Jean Carne has captivated the hearts of jazz and soul enthusiasts alike. Her Philadelphia International recordings are a testament to her unmatched talent, incorporating smooth instrumentation, soulful lyrics, and her remarkable vocal range and versatility.
Jean Carne’s first showbiz exposure was singing “Misty” on a morning radio show as a teenager in Atlanta, GA.
After meeting her husband, she joined his jazz fusion band as a vocalist, and they recorded three albums. Their recordings caught the attention of Earth, Wind & Fire, which Jean Carne joined as a backup vocalist on their first two albums.
Jean’s vocal interpretations of instrumental classics brought by Jazz greats such as John Coltrane, Miles Davis, McCoy Tyner, and Horace Silver expanded the display of her musical abilities to Jazz Lovers worldwide.
While Carne is still called a jazz vocalist in many circles, the label no longer applies to her musical legacy.” That’s how I started out, and I guess a lot of people will always think of me that way,” she told the Chicago Tribune.” Actually, I didn’t start out singing jazz at all. I guess I knew I would be involved in music in some manner. My parents told me I started singing with songs on the radio when I was 3. I joined the church choir when I was 4; I had to stand on a box. My parents thought I would teach music or possibly become an opera singer.” After leaving Earth, Wind & Fire, she toured with Duke Ellington and signed with Buddah Records.
She teamed up with Norman Connors on the top-ten single “Valentine Love” in 1975. Throughout the rest of the 1970s, Carne continued to record and tour, releasing popular singles like “Was That All It Was?” “Free Love?” “Don’t Let It Go To Your Head?” and her number-one hit, “Closer Than Close,” in 1986.
In an interview with Soul & Jazz & Funk, she spoke about her recording experience with Philadelphia International Sound. She said, “Sometimes I would put down a scratch vocal while they did the rhythm tracks, and then the arranger would come in and sweeten it with horns and strings, and then I would come in and do the true vocal. Sometimes, I would stack my own backgrounds, and, sometimes, they were done by ‘The Sweeties’.”
Although she had multiple hits, she never liked to tour. ” I usually don’t enjoy touring. I’m a teetotaler, I don’t smoke, and I don’t party. So on the road, I usually feel out of place.”
Over the years, Jean Carne has worked with some of the most influential soul and jazz artists, producers, and songwriters, including Dizzy Gillespie, Norman Connors, The Temptations, Glenn Jones, and Phyllis Hyman. Her creativity and talent have never waned.
Jean Carne is a true icon in the music industry, and her distinctive voice and impressive body of work will continue to inspire generations to come.
Singer and actress Phyllis Hyman was best known for her soulful music from the late 1970s through the early 1990s, including the songs “You Know How To Love Me” (1979), “Living All Alone” (1986), and “Old Friend” (1991).
Deep-voiced and statuesque, Phyllis Hyman’s power, skill, and versatility as a performer enthralled her audiences.
She earned a Theatre World Award and a Tony Award nomination for Best Performance by a Featured Actress in a Musical for her work in the 1981 musical Sophisticated Ladies, which was based on Duke Ellington’s music and ran from 1981 until 1983.
Born in Pittsburgh in 1950, Phyllis Hyman was the eldest of seven children. She grew up in Philadelphia, listening to a wide range of music from James Brown and Nina Simone to Karen Carpenter and Minnie Ripperton.
Her big break came when she gained the attention of jazz drummer Norman Connors, who had a reputation for discovering female vocalists such as Jean Carne. Norman Connors produced Phyllis Hyman’s sultry rendition of The Stylistics’ “Betcha By Golly Wow,” which proved a favorite on R&B radio stations in the United States.
She signed to the New York-based Buddha Record label and cut several fine tracks, which became staple fare on an emerging radio format, the “Quiet Storm,” soul ballads played late into the night.
Later, she signed with Arista Records, reaching an international audience with her albums “Somewhere In My Lifetime,” “Can’t We Fall in Love Again,” and the album that bears the title of one of her biggest hit singles, “You Know How To Love Me.”
