Divabetic Salutes Brandy

“I needed to explore my talents and versatility and see if I had another side of me, another sound,” says Brandy Norwood.

Singer, songwriter, and actress Brandy Norwood is from McComb, Mississippi. Brandy received her first recording contract with Atlantic Records while she was still in 9th grade of high school. Soon, she also received a role on an ABC television sitcom, Thea. Although the show was canceled shortly after its premiere, Brandy took it as a good sign to focus on her priorities. She told Vogue, “It was a good thing, because I could do what I had to do, because I wanted to sing.”

Her song “I Wanna Be Down” from her debut album, “Brandy,” reached the No. 1 position on the Billboard Hot 100 charts, staying there for four weeks in 1994. The album earned Brandy two Grammy Award nominations for Best New Artist and Best Female R&B Vocal Performance.

Brandy returned to acting in the UPN sitcom “Moesha.” The popular show ran for 6 seasons, and Brandy received an NAACP Image Award.Brandy released her second album, “Never Say Never,” featuring the duet, “The Boy Is Mine” with Monica. The song reached the #1 spot on the US Billboard Hot 100 charts and won the Grammy for “Best R&B Performance by a Duo or Group with Vocals”. Brandy’s “Never Say Never” became the bestselling R&B album of 1998 in the United States and sold more than 16 million copies worldwide.

Dubbed “The Vocal Bible,” Brandy’s body of work is filled with glorious vocal moments that many have attempted to duplicate. The way she harmonizes with herself has been compared to Enya and Janet Jackson in the intricate precision and speed. “In my life right now, in my music, and just overall I feel like I’m winning. It doesn’t matter what this person is saying or what the charts are saying or what award shows are saying, the public opinion doesn’t matter. I feel like I’m winning in my spirit.”

The song, “Have You Ever?” was written by Diane Warren and produced by David Foster. According to Wikipedia, the recording of the song marked the first time Brandy “had been in the studio with a producer like David Foster”, she said in a 2005 interview. “My voice wasn’t as developed as it is now and the song required what producers call ‘money notes’ — the kind that get you a No. 1 on the charts! I was nervous but it all worked just fine.”

Her music and acting success allowed her to work with Whitney Houston on the TV movie Cinderella. Brandy said, “Whitney Houston is my idol and my mentor and my dream forever, like she will always be my favorite artist, ever, on the planet.”

The TV movie drew over 60 million viewers during its premiere on ABC in November 1997. In 1998, it earned an Emmy for Outstanding Art Direction.

Over the years, Brandy has also dealt with heartache and tragedy. Sadly, she was involved in a heavily publicized car accident in 2006.

“I went through a struggle, and I really needed to get myself together and connect with my purpose which is music.”

In April 2015, Norwood made her Broadway debut as Roxie Hart in the musical “Chicago.”

Most recently, Brandy announced her major label return after signing with Motown Records.

“It just feels like I’m no the right path musically and I’m in the right mindset to continue out my mission in the music because I’m not putting myself in a box.”

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

https://youtube.com/watch?v=YZ122kzm70E%3Fversion%3D3%26rel%3D1%26showsearch%3D0%26showinfo%3D1%26iv_load_policy%3D1%26fs%3D1%26hl%3Den-US%26autohide%3D2%26wmode%3Dtransparent

03/23/202403/23/2024

Divabetic Salutes Jean Knight

“Mr. Big Stuff is better to me now than 31 years ago,” said singer Jean Knight about her biggest hit. “All I have to do is sit at home and wait for the mailman.”

The New Orleans singer reached #2 on the Billboard charts in 1971 with”Mr. Big Stuff.” and received a Grammy nomination. But a decade before her success, Jean Knight cut her first demo recording in 1965, a cover of Jackie Wilson’s “Stop Doggin’ Me Around.”

One of her biggest musical influences was Etta James. “The first time she heard “All I Could Do Was Cry,” she said in an interview on YouTube, “The first time I heard that song, I wanted to be like her.”

Jean Knight recorded a series of singles with lukewarm success. When her career stalled, she left the music industry and worked at a bakery.

Songwriter Ralph Williams connected Jean Knight to record producer Wardell Quezergue a short time later. Her recording sessions with Wardell Quezergue yielded “Mr Big Stuff,” which turned around her fortunes. Reflecting on the recording session, Jean Knight said she liked “Mr. Big Stuff” lyrics but not the melody. She felt the melody didn’t match the tone and emotion of the song’s subject. At some point, the producers let Jean sing it her way. She recorded her infamous version of the song in one take. Stax Records bought the rights and released the record, which peaked at no. 1 on the Billboard R&B chart and no. 2 on the Billboard Hot 100 chart.

