I’m excited to be Toni B’s Special Guest on her upcoming show this Wednesday, December 11, on UG-ONE! I can’t wait to share stories from my incredible experience working with Luther Vandross.
I started working with Luther in 1993 on the Never Let Me Go project in the wardrobe department and eventually became his assistant until he sadly passed away in 2005.
In the Luther: Never Too Much documentary, I discuss my traumatic moment of finding Luther after he had a devastating stroke due to complications from mismanaged type 2 diabetes. It was a wake-up call for me that inspired the creation of Divabetic, a national nonprofit aimed at diabetes outreach.
I truly believe in empowering Luther’s fans and their families to keep their homes healthy and happy by learning to prevent complications like strokes, kidney disease, blindness, and more.
At Diabetic (Divabetic.org), we take a unique approach to traditional diabetes education, offering fun, upbeat, engaging makeovers, music, and games. I’m thrilled that our resources—like podcasts, videos, and online support—are free!
I’ve also enjoyed collaborating with my talented musical family from Luther’s world. With Ivan Hampden Jr. and Paulette McWilliams, I’ve written songs like Mama’s Kitchen Table and Pink Champagne.
I’ve worked with incredible artists like Cindy Mizelle and Brenda White-King on That Man Of Mine and Pat Lacy with Lisa Fischer on I Wish At Christmas I Could Bring You Home.
A couple of my singles, Mama’s Kitchen Table and Standards by Crystal Penny, even charted on the UK Soul and BCFM Soul Charts! That Man of Mine was a big hit on the Billboard Dance Charts in the 90s and was especially popular in Provincetown.
I can’t wait to share more on the show! I hope you all tune in!
“I want to be who I am now. I rock my gray hair because it is a blessing,” says Regina Belle. “I colored mine for many years, but I’ve gotten compliments from so many men and women about being brave enough to sport the gray. I even wear it on the cover of my record. I am comfortable in my skin and I want listeners to feel that as well.”
Regina Belle began performing at a young age at Englewood’s Mount Calvary Baptist Church in New Jersey. She studied opera and jazz at Rutgers University, with a combined major in Africana Studies and Music. She learned to play trombone, tuba, and steel pans before leaving college to purse a music career.
Her debut album, All by Myself, had her first hits, “So Many Tears” and “Show Me the Way.”
Regina, “If I cannot identify with the songs, and if the music does not move my soul, make me feel better, take me up when I’m down or higher when I’m up, then I don’t want to record it, play it or sing it!”
A few years later, her duets with Peabo Bryson, “I Can’t Imagine,” “Without You,” and “A Whole New World,” solidified her pop music success. “A Whole New World, from the soundtrack to the 1992 Disney film Aladdin, peaked at no.1 on the Billboard Hot 100 Singles chart and received a Grammy Award in 1993 for Best Pop Performance by a Duo or Group with Vocal and the Academy Award for Best Song of the Year.
I saw Regina Belle perform at B.B. King’s in New York City a few years ago. So many of Regina Belle’s songs are embedded in my soul, and I was excited about her concert.
Sadly, Regina Belle was still grieving over the loss of her brother, who passed away a few days before the concert. She admitted she wasn’t really in the right frame of mind. Her show underwhelmed me. I was frustrated when she melodied many of her biggest hits, “Make It Like It Was,” “Show Me,” “So Many Tears,””Baby Come To Me,” and “All I Want Is Forever.” I loved these songs, and a medley was not cutting it.
My disappointment got the better of me, and I took to social media to express my displeasure. Would you believe she responded? Regina Belle apologized and admitted that her brother’s recent death had affected her performance. So much for social media anonymity!
Thirty years after leaving Rutgers and 10 albums later, Belle started taking online courses, which earned her Bachelor’s Degree in Africana Studies and a Minor in Music. Belle walked the stage with her ‘new class’ from Rutgers in May 2015. She states, “This achievement of finishing my degree, which I started almost 30 years ago and finally being done, was a bittersweet moment and rates as high as my Grammy Awards.”
Her life was eventful, the journey purposeful but not without misfortune. After releasing her first Gospel album, Love Forever Shines, she was diagnosed with a brain tumor. Regina Belle returned to performing after two surgeries, health challenges, and 10 months of rehabilitation.
“I’m amazingly blessed. I will never ever say that I’ve lived the perfect life to be shown such favor with God or the people but here I am,” declares Regina Belle.
I wanted to create this series for Women’s History Month because many artists who made music in the 80s and 90s are no longer with us, or they’re not promoted as prominently as I had hoped. Once hip-hop took center stage, the lush, elegant songs I loved were being pushed aside. Sadly, most of these artists are no longer with us or aren’t actively performing.
I chose artists whom I greatly admired, and their music touched my soul and shaped my ideas about love and romance.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“Mr. Big Stuff is better to me now than 31 years ago,” said singer Jean Knight about her biggest hit. “All I have to do is sit at home and wait for the mailman.”
