Luther Vandross – Page 4

04/09/202404/09/2024

Luther’s Big 80’s Birthday Bash in New York 2024

Luther Vandross’s home furnishings also displayed his fantastic sense of style on stage and off. Although he didn’t own these chairs, he loved to upholster his chairs, sofas, and ottomans with animal prints.

During my tenure working as his assistant, Luther owned homes in Beverly Hills, CA, New York, NY, and Greenwich, CT. His Beverly Hills mansion’s decor stopped my heart when I first visited. It was lush, opulent, inviting, and beautiful. You knew you were in a star’s home the moment you walked through the front door.

He had black onyx kitchen countertops with blonde cabinetry. I was equally impressed by how he chose not to display his awards and merits in the foyer or front rooms. Instead, when you descended the stairs to his private screening room, he had all his Gold and Platinum Records, American Music Awards, Grammy Awards, BET Awards, and more on display in the rotunda. It was awe-inspiring.

Luther was a fan of the Art Deco and Art Nouveau styles. Art Deco leans toward geometric shapes, while Art Nouveau uses organic shapes and lines. On stage, Luther mixed both together to create a truly magical experience for his audience.

When his choreographer, James Ervin, was teaching me the arm movements of Luther’s song, Never Too Much, he mentioned that Erte’s poses inspired many of them.

Please join us for the upcoming Luther Never Too Much Big 80s Birthday Celebration, which will spotlight his iconic style and music on 4/17/24 at Thread Lounge in the Renaissance in NYC.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem Heaven’s Hats, S Designs, DIG Ferreira Kynetik Soundz, Teresa Marie Collection, LPF Collection, and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs by vocalists Keith Anthony Fluitt and Christopher Faison.

DJ DAN.C.E. has developed his style of open-format DJing, which he refers to as RetroFitted. He developed his style of open format DJing, RetroFitted, playing the family of R&B music (Funk, Soul, Disco, House, and Hip-Hop) across eras. He also leans heavily into spinning Hip-Hop/Lo-Fi instrumentals, which he calls “Spinning the Essence.”

SHOP VENDORS: Support a dazzling array of small entrepreneurs offering apparel, jewelry, and True Serenity Tea (For the Love Of Luther Tea blend).

True Serenity Tea’s for the Love Of Luther blends organic black tea, ginseng, peppermint, and anise.

04/07/202404/07/2024

Luther Vandross Birthday Celebration 2024

Join us for my Luther Vandross: Never Too Much Birthday Party, celebrating his iconic Music and Style. This free program features a Music Panel, Fashion Show, Live Performances, Style and Tea Vendors, and Live DJ Dan C.E. on Wednesday, April 17, 2024, from 5:30 -8:30 PM at THREAD Lounge at the Renaissance Hotel.

This is my way of thanking Luther fans for their ongoing love, support, and admiration for my boss, Luther Vandross. I started working for Luther on the “Never Let Me Go” tour in 1993. I’m looking forward to sharing my memories, celebrating Luther’s love of fashion and style, hearing his music, and welcoming fans.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, and Luther’s Choreographer, James Ervin, discuss their experience working with Luther. Graffiti Glamour Makeup Artistry Founder Alicia Mitchell shares how small steps led her to big rewards in her healthy journey as she demonstrates how hair and makeup artistry can transform your attitude.

FASHION SHOW: Harlem Heaven’s Hats, Kynetik Soundz, LPS Collection, Baro Sanchez, DIG Ferreira, LPS Collection, Teresa Marie Collection, and Modafleur showcase the hottest trends in fashion. Plus, S Designs spotlights Luther’s Wedding Song, “Here & Now,” with funky, flashy, and fabulous wedding gowns you don’t want to miss! Hosted by Catherine Schuller.

LIVE MUSIC: Keith Anthony Fluitt will perform some of Luther’s most beloved songs, plus Special Guest performers.

DJ DAN.C.E. will spin Luther’s hits all night long. I’ll host the virtual FANDROSS Birthday Listening Party on Zoom on Saturday, April 20, at 3 PM.

Join me, Luther Historian, and Special Guests as we spin the group Luther’s glorious first album, “Luther,” featuring the songs “It’s Good For The Soul (Part 1 & 2), “Emotion Eyes,” and “Funky Music during the program. Register for both programs on Eventbrite.

