Singer Levi Stubbs‘s life journey serves as both an inspiration and a cautionary tale. His iconic contributions to music, particularly through the Four Tops, highlight the beauty and power of artistic expression. Yet, beneath the glittering surface of fame lies a stark reality that many artists and fans overlook—the fragility of health.
The alarming statistics surrounding strokes and health disparities in communities of color are especially poignant in the context of Stubbs’s life. Despite his immense talent and success, he faced significant health challenges, including prostate cancer and diabetes, which ultimately overshadowed his musical legacy. It’s a bittersweet reminder that even the most beloved figures are not immune to the realities of life, and the pressures of a demanding career can often lead to neglecting personal well-being.
The statements from those close to him, like Norman Whitfield, resonate deeply. They remind us that health should be prioritized, not just as a personal responsibility but as a communal one, particularly in conversations about race and health equity. The struggles of Levi Stubbs, Luther Vandross,Ella Fitzgerald, LaVerne Baker and Angela Bofill illuminate a critical narrative that transcends music, urging us to listen—both to the voices of these phenomenal artists and to our own bodies.
As fans, we often celebrate the triumphs of our favorite celebrities, yet we can easily forget the personal battles they may be facing. It’s essential to draw lessons from their stories, recognizing that health should never be taken for granted. Rather than focus solely on their public personas, we need to consider their holistic journeys, full of both shining moments and difficult struggles.
Levi Stubbs‘s legacy is a blend of soulful melodies and a reminder of the importance of health awareness. His approach to singing—living each song deeply—could be extended to how we approach our lives and well-being. It’s an invitation to not only appreciate the music but also engage in self-care and health advocacy, ensuring that we don’t repeat the patterns of neglect that can come with the pursuit of success.
In honoring his memory, let us strive to embrace a fuller understanding of health—one that encompasses not just the physical, but also the emotional and communal aspects of our well-being.
Ultimately, we can ensure that the voices we cherish continue to inspire us long after their passings.
We’re diving into the enchanting world of R&B with one of its all-time greats, Luther Vandross, and his beloved wedding song Here and Now.
Joining our host, Max ‘Mr. Divabetic’ Szadek, is Terry Steele, the talented co-writer who helped bring this classic to life. Terry will take us behind the scenes of the creative process, sharing the inspiration that fueled the heartfelt lyrics and the song’s enduring legacy.
Terry Steele also reflects on Luther’s hero, Dionne Warwick’s pivotal role in Luther’s song recording.
Growing up in the Bronx, Luther Vandross was mesmerized by the magic of music, particularly by Dionne Warwick‘s enchanting voice.
Hearing her on the radio ignited a passion in him, and seeing her perform live at the Brooklyn Fox Theater left a mark on his heart. He fondly remembers, “She came on stage and just killed me,” capturing how deeply her music resonated with him. The song Anyone Who Has a Heart inspired him to pursue his own musical dreams.
Luther Vandross won his first Grammy in 1991 for Here and Now after being nominated 9 times.
Billboard magazine included Here And Now on their list of the Best30 Wedding Songs of All Time stating, “everything about the song suggests flowing curtains and candlelight, and Luther’s voice is pure butter.”
Terry Steele is a two-time Grammy-nominated singer and songwriter who has toured internationally and performed in places like Russia, Japan, and Brazil.
As a professional songwriter, he has collaborated with superstars like Whitney Houston, Dionne Warwick, and Stevie Wonder, among others. As the principal writer of the hit Here and Now.
Terry received his first Grammy nomination for “Best Rhythm and Blues Song” in 1990. He has held esteemed songwriting roles at major music companies and even tours occasionally with the renowned jazz band HIROSHIMA as their lead singer.
Angela Bofill suffered two strokes but neither stroke could take away her positive, humorous personality and her fighter spirit. After she lost the ability to sing, she returned to the stage for “The Angela Bofill Experience” in which she skillfully narrated her life story, while her band and other singers. Enjoy our exclusive interview with this iconic singer and songwriter.
Luther Vandross‘s journey into the world of entertainment was sparked by a memorable experience at the Fox Theater in Brooklyn, NY, where he had the chance to watch Dionne Warwick perform.