“Mr. Big Stuff” topped the US R&B chart and crossed over into the main pop chart, reaching No. 2. The Bee Gees’ hit “ How Can You Mend a Broken Heart” kept her from the top spot. Her popularity soared, and she performed her hit on TV Shows like Soul Train and received Best Female R&B Vocal Performance nominations at the 1972 Grammy Awards.

After “Mr. Big Stuff,” Jean Knight recorded a few modest hits, including “You Think You’re Hot Stuff” and “Carry On,” but disagreements with her producers at Stax led to her being dropped from the label the following year,

Jean Knight said, “I’m the type of person that I never get too big for the people that I have been knowing,” explaining why she didn’t get caught in the trappings of fame. “My friends from when I was much younger are still my friends today.”

In the 80s, she joined the local oldies circuits, where producer Isaac Bolden spotted her. He signed her to his label, Soulin. The two produced the song “You Got The Papers, But I Got The Man.” It was a novelty answer song to Richard Dimples Fields’s hit, “She’s Got Papers On Me.”

“You Got The Papers, But I Got The Man” has one of the best sassy monologues ever recorded! Jean Knight’s defiant mistress tells off her lover’s wife, “What you need, girl, is a complete overhaul, your house, your body, your face and all!” It could be straight out of a season finale of The Real Housewives franchise and requires you to fasten your seatbelt before listening.

After reading the wife from A to Z, she sweetly expresses her undying love for her man. It reminds me of Shirley Brown’s “Woman To Woman” song that my friend, DJ Downtown Donna, used to spin at the classic dive bar Pendulum on Castro Street in San Francisco.

Jean Knight also remade the novelty hit “My Toot Toot,” which became her first international hit. It reached the top ten in the United Kingdom and # 3 in South Africa.

The Louisiana Music Hall of Famer’s legacy extends beyond her music. She passionately shared her time and talents with many New Orleans community causes. She represented the heart and soul of her hometown, earning respect and admiration far beyond her musical talents.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/19/202403/19/2024

Divabetic Salutes Oleta Adams

“I loved being a part of bringing joy and solace to people when I sang,” said Oleta Adams, platinum-selling recording artist and four-time Grammy nominee. “It made me feel that I had something significant to contribute to the world, and that became the main reason for making it my career.”

In 1985, while performing at the Peppercorn Duck Club in the Hyatt Hotel in Kansas City, Oleta Adams’s powerful vocals caught the attention of Ian Stanley, the keyboardist for Tears for Fears. The band asked her to record and tour with them – launching her global career.

“Roy Orzibal, Tears For Fears cofounder, had written a song entitled, “Woman In Chains” and he asked me to bring that same emotion to his song,” she said.

Oleta Adams’s work on their record led to her signing to the band’s same recording company, Polygram-Fontana. “It gave me integrity and a real boost to my own career,” she added.

This jumpstart to her career led to her performing with legends like Phil Collins, Michael Bolton, and Luther Vandross.

I remember when she opened for Luther Vandross. She was down-to-earth, very approachable and kind. Sitting behind a grand piano, she memorized audiences with warm, rich vocals. Her debut album, “Circle of Love,” was like nothing else at the time, and it took the musical world by storm. Oleta Adams’ deep, clear voice in her breathy rendition of Brenda Russell’s “Get Here” is a torchy masterpiece. It became one of the 90’s great love ballads. The song became an unofficial anthem of the 1991 Gulf War.

Celebrating 45 years in the music industry and having released nine albums, including secular, gospel, and Christmas, Oleta’s musical odyssey continues to garner her legions of fans worldwide.

Variety wrote, ” Oleta Adams is a singer of immense talent. She infuses the songs with a drama and sensitivity that leaves you limp, and hungering for more.”

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

03/17/202403/17/2024

Divabetic Salutes Lisa Fischer

“Some people will do anything to be famous. And then there are other people who just – will sing,” Lisa Fischer said in the Academy Award-winning documentary, “20 Feet from Stardom.” “It’s not about anything except being in this special space with people and that is really the higher – calling, to me.”

My friend, the legendary backup singer Lisa Fischer, has supported the world’s biggest stars, including Luther Vandross, the Rolling Stones, Madonna, Tina Turner, and Sting.