04/04/202404/04/2024

Luther Vandross Music & Style Celebration In April

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

“When I listen to Luther Vandross’s music, it makes me happy. I want to sing along and move to the beat, snap my fingers, and stomp my feet. There is joy in his music,” says Harlem Heaven’s milliner, Evetta Petty. “When I design hats, I want them to make the customer happy. I am dressing people for important events in their life. I want them to smile when they see the hats and look great in them. I want my hats to evoke that same joy that I feel from Luthers’ music.”

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

Dan C.E. has been a professional DJ for 20+ years. Throughout his career, he developed his style of open-format DJing, which he refers to as RetroFitted, by has been a professional DJ for 20+ years. He developed his style of open format DJing, which he refers to as RetroFitted, over the course of his career, playing the family of R&B music (Funk, Soul, Disco, House, and Hip-Hop) across eras. He also leans heavily into spinning Hip-Hop/Lo-Fi instrumentals, which he calls “Spinning the Essence.”

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/30/202403/30/2024

Divabetic Salutes Gwen Guthrie

“You’ve got to look at different ways to survive,” Gwen Guthrie said in a Blues & Soul Magazine interview. “And being independent could be one way that works for me.”

Singer, songwriter, and pianist Gwen Guthrie is best remembered for her infectious club hit, “Ain’t Nothin’ Goin’ On But the Rent,” It was one of the biggest dance anthems of the Eighties with its catchphrase: “No romance without finance. You gotta have a J.O.B. if you wanna be with me.”
This club icon studied classical music and piano at school.

In the early seventies, she joined the Ebonettes and the Matchmakers alongside Larry Blackmon, who became Cameo’s frontman.

During a studio session, she met musician Patrick Grant, and the pair wrote seven songs for Sister Sledge’s debut album. They also wrote the sublime “This Time I’ll be Sweeter,” in which Angela Boffil created musical magic. The song has been recorded over eighty times.

After touring and recording with Roberta Flack, Gwen Guthrie relocated to Jamacia. She teamed up with Jamaican dub and reggae duo Sly Dunbar and Robbie Shakespeare and released `It Should’ve Been You’ for Island’s R&B department. With Sly Dunbar and Robbie Shakespeare as producers, the singer cut the rest of her debut album, Gwen Guthrie, and the follow-up album, Padlock, featuring “Seventh Heaven” and “Hopscotch.”

I love the concept and imagery of the “Padlock” song lyrics. “Padlock” reached #13 on dance charts, climbed to #25 R&B, and was heard all over New York City during the summer of 1985. Like many of her hits, “Padlock” was remixed by one of the most influential club culture DJs, Paradise Garage DJ Larry Levan. Her frequent performances at the Garage earned her the nickname “The First Lady of the Paradise Garage.”

Robbie Shakespeare recalls how easy it was to work with Gwen Guthrie in the studio.”In the studio, you only had to give Gwen the rhythm. She would sit and draw flowers while she worked on lyrics. She was wicked fun and had a great personality.”

Her biggest hit, “Ain’t Nothin’ Goin’ On But the Rent,” was a monster smash in the UK but didn’t achieve the crossover success it deserved in the US. The song begins with the lyrics “Bill collectors at my door,” and is the funkiest tune about financial hardships.

“Things are much harder in the music business; you’ve got A&R men at major labels who don’t come from a particularly musical-orientated background and make some incredibly strange decisions, then you’ve got to battle for a budget to promote your releases, she said in an interview with Blues & Soul Magazine.

Soon after, Guthrie moved from Polydor to Warner Brothers and released several more albums but with lukewarm sales. “My last album came out at the same time as Prince, Quincy Jones, and Al. B Sure and I felt ignored.”In addition to running and supporting a children’s theatre company, the versatile singer with precise pitch is also one of the first recording artists to raise money for the fight against AIDS. Gwen Guthrie donated proceeds from her 1988 song “Can’t Love You Tonight,” which also addressed the epidemic. Her contributions to disco, house, and dance music will forever endure.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/29/202403/29/2024

Divabetic Salutes Deborah Cox

“I prefer Princess. I would love to be known as a diva later on in life when I’ve had far more experiences,” says Deborah Cox.

With six top-20 Billboard R&B singles and an impressive eleven number-one hits on Billboard’s Hot Dance Club Play, Deborah Cox can call herself anything she wants, including a multi-platinum selling artist.

