31 Days of Divabetic Podcasts, Day Twenty Seven

Divabetic (Divabetic.org) presents a month-long showcase celebrating 10 years of diabetes podcasting. Each of the featured podcasts spotlights our favorite guests, topics, poems, games and/or musical inspiration. Enjoy!

On Day 27, we’re spotlighting Divabetic’s Diabetes Late Nite Inspired by Patti Austin podcast from July 2018.

Grammy Award-winning Singer Patti Austin is in constant demand globally for live performances, thanks to a legacy of recordings that started in 1955, continued through the ‘60s with success as a teenage R&B star before establishing herself as a mainstay among jazz and soul audiences through her ‘70s recordings.  By the ‘80s, Austin became known to the wider international audience as a result of the Grammy-nominated “Baby Come To Me” and “How Do You Keep The Music Playing”, her early ‘80s classic duets with James Ingram.

In New York, they referred to Patti Austin as the “Queen of Studio” for her singing abilities. When she arrived on set to work for Randy and Michael Brecker, Patti met Luther Vandross for the first time.The moment created a lasting friendship.

“Another thing (besides music) that bonded me to Luther was our weight issues,” she said. The two dialed each other often. “When touring, if we were in the same city, we attended movies together.” “He would usually pick some silly movie like [Scary Movie]” she said, expanding on the personal side of their relationship in a loving, humorous way.

“I had type 2 diabetes,” says the former 285- pound singing sensation. “I had obesity-driven diabetes,” continued the now 140-pound Austin. To reach her new weight, Patti Austin had gastric bypass surgery and the result has been remarkable.

Guests include Poet Lorraine Brooks, Jill Weisenberger MS, RDN, CDE, CHWC, FAND, Chris Pickering co-founder of ‘The Betes Bros, Patricia Addie-Gentle RN, CDE, and Mama Rose Marie.

Throughout this podcast we will be featuring songs from ‘The Best Of Patti Austin’album courtesy of SONY Music.

 

Our monthly podcasts are dedicated to Music Lovers living with, at risk and/or affected by diabetes. We aim to be the epicenter of the circle of care, a link between patients and their health care providers, a translator of clinical speak and a bridge between denial and acceptance, fear and confidence

Divabetic was inspired by the late music legend, Luther Vandross and created in 2005 by Max ‘Mr. Divabetic’ Szadek, who, as Vandross’ assistant of 14 years, witnessed his boss, mentor, and friend struggle in silence and solitude with the diabetes and its related complications. Since its inception, Divabetic has presented outreach programs in 15 major U.S. cities, reaching hundreds of thousands of women, their families and health care professionals.

Experience more of our GLAM MORE, FEAR LESS philosophy at divabetic.org

Divabetic Remembers James Ingram

Two-time Grammy winner James Ingram, whose wonderful voice instantly evokes the classic R&B sound of the 1980s, has died. He was 66.

 He died from a battle with a form of brain cancer reported TMZ. Sources close to the singer tell us James Ingram had been fighting the cancer for an extended period.

“He will always be cherished, loved and remembered for his genius, his love of family and his humanity. I am blessed to have been so close,” says actress Debbie Allen.

He was a staple of the romantic Quiet Storm R&B radio format, alongside Divabetic’s inspiration Luther Vandross and others such as George Benson, Anita Baker and Barry White. His collaborations with Patti Austin — 1981’s “Baby Come to Me” and “How Do You Keep The Music Playing” helped define adult contemporary R&B in the early ’80’s. 

Originally raised in Akron, Ohio, a teenaged Ingram pounded the pavement in ’70s Los Angeles, making demos for a publishing company and churning out tunes for his band Revelation Funk. Comparing himself to his bandmates, Ingram underestimated his own vocal abilities. “I knew I couldn’t sing,” he said. “I wasn’t trying. I was just doing background.”

After the band broke up, James Ingram got great backup gigs, working with Marvin Gaye. He would sing and write demos at a studio on Sunset Boulevard for $50 per song. The studio had a relationship with veteran producer Quincy Jones, who heard Ingram’s recording of “Just Once.” Jones, impressed, called Ingram.

“I hung up on Quincy,” he told the Tribune. “I was never no singer. I never shopped a deal, none of that. My wife said, ‘James, that was Quincy.’ He called back, and we started talking. I said, ‘Yeah, that’s me.’ He put that on his album.”

James Ingram ended up singing that song and “One Hundred Ways” on Jones’ 1981 album, The Dude. Both songs ended up in the top 20 of the Billboard Hot 100. His performance of “One Hundred Ways” won him the Grammy in 1981 for best male R&B performance. In 1984 he won his second Grammy, for “Yah Mo B There” with singer Michael McDonald. Throughout his career, Ingram was nominated for 14 Grammys.

He won back-to-back best original song Oscar nominations in 1993 and 1994, for co-writing the Dolly Parton (February’s Divabetic Inspiration) duet “The Day I Fall in Love,” from Beethoven’s 2nd, and Patty Smyth’s “Look What Love Has Done,” from Junior.

James Ingram won hearts with “Somewhere Out There,” his 1987 Peter Asher-produced duet with Linda Ronstadt. The song was featured in Don Bluth’s animated movie An American Tail, the emotion-tugging power ballad rose to number two on the Billboard Hot 100 chart in 1987 and won the Grammy for song of the year.

Tune in to February’s Diabetes Late NIte podcast with musical inspiration from Dolly Parton on Tuesday, February 12, 2019, 6 PM, EST. We’re talking about ‘SELF ACCEPTANCE & DIABETES’ with Poet Lorraine Brooks, Dr.Beverly S. Adler PhD, CDE, Patricia Addie-Gentle RN, CDE, Catherine Schuller AICI, CIP,  Lisa R Young, PhD, RDN and more. Enjoy selected songs from Dolly Parton’s new album Dumplin’ Original Motion Picture Soundtrack courtesy of SONY Music.  TUNE IN