Tag: music icon

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Luther: Never Too Much Documentary Trailer

Watch the trailer for LUTHER: NEVER TOO MUCH, an intimate look into a musical icon’s stunning life and career. From filmmaker Dawn Porter (John Lewis: Good Trouble), it features interviews with many of Luther’s closest friends, collaborators, me(!), and fans, including Mariah Carey, Dionne Warick, Valerie Simpson, Roberta Flack, Jamie Foxx, and more.

Luther fans will hear how he got his start after crashing a recording session for David Bowie’s Young Americans and becoming one of the most sought-after backup singers for artists such as Chic, Michael Jackson, Barbra Streisand, and Aretha Franklin before his 1981 solo breakout R&B hit Never Too Much.

The Here and Now artist suffered a stroke related to mismanaged type 2 diabetes in 2003. This inconceivable occurrence was the founding inspiration for me to start Divabetic. As Luther’s assistant, I wanted to encourage a new attitude about diabetes. One of our guiding principles is for people living with diabetes to create an entourage of care featuring family, friends, and healthcare collaborators to help with their self-care management.

Sadly, Luther was never able to recover fully. I stayed with him, supervising his care and rehabilitation until he died in 2005. Diabetes may have silenced one of the world’s greatest voices, but his worldwide influence endures.

Get inspired to stay healthy and upbeat about your self-care through Divabetic’s tribute podcasts, videos, Zoom meetups, and more.

Luther: Never Too Much documentary opens in theaters in select cities beginning November 1. Nationwide preview screenings October 30. Presented by Giant Pictures and CNN Films.

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Freddie Jackson Diagnoses With Kidney Disease

Freddie Jackson has been diagnosed with kidney disease. According to People Magazine, he made the statement yesterday on his social media.

“After a lot of thought and reflection, I’ve come to a point where I feel I’m ready to talk about a recent chapter in my life,” Freddie Jackson, 67, said in the video. 

Freddie Jackson, who topped Billboard’s R&B singles charts in the 1980s with a slew of hits including “You Are My Lady,” “Have You Ever Loved Somebody,” and “Jam Tonight,” said that he hopes his work with the National Kidney Foundation will “help shine a light on the importance of this issue.”

“It’s important to me that I share this with you, not just as a part of my personal story, but as a way to make a positive difference,” Freddie Jackson said. He’s partnered with the National Kidney Foundation to raise awareness about kidney health and provide support. 

Freddie Jackson is not living with diabetes, but there is a strong link between mismanaged diabetes and kidney disease. 

Over time, diabetes that isn’t tightly managed can damage blood vessels in the kidneys that filter waste from the blood. This can lead to kidney damage and cause high blood pressure.

High blood glucose, also called blood sugar, can damage the blood vessels in your kidneys. When the blood vessels are damaged, they don’t work as well. 

On this Divabetic podcast, we’re talking with Nephrologist Dugan Maddux about kidney health. The music is by H.E.R. courtesy of SONY Music.  


High blood pressure can also damage your kidneys.

Keeping your blood glucose levels and blood pressure within your target range is the best prevention for kidney disease. But it sounds easier than it is. If you’re struggling to manage your diabetes and blood pressure, seek help. A team approach to managing health conditions with competent, friendly, and open-minded collaborators.

Freddie Jackson thanked his fans for their support: “As I take this step, I’m turning my personal experience into a platform for greater understanding and advocacy. With your help, we can work towards better awareness and improved outcomes for everyone with kidney disease.

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I’m Featured in the Luther Vandross “Never Too Much” Documentary

Thank you for the kind comments about my appearance in the documentary. Initially, I was apprehensive about appearing in the film. But as many of you know, I dedicated my life to diabetes outreach after Luther’s debilitating stroke related to mismanaged type 2 diabetes. The need to raise awareness for preventing a stroke or diabetes-related complication from occurring far outweighed my doubts or insecurities. The trauma I experienced from Luther’s health crisis will always be heavy on my heart. I hope sharing my story will empower you and your loved one to make time to manage your health.

Outside the Tribeca Film Festival screening of “Never Too Much” with Fonzi Thornton, James Ervin (Luther Vandross‘s choreographer, me, Catherine Schuller (Divabetic Image and Style Advisor, and Seveda Williams (Luther Vandross‘s niece).

Until now, I have refrained from discussing the documentary out of consideration for friends and colleagues who were not featured. I am grateful to have been included, but seeing myself on screen shattered any illusions that I resemble Brad Pitt (LOL).

Watching myself relive the experience on screen was difficult, but knowing the path I chose in response to it made me feel proud.

Many people have told me that my scenes brought tears to their eyes. I was able to speak openly and honestly about Luther’s health crisis because of my ongoing work with Divabetic and the members of the Divabetic community.

If I had continued to work in entertainment instead of diving headfirst into diabetes outreach after Luther’s stroke, I don’t think I could have revisited my experience in such a candid and vulnerable way. More importantly, I feel I delivered a powerful message on why making time to take care of yourself and your health is essential.