Deborah Cox, inspired by her idol Whitney Houston, began performing in television commercials at age 12. “I remember wanting to be a singer from when I was a young girl,” she recalls. “I would sing a lot in my room as a kid and just fantasize about being an entertainer.”

She was hired as a professional backup vocalist for Céline Dion.

Clive Davis was signed to Arista Records by Clive Davis. Her debut album featured an infectious mix of pop and R&B and her first dance hit, “Who Do U Love.”

From there, Deborah Cox’s career hit its stride on the dance floor. he released a string of dance songs, “Things Just Ain’t The Same,” “Absolutely Not,” and “It Could’ve Been You,” that stormed the club scene. Some artists look down on being categorized as dance artists or having their songs remixed, but not her. ” I think it’s about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that’s great,” she said. ” f I could do a classical version, that’ll be great too. It’s all just about expression.”

Her sophomore album produced the slow jam hit “Nobody’s Supposed to Be Here.” The soulful ballad became an instant sensation and held the then-record for the longest-running No. 1 R&B single of all time. But then, it got a second life on the dance floor and topped the Dance Charts.

When asked about reworking her signature ballads and dance floor stompers, she said, “My opinion is that music is music. As long as you approach doing a remix with truth, I don’t see the dance remixes being any different than a hip-hop remix—it’s really a different version of the song.”

Deborah Cox lived out her fantasies when she worked with her idol, Whitney Houston, on the song “Same Script, Different Cast” for the album Whitney: The Greatest Hits. Working alongside her idol, she said, “

It gave me a chance to really sit one-on-one with her and have that mentor-to-student sisterhood moment where we could just talk, kick it, and have raw conversations about the business, family, and so much more.”

She took another leap by performing Whtiney’s role in the musical rendition of the classic film, The Bodyguard. She performed the singing vocals on the Lifetime film, ‘I Will Always Love You: The Whitney Houston Story. “I knew I had some big shoes to fill,” says Deborah Cox.

I’m looking forward to seeing Deborah Cox on Broadway, starring in the revival of ‘The Wiz.’

Luther Vandross wrote “A Brand New Day,” also known as “Everybody Rejoice,” for the musical.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/28/202403/28/2024

Divabetic Salutes Shirley Brown

“You can go around all your life singing stuff that’s just basically a song,” Shirley Brown said. “But I think you are supposed to relate to what’s happening—inner feelings.”

Shirley Brown sang in church in West Memphis, Arkansas, until she was discovered at age 14 by Albert King, blues guitarist, and singer, singing at the Harlem Club in Brooklyn, Illinois. She worked with Albert for nine years (where he was her manager) and rubbed elbows with Soul luminaries such as Johnnie Taylor and Little Milton.

Blues legend Albert King persuaded Shirley Brown to sign with Stax Records and release her smash single “Woman To Woman.”

Soul Express Magazine describes Woman to Woman as a milestone in the history of Southern soul music. Starting with a dramatic rap, it tells of a woman determined to hold on to her man and tell it over the phone to her rival.

Hello, may I speak to Barbara. Barbara, this is Shirley. You might not know who I am, but the reason I’m calling you is because I was going through my old man’s pockets this morning and I just happened to find your name and number. So, woman to woman, I don’t think it’s being any more than fair than to call you and let you know where I’m coming from.”

Woman to Woman, lovingly referred to as the soul soap opera, was written by James Banks, Henderson Thigpen, and Eddie Marion. The songwriters offered the song first to Inez Foxx, who passed on it. “She didn’t want to do it. She felt like the rap part in the beginning of the song was for a male artist, and a song like that with a rap would be better for a person like Isaac Hayes,” James Banks told Soul Express.

The song’s recording took more than one session. But Bobby Manuel, who played guitar on the sessions, said, “The recording session (for Woman to Woman) was magical. We all knew it was a hit record. Everybody was really excited.”

Shirley was nominated for a Grammy for Best R&B Performance, Female, but Aretha Franklin and Ain’t Nothing like a Real Thing won that year.

Millie Jackson, who was also nominated in the same category that year, told QuestLove on his podcast that Aretha should have been excluded from being nominated in that category because her recording failed to meet the qualifications.

“Woman to Woman” reached No. 1 on the R&B charts and No. 22 on the pop charts. The song proved so popular that Country Music legend Barbara Mandrell covered it, and Lonnie Youngblood talked to Barbara and blew his horn on the mid-tempo answer song, Man to Woman. A year after the song’s success, Stax Records folded.

