Good things happen when you push yourself out of your comfort zone. For the Luther Vandross: Never Too Much Celebration in April, I challenged myself to design two wedding dresses out of unconventional materials.
One dress featured a cardboard corset and a newspaper skirt, while the other was crafted from bubble wrap, discarded foam FedEx envelopes, and a Dollar Store silver shelf liner.
My friend Verna served as my dress form, and Pam Lewis, head of Luther’s Wardrobe department, provided guidance via FaceTime. Despite facing frustration and a lack of expertise, I persevered and was rewarded when two amazing models, Amy and Alicia, agreed to wear my dresses at the show.
After the event, Amy wore the bubble wrap skirt to the Mermaid Parade, which was incredibly rewarding for me.
Witnessing my designs alongside numerous other creative outfits at the parade was inspiring. The Mermaid Parade is filled with artistry, creativity, and wonder.
Earlier this week, I saw the new documentary, Invisible Beauty, spotlighting Fashion revolutionary Bethann Hardison.
Co-directed by Frédéric Tcheng (DIOR AND I, HALSTON), the film explores the life and career of the legendary model, entrepreneur, and activist.
It’s equal parts memoir, with Bethann musing about her life choices in her various beautiful homes and historical testimony of the prolific racism in the fashion industry.
Bethann Hardison is uniquely qualified to take on racism in the fashion industry as a 70’s top black model. She admits she was the first “black, black” model who shared the catwalk with many women of color. When she stopped modeling to start her modeling agency, she prioritized hiring a diverse talent pool. She succeeded in creating supermodels that didn’t fit the prominent blonde and white cookie-cutter image. Two of her biggest finds were Veronica Webb and Tyson Beckford. Sadly, after she closed her agency, the whitewashing of the runways and advertising campaigns began.
The documentary argues that the trend of heroin-chic, white female models proliferating the runways and advertising campaigns was due to the fall of the Berlin Wall. The tidal wave of Russian beauties erased everything Bethann strived for – more inclusion.
The actual footage from runways during this time is alarming. There is no way anyone can deny the suppression of models of color after watching a parade of lookalike young, x-ray-thin white women on every runway.
How did Bethann address Racism?
She organized. Her brilliance is displayed as she gathers thought leaders and stakeholders in the fashion industry to start a dialogue. She smartly deflects anger, frustration, and short tempers to keep people focused on the goal. She provokes conversations in every sector of the industry. She expertly switches from being a nurturing, motherly presence in the lives of young models to a powerful activist on talk shows and media outlets.
The documentary makes a point to show that racism is cyclical. Every time Bethann succeeds, a few short years later, her work is virtually erased—two steps forward and three steps back. But somehow, she knows this and can calm the others as she seeks to unify and move forward again. It’s fascinating to watch her turn her thoughts and words into action. She is so clear in her message that her various supporters, including Naomi Campbell and Iman, never waiver in describing her purpose.
The documentary is too long. The last thirty minutes are painful. I kept wanting it to end repeatedly, but Bethann rattled on and on about death. Afterward, I told my friend I was on the edge of my seat waiting to see her cough; I stopped listening. The good news is she’s still alive and kicking.
The bad news is when it comes to motherhood, she’s right up there with Joan Crawford on the Wall of Fame. She’s elusive when discussing her strained relationship with her son. But clearly, her son bears the scars from his upbringing.
Whether or not she finishes her memoir is never addressed either. Repeatedly, she is seen on screen staring at a blank page, talking to her therapist and psychic about her writer’s block, and meeting with her editor. But we never find out what happens is a misstep.
New York Fashion Icon Evetta Petty, the owner and designer of the New York City Hat Boutique Harlem’s Heaven, shares how she stays on track with type 2 diabetes while running a successful small fashion business.
We’re talking about movie characters with diabetes, including Steel Magnolias, Soul Food, Mad Money, The Baby-Sitter Club, and Nothing In Common on this Divabetic podcast.
How realistic are portrayals of living with diabetes on screen?
How accurate is information about diabetes and diabetes self-care? And how do we feel after viewing them? With all the emotional and physical complications comes drama, making characters with the condition a good plot point on the silver screen.
Guests include Patricia Addie-Gentle RN, CDE, Glucose SOS founder Pamela Heyward, Constance Brown-Riggs MSEd, RD, CDE, CDN, Kent Gash, Jessica Clark and Muniq Gut Health Shakes Founder Marc Washington.
This podcast features music from the album ‘Score’ by 2Celloscourtesy of SONY Music.
Divabetic’s monthly podcasts are dedicated to Music Lovers living with, at risk and/or affected by diabetes. We aim to be the epicenter of the circle of care, a link between patients and their healthcare providers, a translator of clinical speak, and a bridge between denial and acceptance, fear and confidence.
Divabetic was inspired by the late music legend Luther Vandross and created in 2005 by Max ‘Mr. Divabetic’ Szadek, who, as Vandross’ assistant of 14 years, witnessed his boss, mentor, and friend struggle in silence and solitude with diabetes and its related complications.
Experience more of our GLAM MORE, FEAR LESS philosophy at divabetic.org