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Seen and Heard

Everyone wants to be seen and heard. Recently, Ledisi shared her struggles on social media about not being seen or heard by the R&B music industry.

“Talked to a writer about my name not being mentioned enough in musical spaces. I said, “I’m consistently ignored from conversations about music. Especially R&B Music. It’s hurtful after devoting my life to this genre and music as a whole. I get over it. I think about the Legends before me, who are still ignored choosing to move forward. Thats what it’s all about. Going where you are loved. In the end my art will speak for me. That’s all the matters. Do this for the music. Not popularity,” said Ledisi.

Her message hit home with fans who quickly expressed their support. Ledisi received many comments, texts, and phone calls that moved her. She said she posted her comment to be transparent and to inspire others.

Interestingly, Ledisi has won a GRAMMY Award and has been praised for her commitment to authenticity. So, in many ways, you might be scratching your head, wondering what she is upset about. Her post underscores that we all long to be seen and heard from time to time.

It’s not always easy to open up about your diabetes and express your challenges and pitfalls. However, expressing yourself can help alleviate your frustration.

If you don’t feel like you’re being seen or heard, take a moment to notice and listen to someone in your life. Pat them on the back, compliment their style, appreciate their talents, admire their perseverance, recognize their positivity, encourage their efforts, and congratulate them for making art.

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Luther Vandross: Never Too Much Documentary AT Tribeca Film Festival

Last Thursday I attended a screening of the Luther: Never Too Much documentary at the TriBeca Film Festival. It’s taken me a few days to process the experience of not only seeing myself on a large screen (!) but also hearing myself discuss Luther’s stroke related to mismanaged type 2 diabetes.

Throughout the film you’re treated to a wonderful array of footage of Luther Vandross performing on stage from various tours. Plus, you hear Luther tell his story in his own words and voice.

Knowing and working for such an incredible artist and caring man was truly an honor. He changed my life. In 1995, he offered me a job in New York City as his full-time personal assistant. It’s a privilege to participate in the film and raise awareness of the tragic consequences of mismanaged type 2 diabetes.

Seeing the trauma I experienced on my face as I recalled the initial moments after Luther’s stroke made me realize how grateful I am to everyone who has supported, encouraged, and partnered with me on my various diabetes outreach efforts through my nonprofit organization, Divabetic.

I don’t feel I would have been as candid and vulnerable on screen in my interview had I not spent the last two decades helping others affected by, living with, and at risk of diabetes. “Keeping Your House A Home” by learning how to prevent diabetes health-related complications such as stroke, kidney failure, lower limb amputation, and blindness has been my mission for the past 20 years, and it will continue to be.

If you see this documentary or love Luther’s music, you owe it to his legacy to educate and empower yourself about your health.

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Luther’s Big 80’s Birthday Bash in New York 2024

Luther Vandross’s home furnishings also displayed his fantastic sense of style on stage and off. Although he didn’t own these chairs, he loved to upholster his chairs, sofas, and ottomans with animal prints.

During my tenure working as his assistant, Luther owned homes in Beverly Hills, CA, New York, NY, and Greenwich, CT. His Beverly Hills mansion’s decor stopped my heart when I first visited. It was lush, opulent, inviting, and beautiful. You knew you were in a star’s home the moment you walked through the front door.

He had black onyx kitchen countertops with blonde cabinetry. I was equally impressed by how he chose not to display his awards and merits in the foyer or front rooms. Instead, when you descended the stairs to his private screening room, he had all his Gold and Platinum Records, American Music Awards, Grammy Awards, BET Awards, and more on display in the rotunda. It was awe-inspiring.

Luther was a fan of the Art Deco and Art Nouveau styles. Art Deco leans toward geometric shapes, while Art Nouveau uses organic shapes and lines. On stage, Luther mixed both together to create a truly magical experience for his audience.

When his choreographer, James Ervin, was teaching me the arm movements of Luther’s song, Never Too Much, he mentioned that Erte’s poses inspired many of them.

Please join us for the upcoming Luther Never Too Much Big 80s Birthday Celebration, which will spotlight his iconic style and music on 4/17/24 at Thread Lounge in the Renaissance in NYC.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem Heaven’s Hats, S Designs, DIG Ferreira Kynetik Soundz, Teresa Marie Collection, LPF Collection, and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs by vocalists Keith Anthony Fluitt and Christopher Faison.

DJ DAN.C.E. has developed his style of open-format DJing, which he refers to as RetroFitted. He developed his style of open format DJing, RetroFitted, playing the family of R&B music (Funk, Soul, Disco, House, and Hip-Hop) across eras. He also leans heavily into spinning Hip-Hop/Lo-Fi instrumentals, which he calls “Spinning the Essence.”

SHOP VENDORS: Support a dazzling array of small entrepreneurs offering apparel, jewelry, and True Serenity Tea (For the Love Of Luther Tea blend).