Shirley Jones chased her dreams to New York City, where Clive Davis signed her to his Arista Records label. . “I was one of the first soul singers he (Clive) signed. I was there before Whitney and Aretha. Clive said that if we could ever get the right material, we could have a hit. But he felt that the material was too Southern. He didn’t want that Southern soul sound.

Clive and Shirley Brown didn’t agree on the direction of her music. “Clive Davis wanted me to do a Bette Midler song or something like Barbra Streisand. I could probably sing those kinds of songs, but I didn’t feel them.”

In early 1977, Shirley’s first Arista single, a soul ballad called Blessed Is the Woman (With a Man like Mine) was released. “I’ve always been a great admirer of Aretha Franklin,” Shirley Brown admits. Some people feel that Shirley Brown and Aretha Franklin are similar to the Isaac Hayes/Barry White situation.”

Some speculate that Clive felt she sounded too much like Aretha Franklin, and he jeopardized her career to boost Aretha’s.

“Clive wanted to make Shirley like Whitney, “says Bobby Manuel. “He wanted to take somebody that had those chops, who could sing like that… and take them pop. The marriage really didn’t work. He was sending us pop songs, and she just wasn’t into them.”

Luther Vandross loved Shirley Brown. I would buy up all her albums in the UK for our tour bus and his dressing room.

After Shirley left Arista, she signed with several other labels. She continues to make beautiful music. Some wonderful songs in her catalog include “I Ain’t Gonna Tell”, “Love Is Built On A Strong Foundation,” and the soul ballad “I Need Somebody to Love Me.”

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/24/202403/24/2024

Divabetic Salutes Val Young

“I can get in where I fit in, ” says Val Young. “I love all music.”

R&B/soul singer-songwriter Val Young, also known as “Lady V,” was one of the original Mary Jane Girls Band members.

The Detroit-born former Motown recording artist began singing background vocals for The Gap Band, George Clinton, Teena Marie, El Debarge, Evelyn ‘Champagne’ King, Bobby Womack, and Roy Ayers. Her all-time favorite artist is Gladys Knight. Growing up, she used to listen to her music all of the time.

She began singing with Rick James in 1981 on the Street Songs tour. Teena Maire was the opening act. She was also a member of the original Mary Jane Band.

“What a great, great time I had with RJ (Rick James). Recording, working, touring, personal, everything,” says Val Young. “We could be laughing and talking, and he could create a song. Rick James was the best of everything.” She added, “I learned from Rick to be focused. Rick always told me to be someone that someone else wants to be.”

Rick James produced her debut album, Seduction, which included the hits “Mind Games,” “Piece Of My Heart,” and “If You Should Ever Be Lonely.”

“I always wanted to be solo,” said Val Young in a Truth in Rhythm interview on YouTube. “But I still sung backgrounds on the Mary Jane Girls records.”

Her talent and physical attributes impressed Rick James so much that he promoted her as the “Black Marilyn Monroe.”

Packed with so many great songs, Rick James decided against including Val Youngs’ recording of the song “In My House” on the album. Instead, he gave the song to his fledging girl group, The Mary Jane Girls, who released “In My House,” it became a mega-hit. Regardless, Val Young’s Seduction album achieved gold status.

I would listen to Val Yong’s hits on WDKX in Rochester, New York. After school, I would turn up the radio in the art room when I heard the first bars of “If You Should Ever Be Lonely.” I was such a big Val Young fan that I dragged my brother, Rich, and his friend, Teresa, to see her perform live at a small club in Downtown Rochester. The three of us stuck out like a sore thumb in the club.

I may never understand why I grew up listening to R&B when no one else in my family did, but I can trace my career trajectory back to those early years of listening to Val Young, Rick James, and Luther Vandross nonstop on WDKX.

I was a Luther fan long before I worked for him, so I am passionate about helping promote his legacy. It was one of the most magical, defining moments in my life. I’m grateful to stay in touch with Luther’s musical family, promote his musical legacy, and offer diabetes outreach support to his fans.

After the success of her first album and Rick James’s passing, I didn’t hear much of Val Young. I’m not a rap fan, so I assumed she had left the music industry. But her voice can be heard on hit songs with Dr. Dre, Snoop Dogg, Too Short, Mark Morrison, and Napoleon. Her most successful collaboration is the song “To Live & Die In L.A.” with Tupac Shakur.