1986 she returned to Philadelphia and signed with Kenny Gamble at Philadelphia International Records. Their hit album, “Living All Alone,” included the now-classic single “Old Friend.” This song was a comfort for many of us during the AIDS epidemic. She visited New York City hospices and performed at countless benefits. Phyllis mentioned her own loss made it difficult for her to perform the song. It’s still one of the most beautiful songs ever recorded, filled with sadness and a heartfelt plea to reunite with a lost love.
Phyllis was often plagued with self-criticism. In a 1991 interview with David Nathan, she said, “Up until 5 years ago, I didn’t listen that much to myself… When people would say they loved my voice, I’d wonder, ‘Why are they moved?’ Now, I’m beginning to understand how people can be turned on by my singing… I’ve been told that people can feel a lot more love and calm coming from me these days.”
When she should have been soaring like the songbird she was, Phyllis Hyman’s mental health issues took over her life. She was diagnosed as being “bipolar,” a medical term for someone who suffers from the disease of manic-depression.
As she got older, her disease became more and more challenging t for her to manage. She chose not to use pharmaceutical medication and instead self-medicate. Her self-medication distorted her disease more and more until she felt helpless about ever being able to recover from it. Her self-destructive behavior and problems became more evident to her family, friends, and music industry peers. She attempted suicide twice before she took her life a few days before her 45th birthday and only a few hours before she was due to appear at the Apollo Theatre in Harlem.
“As an artist, she sang her desperation. She has a song that is a soundtrack of her entire life, ‘You Just Don’t Know What I’ve Been Going Through,’ ” said Frank Sheffield, Hyman’s long-time friend who managed the jazz station at Hampton (Va.) University, where Hyman often appeared.
After Phyllis’ passing, Roberta Flack said, “Phyllis’ voice, at once breathy and resonant, will sing in my heart and spirit forever.”
Vesta Wiliams was an American singer-songwriter who started her artistic career.
In her teens, she was a member of her cousin, a former member of the 60’s & 70’s supergroup ‘5th Dimension, Ron Townsend’s group, ‘Wild Honey’. She was a sought-after session singer providing background vocals for Anita Baker (‘Rapture’), Jermaine Jackson (‘Precious Moments’), Jeffrey Osborne (‘Emotional’), Stephanie Mills (‘If I Were Your Woman’), Gladys Knight (‘Good Woman’), and Sting (‘Nothing Like The Sun’) among others. This exposure led her to be signed by A&M Records label. She released her first album in 1986 called “Vesta,” which spawned the hit single “Once Bitten, Twice Shy.”
She was disappointed with her first album. She told Donny Simpson that it could have been better if there had been better energy between her team of e-producers. She said, “You have to let some butterflies be free, and I have to be free.”
On her follow-up album, one of our favorites, “Vesta 4 U”, she showed a flair for dramatics. Working with Attala Zane Giles, Eric Daniels, Tena Clark, Gary Prim, and Billy Osbourne, Vesta poured her heart and soul into every lyric. “I always felt that to deliver a song successfully, you have to be an actress,” she said. “A good actress becomes the part, just as a good singer becomes the song.”
The first single, “Sweet, Sweet Love,” reached #4 on the Billboard R&B chart before she released what I consider her signature song, the mega-hit “Congratulations,” a rollercoaster of emotions and frothy camp perfection! The song’s video is like a soap opera on steroids! The song tells the story of a woman mistakenly congratulated by her old friend on her wedding day, but it’s not her wedding. Her boyfriend is marrying another woman. What? Plot twist!
The song tells the story of a woman mistakenly congratulated by her old friend on her wedding day, but little does she know that her soulmate is marrying another woman. What? Plot twist! Vesta, decked out in 80’s fashion staples, runs to the church with her shopping bags, ready to stop the wedding. She arrives just in time with her red lacquered nails and opens the church door. We can only imagine the sound she must have made because several people turned around to notice her. Why didn’t the director didn’t let her drop to her knees, roll on the ground, and crawl to the altar?