The New Orleans singer reached #2 on the Billboard charts in 1971 with”Mr. Big Stuff.” and received a Grammy nomination. But a decade before her success, Jean Knight cut her first demo recording in 1965, a cover of Jackie Wilson’s “Stop Doggin’ Me Around.”
One of her biggest musical influences was Etta James. “The first time she heard “All I Could Do Was Cry,” she said in an interview on YouTube, “The first time I heard that song, I wanted to be like her.”
Jean Knight recorded a series of singles with lukewarm success. When her career stalled, she left the music industry and worked at a bakery.
Songwriter Ralph Williams connected Jean Knight to record producer Wardell Quezergue a short time later. Her recording sessions with Wardell Quezergue yielded “Mr Big Stuff,” which turned around her fortunes. Reflecting on the recording session, Jean Knight said she liked “Mr. Big Stuff” lyrics but not the melody. She felt the melody didn’t match the tone and emotion of the song’s subject. At some point, the producers let Jean sing it her way. She recorded her infamous version of the song in one take. Stax Records bought the rights and released the record, which peaked at no. 1 on the Billboard R&B chart and no. 2 on the Billboard Hot 100 chart.
“Mr. Big Stuff” topped the US R&B chart and crossed over into the main pop chart, reaching No. 2. The Bee Gees’ hit “ How Can You Mend a Broken Heart” kept her from the top spot. Her popularity soared, and she performed her hit on TV Shows like Soul Train and received Best Female R&B Vocal Performance nominations at the 1972 Grammy Awards.
After “Mr. Big Stuff,” Jean Knight recorded a few modest hits, including “You Think You’re Hot Stuff” and “Carry On,” but disagreements with her producers at Stax led to her being dropped from the label the following year,
Jean Knight said, “I’m the type of person that I never get too big for the people that I have been knowing,” explaining why she didn’t get caught in the trappings of fame. “My friends from when I was much younger are still my friends today.”
In the 80s, she joined the local oldies circuits, where producer Isaac Bolden spotted her. He signed her to his label, Soulin. The two produced the song “You Got The Papers, But I Got The Man.” It was a novelty answer song to Richard Dimples Fields’s hit, “She’s Got Papers On Me.”
“You Got The Papers, But I Got The Man” has one of the best sassy monologues ever recorded! Jean Knight’s defiant mistress tells off her lover’s wife, “What you need, girl, is a complete overhaul, your house, your body, your face and all!” It could be straight out of a season finale of The Real Housewives franchise and requires you to fasten your seatbelt before listening.
After reading the wife from A to Z, she sweetly expresses her undying love for her man. It reminds me of Shirley Brown’s “Woman To Woman” song that my friend, DJ Downtown Donna, used to spin at the classic dive bar Pendulum on Castro Street in San Francisco.
Jean Knight also remade the novelty hit “My Toot Toot,” which became her first international hit. It reached the top ten in the United Kingdom and # 3 in South Africa.
The Louisiana Music Hall of Famer’s legacy extends beyond her music. She passionately shared her time and talents with many New Orleans community causes. She represented the heart and soul of her hometown, earning respect and admiration far beyond her musical talents.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“I needed to explore my talent and versatility and see if I had another side to me, another song, ” says Brandy Norwood.
Singer, songwriter, and actress Brandy Norwood is from McComb, Mississippi. Brandy received her first recording contract with Atlantic Records while she was still in 9th grade of high school. Soon, she also received a role on an ABC television sitcom, Thea. The song “I Wanna Be Down” from her debut album, “Brandy,” reached the No. 1 position on the Billboard Hot 100 charts, staying there for four weeks in 1994.
Brandy returned to acting in the UPN sitcom “Moesha”. The popular show ran for 6 seasons, and Brandy received an NAACP Image Award.
Brandy released her second album, “Never Say Never,” featuring the duet “The Boy Is Mine” with Monica. The song reached the #1 spot on the US Billboard Hot 100 charts and won the Grammy for “Best R&B Performance by a Duo or Group with Vocals”.
Brandy’s “Never Say Never” became the bestselling R&B album of 1998 in the United States and sold more than 16 million copies worldwide.
.“In my life right now, in my music, and just overall I feel like I’m winning. It doesn’t matter what this person is saying or what the charts are saying or what award shows are saying, the public opinion doesn’t matter. I feel like I’m winning in my spirit.”
The song, “Have You Ever?” was written by Diane Warren and produced by David Foster. According to Wikipedia, the recording of the song marked the first time Brandy “had been in the studio with a producer like David Foster”, she said in a 2005 interview. “My voice wasn’t as developed as it is now and the song required what producers call ‘money notes’ — the kind that get you a No. 1 on the charts! I was nervous but it all worked just fine.”
Her success allowed her to work with Whitney Houston on the TV movie Cinderella. Brandy said, “Whitney Houston is my idol and my mentor and my dream forever, like she will always be my favorite artist, ever, on the planet.”
Over the years, Brandy has also dealt with heartache and tragedy. Sadly, she was involved in a heavily publicized car accident in 2006.
“I went through a struggle, and I really needed to get myself together and connect with my purpose, which is music.”