Lisa captured my heart on my first Luther tour, “Never Let Me Go,” in 1993. She was so friendly, funny, and approachable. During that tour, she enthralled audiences with the performance of her signature song, “How Can I Ease The Pain.”

Over the years, I have seen her mold, caress, undress, and shape this song on many stages. The melody and lyrics are so beautiful that Lisa finds something new to bring to the song for each listen.

After the “Never Let Me Go” tour, she left to tour with the Rolling Stones, but our paths continued to cross in the most unexpected places.

I met Lisa Fischer while working in the American Conservatory Theater’s costume rentals department in San Francisco, CA. She came into our shop looking for a Halloween costume.

The next time we saw each other was in Europe. I took a brief hiatus from working with Luther Vandross to tour with Lionel Richie, who was opening for Tina Turner. Navigating the backstage area on the rolling hills of some outdoor venue, I spotted Lisa taking a break after a sound check.

After Luther Vandross’s stroke related to mismanagement of type 2 diabetes, Lisa would visit his rehabilitation center to sing with Luther as part of his occupational therapy. At my urging, she also agreed with Nat Adderley Jr. to perform a Christmas concert for the residents of Whispering Knoll. She dressed to the nines, and Nat accompanied her on a piano, singing traditional Christmas tunes in the main lobby. I remember several residents telling me that it was the best talent that had ever performed there!

Of course, I, like everyone else, was thrilled that the enormous popularity of “20 Feet From Stardom” sparked Lisa’s solo tour. Her live performances are electric. Last year, she performed the most incredible sonic rendition of ‘Never Too Much” during her show. She’s so captivating on stage that she easily erases my corny 6th-grade chorus memories of a song like “This Land Is Your Land” and turns it into a haunting, spiritual experience.

She generously shared her talents with me recently on a holiday song collaboration. Our Zoom and phone sessions are a masterclass in songwriting. As a lyricist, I am grateful to her for opening my eyes to how a true artist interprets lyrics. It’s been an incredible experience.

“This would be scary if I felt like the real focus were on me per se, but in my head, in order to deal with it, it’s the music that’s really being presented; it is about the music flying. Not so much me,” she says.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

05/27/202005/27/2020

Billie Eilish Shares Powerful Short Film About Body Shaming

Billie Eilish is hitting back at body-shamers in a new short film.

The 18-year-old Grammy winner shared her message in a new spoken word short film called “Not My Responsibility” on YouTube.

The video first depicts the pop star in her usual baggy threads, wading through what looks like a pool of tar as she strips her garments. Over a moody, ambient soundtrack, Eilish almost entirely removes her jet black tank top near the end — but obscures her body in the inky liquid instead.

Last year, she explained in a Calvin Klein ad that the reason she wears baggy clothes is to avoid body shaming. “I never want the world to know everything about me,” she said as reported in Buzzfeed. “I mean, that’s why I wear big baggy clothes: Nobody can have an opinion, because they haven’t seen what’s underneath, you know?”

She also discussed struggling with body image issues in an interview with Vogue. “I just hated my body. I would have done anything to be in a different one,” she explained. “I really wanted to be a model, really bad, and I was chubby and short.”

Billie Eilish – NOT MY RESPONSIBILITY – a short film

Home Diva TalkRadio October’s Diabetes Late Nite Podcast

Diabetes Late Nite Podcast on Body Image & Diabetes

We’re talking about BODY IMAGE & DIABETES with musical inspiration from superstar Meghan Trainor on Divabetic’s Diabetes Late Nite podcast.

Think about it. Have you considered if your body image impacts your diabetes?

For people with diabetes, these attitudes may be very healthy which actually helps them manage their diabetes or they may be unhealthy which may lead to blood glucose values that are damaging.

People with a healthy body image see themselves as they really are and are happy with the way they feel and look.

For people that do not have a healthy body image, the term body dysmorphic disorder is sometimes used.

One of the biggest hits of last year, Meghan Trainor’s “All About That Bass” isn’t your typical pop song.

“My producer and I wanted to do a fun song, so we thought why not do a song about loving yourself and loving your body, because I don’t think girls love themselves as much as they should,” Trainor says.

Guests include Chef Robert Lewis aka ‘The Happy Diabetic’, the Charlie’s Angels of Outreach (Patricia Addie-Gentle RN, CDE) Poet Lorraine Brooks and Mama Rose Marie.

Throughout the podcast we will be playing selected songs from Meghan Trainor’s “Thank You” album courtesy of SONY Music.