Luther shared with the New York Times that witnessing her magic on stage inspired him to connect with audiences in a similar way. Luther fondly remarked, “It was women like Dionne Warwick, Aretha Franklin, and The Supremes who drove me to the stereo.” He believed that women, in their performances, were more willing to dive deep emotionally and take creative risks, showcasing their talents with flair.
A beautiful friendship blossomed between Luther and Dionne after Cissy Houston, Luther’s friend, introduced them backstage at Radio City Music Hall. They became so close that when he recorded A House Is Not A Home, Dionne was the first person he wanted to share it with. Dionne praised Luther’s ability to put his unique spin on her songs, saying, “He didn’t do Dionne Warwick. He did Luther Vandross interpreting what Dionne Warwick had done, and he was a genius.”
In 1983, Clive Davis enlisted Luther to produce Dionne’s album, How Many Times Can You Say Goodbye. The final track on the album features Dionne’s interpretation of Will You Still Love Me Tomorrow, a classic penned by Carole King and Gerry Grolnick.
Not everyone knows that before she left to get married, Dionne joined the Shirelles, stepping in for Shirley Owens and Doris Coley, and continued with the group starting in 1963.
Luther, a devoted fan of the Shirelles, would later share with the New York Times, “First, I was a down and desperate fan of the Shirelles. Then, when I saw Dionne Warwick at the Brooklyn Fox, my life changed. She showed me there were standards.” To honor her legacy, Luther surprised Dionne by bringing in the original Shirelles members to join her on a track.
Dionne reminisced, “We had a ball recording that song. We laughed a lot, let me tell you!” Luther even playfully told her, “See! You ARE a rock and roll singer!”
One of the standout highlights of 2024 was undoubtedly the Luther: Music & Style Celebration held in April at the Rennaissance Hotel in New York. We were thrilled to have Luther Vandross’s talented choreographer, James Ervin, with us to share his expertise!
The atmosphere was electric as James taught the audience the unforgettable choreography from “Never Too Much.”
His passion and enthusiasm were contagious, making it an unforgettable experience.
He also shared fascinating stories about how he collaborated with Luther to create that signature romantic elegance that we all love. It was a heartwarming moment that brought everyone together in celebration of Luther’s incredible legacy. All photos by Carol Seitz photography.
We’re looking forward to hosting Luther: Music & Style Celebration in 2025.
The Luther: Never Too Much documentary airs on CNN on January 1, 2025.
Inspired by Halle Berry, American actress, international superstar and seriously fit diva living with diabetes, Mr. Divabetic presents a work-out of diabetes self-care solutions featuring the Divabetic Angels of Diabetes Outreach, Mama Rose Marie and real diva, Jessica C. of Cincinnati, OH.
From a fan’s deep admiration to becoming the star’s trusted producer, the friendship between Dionne Warwickand Luther Vandross blossomed beautifully over the years, much like the incredible music they created together. Here’s a delightful timeline of their remarkable musical journey.
As a young boy growing up in the Bronx, Luther Vandross was captivated by the power of music and found a hero in Dionne Warwick. Listening to her soothing voice on the radio sparked his passion. The moment he saw her perform live at the Brooklyn Fox Theater, it was like magic.
“She came on stage and just killed me,” he recalled, reflecting on how the serious nature of her music resonated with him. The song Anyone Who Has a Heart left an everlasting impact, inspiring him to chase his dreams in music.
Years later, Luther reminisced about how pivotal that experience was: “The person single-handedly responsible for me deciding to pursue artistic things was Dionne Warwick. It was at the Brooklyn Fox Theatre.” This early connection fueled his desire to create his musical legacy.
While studying in college in Michigan, Luther cleverly navigated his way backstage to meet his idol. He told the security team he was Dionne’s cousin, and when he finally got to meet her, he introduced himself with a grin. Dionne played along, and just like that, a beautiful friendship began to blossom. Their late-night phone calls often turned into lively discussions about their shared love for wrestling, showcasing the warmth and joy in their bond.
Dionne couldn’t help but praise Luther, calling him a “fantastic musician” and an “absolute joy” to work with. Their chemistry was undeniable, leading to a harmonious partnership.
The world first got to experience Luther’s incredible talent in 1981 with his debut album, Never Too Much. His breathtaking rendition of A House Is Not A Home quickly climbed the charts, becoming a staple on quiet storm radio stations nationwide. Dionne herself lauded his version, stating that Luther recorded the definitive rendition of her iconic song, making it uniquely his own.