Vesta, decked out in 80’s fashion staples, initially laughs off her old friend’s assumption, but then she is completely gobsmacked at the realization. The next thing you know, she takes off like a freight train to head to the church. She doesn’t even put down her shopping bags or throw them in the trunk of her car; Vesta is determined to stop the wedding. Her shady old friend must have given her the address, or there is only one church in town because Vesta knows exactly where to go. Of course, she arrives just in time. Her glossy red lacquered nails open the church door as the couple exchange vows at the altar.
We can only imagine the sound she must have made, like a wolf howling at the moon, because several people turned around to notice her. Won’t you know one of them who catches Vesta throwing daggers at the altar is her old friend? Okay, so if the old friend received a wedding invitation, why did she ask Vesta if she was getting married? Vesta’s cold-hearted old friend set her up. BFF’s?? No, I didn’t think so! I almost expect the old friend to pull out a bag of popcorn, kick off her shoes, and settle in, getting ready to enjoy the show.
Sadly, brokenhearted Vesta sulks in the back of the church and casts a mean shadow. Why didn’t the director let Vesta drop to her knees, roll on the ground, and crawl to the altar instead of standing at the back of the church looking like the Grim Reaper?
Still in the shadows, Vesta reminisces about the ups and downs of her relationship with the groom before having a crazy fantasy about being the bride. It’s like watching a telenovela but with sassy mermaid-style wedding dresses and fluffy tulle veils with lots of bodacious bows. Why Vesta is so verclemped is puzzling, too. In one of her ‘between the sheets’ flashbacks, we see the groom for who he really is – a dirty dog. After passionately making love, the couple is in the kitchen wearing satin robes. Vesta catches the groom on the phone talking to someone and scowls at him. Was he talking to Vesta’s old friend? I don’t think so.
Back at the church, Vesta faces the hateful hand of cards she’s been dealt. Once the service is over, the newlyweds drive off in a limousine. A disgusted Vesta crosses the street and, I assume, heads to the closest dive bar. Ultimately, we learn that Vesta needs therapy and a new friend. Her old friend knew exactly what button she was pushing when she dropped the bomb of life on Vesta. She didn’t even get up to console Vesta when she saw her lurking in the back of the church. But hey, at least we got an epic song out of a backhanded slap in the face.
The big payoff is listening to Vesta repeatedly deliver the word “congratulations” throughout the video. She flexes, stretches, and marinates in every syllable like she’s getting paid per “congratulations.” It requires repeated listening, but trust me, it’s worth it.
I’m not the only one who loved this song or the video.”Congratulations” received massive airplay, and Vesta‘s popularity soared as a singer and songwriter. I found she co-wrote the song with Tena Clark and Gary Prim, too.
Of “Congratulations,” Vesta said “Tena wanted a situation where ‘congratulations’ is the last word you’d expect to hear. And so we came up with a concept about having it be about a woman who lost her love. She runs into the church and the only thing she could say is congratulations – unless she ran in and blew up the place, which would have ended the song rather abruptly.” Vesta’s performance of the song on “The Arsenio Hall Show” earned Vesta a standing ovation, one of a handful of ovations in the show’s history. When asked during an appearance on the Arsenio Hall show if she had written “Congratulations” based on a personal experience, the songstress replied, “Oh No Honey, if that ever happened to me, I’d probably burn the church down, or something.”
Vesta’s stage show featured much more than music. She liked to tell jokes, make funny quips, and was a gifted impressionist of famous singers like Tina Turner during her live performances. “A lot of people called me the black Bette Midler, and I regard that as a compliment, “she said.
During her music career, Vesta Williams recorded songs for films, including Soul Man and Mississippi Burning, and the theme from the television mini-series Women Of Brewster Place. Sadly, Vesta Williams’s unexpected and untimely death left a hole in our hearts. She became a folk heroine for R&B fans because she beautifully conveyed betrayal and loss, which we laughed along with, not at her. This self-proclaimed diva with a four-octave range is a part of the soundtrack of my life. She epitomizes all the emotions between heartbreak, love, and romance in The Quiet Storm, and we thank her for that.