You can’t help but fall in love with Val Young listening to her Truth in Rhythm interview. She’s down-to-earth, funny, and very humble about her success. She was genuinely surprised to learn Mariah Carey covered her song, “If Should Ever Be Lonely.” She said, “I was just so happy and truly blessed.”

Most recently, Val Young, Candice Ghant, and Rick James’ daughter, Ty James, have been performing as the new lineup of The Mary Jane Girls at various Rick James tribute shows.

Thank you, Val Young, for being part of the soundtrack of my life. Her music reminds me of the kid who grew up listening to R&B and was lucky enough to work for one of his idols.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/23/202403/23/2024

Divabetic Salutes Jean Knight

“Mr. Big Stuff is better to me now than 31 years ago,” said singer Jean Knight about her biggest hit. “All I have to do is sit at home and wait for the mailman.”

The New Orleans singer reached #2 on the Billboard charts in 1971 with”Mr. Big Stuff.” and received a Grammy nomination. But a decade before her success, Jean Knight cut her first demo recording in 1965, a cover of Jackie Wilson’s “Stop Doggin’ Me Around.”

One of her biggest musical influences was Etta James. “The first time she heard “All I Could Do Was Cry,” she said in an interview on YouTube, “The first time I heard that song, I wanted to be like her.”

Jean Knight recorded a series of singles with lukewarm success. When her career stalled, she left the music industry and worked at a bakery.

Songwriter Ralph Williams connected Jean Knight to record producer Wardell Quezergue a short time later. Her recording sessions with Wardell Quezergue yielded “Mr Big Stuff,” which turned around her fortunes. Reflecting on the recording session, Jean Knight said she liked “Mr. Big Stuff” lyrics but not the melody. She felt the melody didn’t match the tone and emotion of the song’s subject. At some point, the producers let Jean sing it her way. She recorded her infamous version of the song in one take. Stax Records bought the rights and released the record, which peaked at no. 1 on the Billboard R&B chart and no. 2 on the Billboard Hot 100 chart.

“Mr. Big Stuff” topped the US R&B chart and crossed over into the main pop chart, reaching No. 2. The Bee Gees’ hit “ How Can You Mend a Broken Heart” kept her from the top spot. Her popularity soared, and she performed her hit on TV Shows like Soul Train and received Best Female R&B Vocal Performance nominations at the 1972 Grammy Awards.

After “Mr. Big Stuff,” Jean Knight recorded a few modest hits, including “You Think You’re Hot Stuff” and “Carry On,” but disagreements with her producers at Stax led to her being dropped from the label the following year,

Jean Knight said, “I’m the type of person that I never get too big for the people that I have been knowing,” explaining why she didn’t get caught in the trappings of fame. “My friends from when I was much younger are still my friends today.”

In the 80s, she joined the local oldies circuits, where producer Isaac Bolden spotted her. He signed her to his label, Soulin. The two produced the song “You Got The Papers, But I Got The Man.” It was a novelty answer song to Richard Dimples Fields’s hit, “She’s Got Papers On Me.”

“You Got The Papers, But I Got The Man” has one of the best sassy monologues ever recorded! Jean Knight’s defiant mistress tells off her lover’s wife, “What you need, girl, is a complete overhaul, your house, your body, your face and all!” It could be straight out of a season finale of The Real Housewives franchise and requires you to fasten your seatbelt before listening.

After reading the wife from A to Z, she sweetly expresses her undying love for her man. It reminds me of Shirley Brown’s “Woman To Woman” song that my friend, DJ Downtown Donna, used to spin at the classic dive bar Pendulum on Castro Street in San Francisco.

Jean Knight also remade the novelty hit “My Toot Toot,” which became her first international hit. It reached the top ten in the United Kingdom and # 3 in South Africa.

The Louisiana Music Hall of Famer’s legacy extends beyond her music. She passionately shared her time and talents with many New Orleans community causes. She represented the heart and soul of her hometown, earning respect and admiration far beyond her musical talents.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/22/202403/22/2024

Divabetic Salutes Paulette McWilliams

“I started singing before I could really talk, “Paulette McWilliams told Pop Matters. “I would watch all the musicals and wish I was in them.”