In 1983, their collaboration deepened when Luther produced Dionne’s album How Many Times Can We Say Goodbye. He took the helm as the producer and lent his smooth vocals to a duet on the title track and co-wrote several songs for the album, including the enchanting So Amazing.
Just a few years later, Luther honorably covered So Amazing for his album Give Me The Reason in 1986, showcasing the strong influence Dionne continued to have on his career.
Interestingly, Dionne initially wanted Luther to join her on the iconic song That’s What Friends Are For, but due to scheduling conflicts, Elton John stepped in. However, the stars aligned in 1987 when Luther performed the song alongside Dionne, Whitney Houston, and Stevie Wonder at the Soul Train Music Awards, creating a performance that would echo through time.
The heartfelt anthem raised over $3 million for the American Foundation for AIDS Research (amfAR), exemplifying the artists’ commitment to important causes.
On that very night, Luther Vandross shined brightly, winning the Male Album of the Year award for Give Me the Reason, which featured his first top-20 pop hit, Stop to Love.
Throughout his career, Luther continued to honor Dionne’s legacy by reinterpreting her beloved songs from the legendary songwriting duo Burt Bacharach and Hal David, including unforgettable hits like Anyone Who Had a Heart,A House Is Not A Home, and Are You There (With Another Guy).
Their vibrant friendship and musical partnership created a lasting legacy that inspires artists and fans alike.
I’m thrilled to share that my holiday ballad, “Pink Champagne,” featuring Paulette McWilliams, is creating a buzz and has been named ‘Christmas Song of the Week’ on Toni B.’s UGONE Radio Show.
Additionally, it has been added to RhythmAndSoul‘s festive playlist and will be highlighted on Steve Quirk’s Christmas Eve show.
In the Black Muse video podcast, my friend and talented singer-songwriter Paulette McWilliams discusses the story behind our lush holiday ballad, “Pink Champagne.”
“Pink Champagne” is more than just a song; it serves as a heartfelt tribute to anyone grappling with heartbreak during the holidays.
Toni B shared her reasons for choosing “Pink Champagne” as her Christmas Song of the Week, saying, “I simply love the sentiments of the lyrics, the arrangement, Paulette’s delivery, and the fabulous storytelling.” Toni also expressed that Paulette, Ivan Hampden Jr., and my passion for creating music and celebrating Luther Vandross‘s musical legacy warm her heart.
Be sure to subscribe to the Black Muse YouTube channel, hosted by Clarence Waldron, to hear Paulette reflect on her incredible musical journey, discuss the new documentary “Luther: Never Too Much,” and share insights about her collaborations with notable artists like Bette Midler, Johnny Mathis, Marvin Gaye, and Aretha Franklin. To top it off, she showcases her stunning vocals with a few signature riffs that are sure to leave everyone wanting more.
My friend, singer-songwriter Paulette McWilliams, shares the story behind her lush holiday ballad “Pink Champagne” on the Black Muse video podcast.
This song is more than just a tune; it’s a heartfelt tribute to anyone facing the challenges of heartbreak during the holidays.
“Pink Champagne” by Paulette McWilliams and Ivan Hampden Jr. has been making waves, earning the title of ‘Christmas Song of the Week’ on UGONE Radio with host Toni B .
Toni B’s UGONE Radio Show
It has also been added to RhythmAndSoul‘s festive playlist and will be featured on Steve Quirk’s Fusion Flavour’s Christmas Eve show.
Be sure to subscribe to Black Muse’s YouTube channel, hosted by Clarence Waldron, to hear Paulette reflect on her incredible journey in music, the new documentary “Luther: Never Too Much,” and her collaborations with Bette Midler, Johnny Mathis, Marvin Gaye, and Aretha Franklin.
To top it all off, she showcases her stunning vocals by performing a few signature riffs that will leave everyone wanting more.
Fresh off the success of their UK Soul Chart smash hit, Mama’s Kitchen Table, singer-songwriter Paulette McWilliams, multi-Grammy nominated Ivan Hampden Jr., and lyricist Max Szadek present the self empowerment anthem, Pink Champagne — a celebration of overcoming heartache during the holidays!
“This song is a heartfelt shout-out to anyone navigating the tough waters of heartbreak this season,” declares Paulette McWilliams, who powerful vocals have backed up many musical icons such as Marvin Gaye, Aretha Franklin, Johnny Mathis, Bette Midler, and Luther Vandross.