Sadly, Vesta remains restrained throughout the ceremony, reminiscing about their awkward relationship with the groom and fantasizing about being the bride. It’s like watching a telenovela but with more mermaid-style wedding dresses and fluffy tulle veils with lots of big bows. The big payoff is listening to how Vesta delivers the word “congratulations” repeatedly throughout the video. She flexes, stretches, and marinates in every syllable like she’s getting paid per “congratulations.” It requires repeated listening, but trust me, it’s worth it. Ultimately, we learn that Vesta needs therapy and a new friend. Her old friend knew exactly what button she was pushing and dropped the bomb of life on her. But hey, at least we got an epic song out of it!
Sadly, Vesta Williams’s unexpected and untimely death left a hole in our hearts. She became a folk heroine for R&B fans because she beautifully conveyed betrayal and loss. She was gifted at doing impressions of famous singers like Tina Turner, often telling jokes and making quips during her live performances. “If you got it, flaunt it; if you don’t, cover it up,” is how she defended wearing low-cut dresses. We laughed along with the self-proclaimed diva with a four-octave range, not at her.
Millie Jackson is a bold, brash, and bawdy entertainer called “The Original Bad Girl” by Vibe Magazine. She is known for her unfiltered and explicit lyrical content. Her live performances are known for her storytelling and jokes woven into her songs.
‘I guess the reason I sing about certain thing is because I’m outspoken,” she said. “There are some things that have to be said, and it seems like I’m the only woman saying them right now. In fact, a lot of times, people don’t compare me with other female singers but with my male counterparts! I guess I ought to regard that as a compliment!”
This trailblazer for female recording artists has earned her fans from all backgrounds. It is also rumored that Bette Midler and Roseanne drew inspiration from Millie’s high-voltage approach to sex in their respective careers.
Although her music has been kept off radio playlists due to its gritty R&B style, Millie Jackson added a new dimension to her career by creating, financing, directing, and starring in a hit musical stage play based on her r “Young Man, Older Woman” song. During the play’s touring years, audiences discovered Millie Jackson was equally talented as an actress.
We love her song, “Love Is A Dangerous Game,” from her album, “An Imitation Of Love,” released in 1986.
We love her song, “Love Is A Dangerous Game,” from her album, “An Imitation Of Love,” released in 1986.
At the height of the AIDS crisis, Millie Jackson would stop the music and urge her female fans to practice safe sex at her live shows. She would encourage them to buy and carry condoms rather than rely on their men to take the necessary precautions.
Throughout her career, Millie Jackson released 28 albums that sold 40 million copies, making her one of the most successful female artists of the 20th century. She is most well-known for her hit albums “Get It Out Cha System,” “Hard Times,” “A Moment’s Pleasure,” “Live and Uncensored,” “For Men Only,” “I Had To Say It,” “A Little Bit Country,” and “Live and Outrageous.”
Recently, she has been running her record label, Weird Wreckuds, and has released a single called “Butt-A-Cize” and an album entitled “Not For Church Folk!”
Just imagine what positive self-talk and powerful affirmations could do to your diabetes life.
Self-talk is the practice of talking to oneself, either aloud or silently. It can be positive or negative depending on your thoughts and external influences.
My good friend, Kathie Dolgin, professionally known as ‘High Voltage,’ uses affirmations daily to manage her health by avoiding added sugars.
According the American Heart Association reports American adults consume an average of 17 teaspoons of added sugar every day, more than 2-3 times the recommended amount for men and women respectively. This adds up to around 60 pounds of added sugar consumed annually.
To keep all of this in perspective, it’s helpful to remember the American Heart Association’s recommendations for sugar intake.
Men should consume no more than 9 teaspoons (36 grams or 150 calories) of added sugar per day.
Women, the number is lower: 6 teaspoons (25 grams or 100 calories) per day. Consider that one 12-ounce can of soda contains 8 teaspoons (32 grams) of added sugar! There goes your whole day’s allotment in one slurp.
Often, High Voltage starts her day by saying, “I am happy! I am healthy! I am the best, and I deserve the best!”
My friend Paulette McWilliams offers this beautiful rendition of Luther Vandross’s song, “So Amazing”, arranged by Grammy winner ( Gregory Porter) Kamau Kenyatta.
Whatever the case, self-talk is the most potent form of communication because it either empowers you or defeats you.