True Serenity Tea’s for the Love Of Luther blends organic black tea, ginseng, peppermint, and anise.

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Divabetic Salutes Stephanie Mills



Stephanie Mills’ voice is so distinctive that it is hard to mistake it for anyone else’s. She has been nicknamed “the little lady with a big voice,” but this hardly does justice to her status as a living legend. Although her impressive string of hits in the ’80s and early ’90s might qualify her as an R&B icon, it was her electrifying performance as Dorothy in the Broadway show “The Wiz” that made her a household name.

Did you know an up-and-coming songwriter named Luther Vandross penned “A Brand New Day“, also known as “Everybody Rejoice“? 


If you do a few Google searches,  you’ll find “The Wiz” wasn’t her first foray into showbiz. At the ripe old age of nine, she achieved considerable success in a background role for the 1968 musical “Maggie Flynn. After that, she won amateur night not once, not twice, but six sensational times at Showtime at the Apollo. 

Her Broadway success in “The Wiz” led Stephanie Mills to be signed with 20th Century, scoring her first top 10 R&B hit in 1979 with “What Cha Gonna Do With My Lovin’.” From there, she segued to Casablanca and then MCA, where she recorded five No. 1 R&B singles, including “I Feel Good All Over” and “Home.”
She freely admits, “I love all my albums [but] I think my prime album would be the Home album because I put a lot of thought into re-recording ‘Home‘ and the songs on that album. But each of my albums [has] a story of a time in my life [and] what I may have been going through at that time.”

Although we’re glad to hear she loves her albums and still tours, we can imagine the time, dedication, drive, and diligence it takes to be at the top of your game for over six decades. “I sing every day, but I get a lot of rest. I sleep a lot, but I love touring,” she said in an interview with one of our favorite websites, Rated R&B. “It’s not taxing. I’m older, so when I come home, I am tired, but it’s a good tired because I love leaving everything I have on stage with my audience.”

Recently, Stephanie Mills chose to fund her own recording. She explained to the White Mountain Independent, ” “I’m doing this on sheer will, faith, and my experience in the business. I didn’t set out to do this on my own; it just happened. But I believe in this.”

When asked what keeps her inner rhinestones glowing, Stephanie Mills said, “Seeing the audience’s faces and seeing them enjoy my singing. I take pride in trying to sound as close to my records as I can. In fact, when I sing, I sing to my original recording. People pay their hard-earned money to come see you. That’s big. That’s a lot.”On social media, Stephanie Mill has no problem speaking her mind. She’s shared her feelings regarding the R&B whitewashing and defended her friend, the late Michael Jackson. 

Her recording of Angela Winbush’s “I Have Learned To Respect The Power Of Love” is a standout. Her voice is rich, clear, and powerful. She pours emotion into every line of lyrical sentiment that speaks to your heart. It’s one of my most beloved Quiet Storm ballads. You don’t hear songs like this anymore. 

“I’ve had a fabulous life and fabulous career,” the legendary singer confidently told Rated R&B. Asked what she credits for her longevity in the music industry, she said, “Never following a trend. I’ve always done my own path and stayed on my own path. I didn’t listen to a lot of noise of what people say: “Oh, you should do this, you should do that.” I took the best from whatever they said that I felt was best for me and would work for me and I would do that. I always took my time and just slowly did the slow walk. I didn’t do a fast run. I did a slow walk.”

We can’t forget that our friend, singer, and songwriter Tawatha Agee penned the monumental duet “Two Hearts” for Stephanie Mills and Teddy Pendergrass. Released in 1981, the song reached #3 on the Billboard R & B Charts.


After working in showbiz for half a century, Stephanie Mills must feel content knowing that people still enjoy watching her perform. It’s difficult to imagine the numerous setbacks, disappointments, and frustrations she has faced throughout her career. From the singles that failed to make it to the top of the charts to auditions for roles that she didn’t get, Stephanie has likely endured more challenges than most of us could handle. Therefore, we celebrate her longevity steeped in excellence with great admiration.

Divabetic remembers Luther Vandross (April 20, 1951 – July 1, 2005) with this special podcast. Luther Vandross was a musical master whose style has influenced an entire generation of today’s vocalists. His distinctive brand of satin-smooth vocal magic moved international audiences and continues to touch people today. Max “Mr. Divabetic” Szadek, who worked with Vandross for more than 14 years, hosts this tribute podcast featuring Luther’s former vocalists Paulette McWilliams, Pat Lacy, Tawatha Agee, Cindy Mizelle, and Kevin Owens, band member Bryon Miller, Vandross family member, Seveda Williams, friends Darren Margo and David Jones, the Luther Vandross historian, Leon Petrossian and Luther super fan, Jane Goodman from Great Britain. Throughout the podcast, we will play selected Luther Vandross songs that he recorded during the 1990’s courtesy of SONY Music.
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