are The Sweet Things.” The album captivated UK listeners’ hearts, and various album cuts appeared on the Sweet Rhythm and UK Soul charts for months.  

Lucky for me, she agreed to share her exceptional talents, co-write, and perform the song “Mama’s Kitchen Table.” Honestly, I could have chosen to spotlight any of the wonderful songs from “These Are Sweet Things,” her lovely rendition of Luther’s “So Amazing” from her impeccable “A Woman’s Story” album, or even my favorite untraditional Christmas song, “Pink Champagne” but selfishly I chose to spotlight the lyrics to “Mama’s Kitchen Table.”

I love the way her voice sounds in this song. Her low tones are spellbinding to me. She’s in the pocket with the groove, and she just sounds funky. Paulette’s a magician in how she seamlessly made my quirky lyrics seem funky.  Plus, my friend Ivan Hampden Jr. produced the heck out of this track. He’s truly a genius!!

My lyrics are inspired by my experience of accepting myself as a gay man. The dream of feeling comfortable bringing a partner home and welcoming him at our kitchen table was precious to me. The kitchen table symbolizes so many things to me. It reflects trust and honesty in a relationship. As gay men, many of us struggle with acceptance and often choose to keep that part of our lives a secret. Monsters grow in the dark.

A friend’s advice and objectivity are nonexistent in unhealthy, abusive relationships that are secretive. Denying yourself the support, encouragement, and resources of a friend’s shoulder and ear can have devastating consequences. I’ve known too many gay men who stayed in relationships because they felt they had no one to turn to. Thankfully, in my lifetime, my parents always welcomed me and my partners to their home.


I adore this woman! Please check out her music on your favorite streaming apps and her sensational rendition of “A Thousand Years” on YouTube.

You’ll be in for a treat! I hope you listen to more of her music and explore her unique artistry.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2o24 at Thread Lounge in New York City.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.