Join us for our Luther Vandross: Never Too Much celebration featuring a Panel discussion, Fashion Show, Luther Games, Live Performances, and Live DJ on Wednesday, April 17, 2024 at Thread Lounge in New York City. Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, tuxedos, and tailcoats on stage. He wore Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of wearing bright colors, animal prints, geometric patterns, and/or fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the glitz and glamour that made his concerts more memorable and set him apart from other entertainers.
PANEL: How the Magic on Stage happened! Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell help us get a closer look at the Shine of the Rhinestones, Big Luscious Hairstyles, and Bold Makeup to the Graceful Moves and Tight Harmonies. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by the romance and elegance of Luther Vandross. See the latest styles from Harlem’s Heaven and Modafleur, and more! Hosted by
PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
Living with diabetes can be tough, but you’re doing an amazing job so far! You’re taking care of yourself by watching what you eat, making time for physical activity, taking your medication, and checking your blood sugar levels regularly. However, sometimes it can be discouraging when you’re not seeing the results you were hoping for or when you develop health problems despite all your efforts.
Just remember that it’s okay to feel frustrated, discouraged, or burned out. It happens to many people with diabetes. You’re not alone!
It’s important to be kind to yourself and celebrate the progress you’re making every day. Don’t hesitate to reach out to a trusted friend or a therapist for support. Your healthcare team is also there to help you refocus on new ideas and strategies.
Instead of focusing on big goals, try taking small steps toward achieving them. For example, lowering your A1c by 1% can be a great start. Remember, every little step counts, and you’re still headed in the right direction.
If you’re feeling overwhelmed or stressed, it’s important to tap into encouragement, insights, and support from people who’ve been there. Divabetic is partnering with Diabetes Sisters to offer in-person and online group support and webinars. Accessing the right kind of support is essential to avoid burnout and continue taking care of yourself and your health. Keep up the good work!
Kevin James talks about the confusion and prevalence of a PreDiabetes diagnosis in this comedy routine.
Approximately 98 million American adults—more than 1 in 3—have prediabetes. Of those with prediabetes, more than 80% don’t know they have it.
While his routine is funny, it’s also misleading. His approach to brushing it off is problematic because prediabetes is a chance to reset and take action. Prediabetes is a serious health condition where blood sugar levels are higher than normal but not high enough yet to be diagnosed as type 2 diabetes.
Letting it slide, a Prediabetes diagnosis will eventually lead to type 2 diabetes. With equal amounts of regret and self-judgment on top of this new diagnosis, no one is setting themselves up for a ‘win.’
Join a National Diabetes Prevention Program lifestyle change program for more guidance and support. This program teaches you how to make gradual lifestyle changes that increase your chances of reversing prediabetes. You’ll have access to professional advice and a community of others on a similar journey to prevent or delay type 2 diabetes. You can joke all you want as you work to achieve optimum health!
Gospel Singer Pat Lacy, who has worked with The Sounds of Blackness and Luther Vandross, shares her experience living with type 2 diabetes and how she modified her lifestyle to take charge of her health.
One positive side effect of Kevin’s comedy routine is that Kelly Clarkson revealed her Prediabetes diagnosis sparked her weight loss journey. The TV show host turned her health around by walking, eating a healthy mix of foods, and not depriving herself of an occasional treat.
Not everyone can indulge in a treat. My friend, health guru Kathie Dolgin, known as ‘High Voltage,’ can’t stop eating sugar once she has it. High Voltage chooses not to eat added sugar. She doesn’t believe in deprivation, so she’s found ways to satisfy her sweet tooth with natural sugars and alternatives. High Voltage joins me on this podcast!
Dr. Stephen Bracci & special guest Kath Dolgin discuss the standard American diet.
Living with diabetes can be a challenging experience, especially when it comes to your relationships. That’s why it’s important to talk to your loved ones about your diabetes diagnosis and how it affects your life. It can help you surround yourself with a more supportive and encouraging environment. Co-authors of Divabetic’s ebook, “Sweet Romance: A Woman’s Guide To Love & Intimacy With Diabetes,” Dr. Janis Roszler PhD, LMFT, CDCES, LD/N, FAND, and Donna Rice MBA, BSN, RN, CDCES, FADCES offer advice on discussing your diabetes diagnosis as well as issues related to intimacy, fertility, and menopause with the people you care about the most.