In April 2015, Norwood made her Broadway debut as Roxie Hart in the musical “Chicago.”
Most recently, Brandy announced her major label return after signing with Motown Records, under which she will release new music.
“It just feels like I’m on the right path musically and I’m in the right mindset to continue out my mission in music because I’m not putting myself in a box.”
The happy healthcare host, Mr. Divabetic takes on the hot topic of ‘Drinking Divas & Diabetes’ with inspiration from Kathie Lee and Hoda.
According to experts, drinking too much alcohol can raise blood pressure to unhealthy levels. Having more than three drinks in one sitting temporarily raises blood pressure. Repeated binge drinking can lead to long-term increases in blood pressure.
Kathie Lee Gifford and Hoda Kotb always seem to have a drink in hand for the fourth hour of The Today Show. If you’re around a TV at 10 AM with nothing to do, you should be watching the fourth hour of Today, filled with Hoda and Kathie Lee’s theater reviews, occasional dancing, wine reviews, and women’s issues. It’s eclipsed The View as my new favorite hour of mid-morning television.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
Deniece Williams is an incredibly talented singer, songwriter, and producer making hit music for over 50 years. Her voice is enchanting, with a distinctive coloratura soprano and a four-octave range. She is a two-time inductee into The SoulMusic Hall Of Fame in the categories’ Female Artist’ and ‘Lifetime Achievement.’In the early 1970s, Deniece began her career working in a record store and then as a backup singer. She went on to become part of the female vocal trio Honeycone. In 1976, she released her debut solo album “This Is Niecy,” produced by Maurice White of Earth, Wind & Fire and Charles Stepney.
“I met Maurice through a mutual friend. I had some songs on tape that I wanted him to hear,” she said in an interview with Classic Soul 1976. “We had a conversation, and he told me that he thought that I should sing them myself rather than letting them go to everyone else.” Deniece went on to explain she’d been concentrating on writing and getting her songs recorded. “I felt that I should get into one area — publishing — and then concentrate on others. Which is why I waited until I was ready to record.”
She said of Charles Stepney, “He’s probably one of the most incredibly talented arrangers that the music industry ever had. He was a very integral part of my music and the whole production and arrangement of my music and my voice. There’s only been one other person in my musical life who has understood my music the way Charles Stepney did as an arranger, and he is Thom Bell.”
The album featured the hit single “Free,” which rose to #4 on the Billboard Hot 100 chart and was certified gold by the RIAA.
“It’s amazing when you can write a lyric, and you think you’re the only person that’s having this experience,” she said about writing “Free.” “Then you put it out there, and you find out that millions and millions of people feel the same way. I think that is what happened with Free. People really do want the freedom to be themselves and to have self-expression. Also somebody told me that I was the first woman that they heard in music that told those women at that time that ‘you don’t have to stay’.”
Deniece is also known as a prolific songwriter, with Merry Clayton, the Whispers, Frankie Valli, Billy Preston, the Emotions, and Johnny Mathis recording her songs. One of the biggest songs in her career is the infectious dance song “Let’s Hear It for the Boy” from the motion picture “Footloose.” The single hit #1 on Billboard’s Pop and Black charts and went platinum.
Throughout her illustrious career, including 12 Grammy nominations and four wins, Deniece Williams has become known as a singer of catchy, powerful anthems of love and romance. Her music is spiritual, and she considers it an essential part of her life. Deniece’s music has touched millions worldwide, inspiring new generations of musicians and music lovers alike.
As someone who tries to bridge the gap between people living with type 1 and those living with type 2 diabetes, I admire Tracy Chapman. The song she wrote, “Fast Car,” proves different communities relate to each other. We are more similar than different.
Last night, she performed “Fast Car” as a duet with Country Music star Luke Combs at the 66th Grammy Awards. It was a beautiful moment showing how music has the power to unite us.
Tracy Chapman’s appearance took everyone by surprise. She has not toured since 2009 and has only performed on stage three times since that time.
Tracy Chapman Chapman released eight albums between 1988 and 2008, starting with her blockbuster debut — the self-titled album that features her signature song, “Fast Car.” She won the Grammy for Best New Artist in 1989, and “Fast Car” was nominated for Record and Song Of The Year.
She started the duet by playing the song’s signature riff on an acoustic guitar, and then she and Luke Combs exchanged verses before singing the chorus together.
Last year, Luke Combs included his rendition of “Fast Car” on his album ‘Gettin’ Old.” He was nominated in the best country solo performance category for his cover of Tracy’s “Fast Car.” His rendition enjoyed unexpected multi-format success: It was No. 1 in Adult Pop and Country for two weeks each; No. 6 on Top 40 Radio; No. 2 on the Hot 100; and No. 1 on 1 on Billboard’s overall Radio Songs Chart for four weeks.
Their beautiful duet spans genres and generations and celebrates the song’s legacy. “Fast Car” is the first song written entirely by a Black woman to top the Billboard country charts and the first to win Song of the Year at the Country Music Awards in 2023.