Over the last decades, my friend Paulette McWilliams turned her childhood fantasies into reality. She has emerged as the consummate vocalist, equally at home in rock, R&B, jazz, house, Broadway, and hundreds of commercial jingles to her credit.

Paulette McWilliams is an incredible talent with a captivating voice. Her versatility and effortless transitions between genres are remarkable. I’m so impressed by her career journey and the impact she has made in the music industry.

Paulette’s first flirtations with fame were in Chicago, where she was the lead singer in Rufus before enlisting her friend Chaka Khan. After that, she appeared on Quincy Jones’s Mellow Madness (1975) album. A stint singing duets with Marvin Gaye and Johnny Mathis soon followed. But she met Luther Vandross while she was performing as one of Bette Midler’s Harlettes. For many years, Paulette recorded and toured with Luther Vandross, and we met on a Luther tour.

Paulette’s voice is so distinctive. Her rich, warm tones, especially her low ones, give me chills and worldwide fans.

Last year, her career went into overdrive with the release of her stunning album, “These Are The Sweet Things.” The album captivated UK listeners’ hearts, and various album cuts appeared on the Sweet Rhythm and UK Soul charts for months.

Lucky for me, she agreed to share her exceptional talents, co-write, and perform the song “Mama’s Kitchen Table.” Honestly, I could have chosen to spotlight any of the wonderful songs from “These Are Sweet Things,” her lovely rendition of Luther’s “So Amazing” from her impeccable “A Woman’s Story” album, or even my favorite untraditional Christmas song, “Pink Champagne” but selfishly I chose to spotlight the lyrics to “Mama’s Kitchen Table.”

I love the way her voice sounds in this song. Her low tones are spellbinding to me. She’s in the pocket with the groove, and she just sounds funky. Paulette’s a magician in how she seamlessly made my quirky lyrics seem funky. Plus, my friend Ivan Hampden Jr. produced the heck out of this track. He’s truly a genius!!

My lyrics are inspired by my experience of accepting myself as a gay man. The dream of feeling comfortable bringing a partner home and welcoming him at our kitchen table was precious to me. The kitchen table symbolizes so many things to me. It reflects trust and honesty in a relationship. As gay men, many of us struggle with acceptance and often choose to keep that part of our lives a secret. Monsters grow in the dark.

A friend’s advice and objectivity are nonexistent in unhealthy, abusive relationships that are secretive. Denying yourself the support, encouragement, and resources of a friend’s shoulder and ear can have devastating consequences. I’ve known too many gay men who stayed in relationships because they felt they had no one to turn to. Thankfully, in my lifetime, my parents always welcomed me and my partners to their home.

I adore this woman! Please check out her music on your favorite streaming apps and her sensational rendition of “A Thousand Years” on YouTube.

You’ll be in for a treat! I hope you listen to more of her music and explore her unique artistry.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/21/202403/21/2024

Divabetic Salutes Marlena Shaw

“When I sing, I want people to feel something,” Marlena Shaw said. “I don’t care if it’s jazz or pop.”

Celebrated soul and jazz vocalist Marlena Shaw, known for her hits ‘California Soul’ and ‘Woman of the Ghetto’ but it was her unforgettable recording of “Go Away Little Boy,” that caught my ear and captured my heart. I was hooked on Marlena Shaw after one listen.

Her incredible spoken section: “I figure if I’ve got to get up and go to work every day, then every able-bodied in the household is supposed to get up and go … If for some reason you feel that you can no longer be the man you were at the beginning of our relationship, then I’ve got this one thing to lay on you, my sweet. Go away, little boy …”

“Go Away Little Boy” became one of her most popular songs in live performance, the prefatory rap acquiring extra twists, turns, and layers of sardonic saltiness.

Sadly, I never could see her perform it live, but the live recording is so good that it doesn’t matter.

She embodied the type of entertainer I adore. With her commanding presence, humor, and incredible vocals, I assume she, like Luther Vandross, knew who to put on a show.

Marlena Shaw began her music career in the 1960s by singing in jazz clubs and continued to perform live into the 2000s. According to Variety, she released 17 albums with eight different record labels.

According to the 5th Dimension Forever website, the vivacious singer’s lyrics often communicated the strength of the Black American community and Black women at a time when there was a great racial divide in the country and its politics.

According to CBS News, the musician who influenced music in the jazz, soul, disco, and R&B genres “spanned generations and was often featured and sampled in popular media, TV commercials, and other songs.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.