Their podcast interview will air on Tuesday, February 13, 2204.
To help us better understand your unique experiences and struggles with diabetes, the national nonprofits Divabetic and Diabetes Sisters are partnering on the first-ever survey on love and relationships for women with diabetes on the same day. This survey, titled “Love Across All Life Stages of Diabetes,” allows you to share your thoughts and experiences with us so we can create more meaningful programming and resources to serve you.
Please take a few moments out of your day to participate in this survey. You can find the link on our websites, Divabetic.Org and DiabetesSisters.Org, and our social media platforms.
Your input can make a difference in the lives of other women living with diabetes.
Divabetic’s ebook, “Sweet Romance: A Woman’s Guide To Love & Intimacy With Diabetes,” is available at Amazon.
Over the weekend, I read that the state of North Carolina is cutting off coverage of anti-obesity medications for state employees, citing soaring costs and a lack of agreement on pricing from drugmakers.
These anti-obesity injectable weight loss drugs are the rage from the Hollywood elite to shoppers at your neighborhood bodega.
Case in point: last year, at this time, I didn’t know anyone on these drugs. Last week, three friends told me they were either using or had taken the drugs. And all three knew countless other people using them.
These drugs work by making people feel fuller and eat less, with some side effects. Two of my friends admitted they suffered from diarrhea and stomach pain while using the drugs.
According to reports, patients who took the highest dose of Mounjaro, a diabetes drug from Eli Lilly Co. that’s in testing as an obesity treatment, lost an average of 50 pounds.
North Carolina’s decision affects a class of drugs known as GLP-1s, which treat diabetes and help with weight loss. Medications like Wegovy, Ozempic, and Zepbound have soared in popularity but are expensive and require long-term use.
According to Forbes, many more state-backed plans don’t cover GLP-1s for weight loss, but the ones that do are trying to limit rapidly increasing costs.
Connecticut introduced a trial lifestyle-management program for state employees seeking the drugs for weight-loss treatment in July after spending on the class rose 50% annually since 2020. Virginia tightened restrictions on which Medicaid enrollees can receive them for obesity.
When Ozempic is prescribed off-label for weight loss, it is often not covered by insurance. Why? Because the Affordable Care Act doesn’t mandate that health insurers cover obesity or overweight medications or surgeries.
Due to increasing costs, some health insurance companies and employers are also halting coverage of Ozempic, Wegovy, and GLP-1 drugs.
The private healthcare system Ascension stopped coverage on July 1, 2023, stating that weight loss and anti-obesity drugs will no longer be covered in its pharmacy benefit to its nearly 140,000 employees.
What does this mean to people taking the drug?
My friends using Ozempic and Mounjaro lost significant weight, but their insurance stopped covering the cost after six months. Without insurance, the average monthly price of Mounjaro is between $1,000 to $1,200, depending on the pharmacy. All three have gained back the weight they lost.
Routinely, when Ozempic is prescribed off-label for weight loss, insurance does not cover it. Why? Because the Affordable Care Act doesn’t mandate that health insurers cover obesity or overweight medications or surgeries.
If your health insurance no longer covers your prescription, is Noom or Weight Watchers a solution?
Although most of my friends think weight loss companies adding weight loss drugs to their arsenal is a cop-out, if you can no longer afford these drugs, these weight loss programs might help with weight loss maintenance.
Let’s start with Noom. For years, Noom has promoted itself as a psychological path to weight loss. Now, Noom believes adding these injectable drugs to your program makes the outcomes much better.
WeightWatchers members can also get weight loss drugs. The WeightWatchers telehealth clinic: a reworked version of Sequence’s telehealth services.
After Oprah appeared on the Red Carpet promoting The Color Purple, people speculated about her weight management. Oprah told People magazine that she’s using one of the weight loss drugs that are commercially known as Ozempic, Wegovy, or Mounjaro.
Sadly, many one-time dieters see results from injectable weight loss drugs as far more reliable and easily obtained than from these habit-changing programs. But many of my friends who are desperately trying to lose weight feel taking these drugs is cheating. The weight loss industry has brainwashed them into believing weight loss is about willpower. I believe it’s about an individual’s body chemistry. Many people have a physical addiction to the fat, salt, and sugar formulas of popular foods. These people can’t stop at one potato chip; they eat the entire bag. Other people suffer from obsessive thoughts about food, which Rosie O’Donnell refers to as ‘food noise.’ In a recent interview, she spoke about how Mounjaro helped calm these thoughts in her head. I found her Plus SideZ podcast interview enlightening.
For many, these weight loss drugs are improving lives and health outcomes.
Novo Nordisk also offers a patient assistance program that provides Ozempic at no cost. To be eligible, you must be a U.S. citizen or legal resident with a total household income at or below 400% of the federal poverty line.
Enjoy our animated video playlist of Divabetic’s 10th Annual Mystery podcast, “Murder Plain As Vanilla”, streaming on Spotify, iTunes, and BlogTalkRadio.
If you love listening to our annual mystery podcast, you’re in for a treat. We animated every podcast scene this year, including our colorful characters and situations.
Animating our tenth annual mystery podcast is a beautiful way to celebrate a decade of our team’s work. Our team of educators, mystery writers, advocates, friends, and family step out of their comfort zone to become voice actors and perform in our podcasts. We appreciate their time, talent, and enthusiasm for this yearly project.
Animating this year’s mystery podcast was an eye-opening experience for Divabetic founder Max Szadek, who writes, produces, and directs these yearly podcasts.
“The animation brings out the entertaining approach to diabetes education,” says Max Szadek. “It also reinforces key messages in diabetes, self-care, nutrition, and health and wellness.”
Our mystery podcast isn’t only for mystery lovers. It’s a fun way to learn about diabetes and self-care. In between colorful characters, crazy adventures, and mysterious surroundings, we pack health and wellness tips that can help you take charge of your diabetes. We also encourage you to think like a detective the next time you experience unexpected blood sugar fluctuations. Search for clues, collect data, talk to witnesses, and bring your ideas to the authorities (healthcare collaborators) for solutions. A team approach to managing your diabetes isn’t a bad idea either.
Here’s a short synopsis of Divabetic’s 10 Annual Mystery podcast, “Murder Plan As Vanilla”: When Mr. Divabetic’s arch-nemesis baking sensation Renata Whisk calls, offering a chance to participate in the Visions of Vanilla baking competition, he can’t refuse. It’s an invitation to compete against culinary giants Best-Selling Cookbook Author Lily Frost, Green Thumb Gourment, Hazel Honeywell, and the Cannoli Countess and, most importantly, a chance to pay back his debt owed to his mother. But before Max’s hands touch flour, he discovers the dead body of the Vanilla King of Madagascar. As luck has it, Max is the last person to see the Vanilla King alive. To prove his innocence, he enlists his team, USA Today’s best-selling author Tonya Kappes, health educator MaryAnn Nicolay MEd, NDTR, and his mother, Mama Rose Marie.
But when another baker’s dead body is found near Max’s station, even his mother tastes a recipe for disaster. Now, armed with only Renata Whisk’s Puffed Pastry recipe, a rolling pin, and his team’s expertise in solving murders and dispersing diabetes health information, Max has no choice but to solve the mystery or at least die trying.
Divabetic Mysteries: “Murder Plain As Vanilla” features Lorraine Brooks, Catherine Schuller, Dave Jones, Seveda Williams, Leisa Chester Weir, and Amparo Peterkin. Written by Max Szadek and Wendy Radford. Produced by Leisa Chester Weir. Animated by Max Szadek
Enjoy all of Divabetic Mysteries Podcasts streaming on Blog TalkRadio, iTunes, and Spotify: “Pink Panther,” “Phantom of the Okra, “Suspect Boulevard,” “Gypsies, Tramps & Peas Swan Wake, Gingerbread Men Prefer Blondes”, “Kill Me Madam,” “A Christmas Peril”, “Tomorrow Is Not On the Menu.”