The moving tale of resilience in Pink Champagne has captured the attention of UGONE Radio Host Toni B, who proudly named it the ‘Christmas Song Of The Week’ for her show from December 16-21, 2024.
Additionally, Pink Champagne has been added to RhythmAndSoul’s festive holiday playlist, proving its resonance!
Breakups can be challenging, but the holiday season magnifies those feelings of loneliness.
Surrounded by couples at festive gatherings, playing romantic holiday tunes, and reading cheerful family updates, it’s easy to feel isolated. The airwaves are usually filled with upbeat classics, leaving little room for reflection—until now!
“Outside of Elvis Presley’s Blue Christmas, I can’t think of any holiday classics that resonate with those of us feeling low,” says the talented Ivan Hampden Jr. “With Pink Champagne, listeners can find solace and realize they’re not alone in their struggles.”
This empowering track narrates a woman’s journey from heartache to triumph at Christmastime. Paulette envisions it as a source of strength for anyone hurting, encouraging them to embrace their feelings and transform them into joy. With inspiration from the vocal greatness of Nancy Wilson, Marlena Shaw, and Eartha Kitt,Pink Champagne is a fresh and vibrant take on the traditional holiday tune.
“You simply can’t savor the joy of the holidays while clinging to painful emotions. It’s time to release them!” she emphasizes. “I truly believe Pink Champagne will help those who are hurting move forward with a brighter outlook.”
Expertly arranged and produced by the gifted Ivan Hampden Jr., known for his work with Luther Vandross, Ashford & Simpson, Roberta Flack, and Eartha Kitt, this track promises to be a new holiday favorite. His previous Christmas classic, Mistletoe Jam, featured on Luther Vandross’s platinum-certified This Is Christmas album, continues to delight fans.
Pink Champagne is poised to follow in its footsteps with joy and assertiveness!
I’m thrilled to share that UG-ONE Network radio host, Toni B. chose my Christmas ballad, Pink Champagne, as her Christmas Song of the Week. She’s planning to feature it every day this week on her Sparkle & Shine radio show in between a great mix of old and new R & B songs and holiday tunes.
Today she shared a heartfelt introduction encapsulating the song’s victim to victory mindset that had me smiling from ear to ear!
The inspiration for Pink Champagne came to me while I was watching a Hallmark Christmas movie. I thought, “What if the heroine ran into her (future) ex-boyfriend on Christmas Eve and told him she gave his present away?” Something about that idea made me think of Nancy Wilson’s iconic Guess Who I Saw Today? and the lyricist’s brilliant storytelling approach to songwriting.
When it came to selecting a cocktail for this song, I found myself drawn to pink champagne for a variety of reasons. Not only does it evoke a sense of celebration, but it also embodies a spirit of self-empowerment.
There’s something about the effervescence and vibrant color that feels uplifting and invigorating. Pink champagne is often associated with special occasions and moments of joy, making it the perfect choice for someone taking a bold step forward to move on with their life.
In addition to its celebratory nature, pink champagne exudes elegance, class, and sophistication. It can turn an ordinary moment into something truly extraordinary. The way it sparkles in the glass and the delightful bubbles that dance on your palate create an experience that is both luxurious and memorable.
I wonder what other cocktails you might choose. Would you lean towards something equally festive, or perhaps opt for a drink that reflects your personality or mood?
Once I chose my cocktail, the lyrics just flowed out of me like a story. I first reached out to my friend, Ivan Hampden Jr. to see if he’d be interested in working on a Christmas song, but he initially said “no.” Not one to give up, I called my friend, vocalist, Paulette McWilliams next, and she also said “no,” but before hanging up, I asked her if I could share a few lyrics. By the time I finished, she was asking me to send the rest!
A few hours later, Ivan called back and said, “We’re going to do your Christmas song!” From that point, the song blossomed week after week. Ivan layered on beautiful orchestration while Paulette played with the melody and ad-libs and helped fine-tune my lyrics, bringing her insights into the character.
When Ivan sent me the mastered track, I was absolutely blown away by how my words transformed into this lush and elegant Christmas song.
It turned out to be a truly beautiful collaboration!
“Fashion is everyday theater,” says Tony Award-winning costumier and fashion designer Bob Mackie, who, at 85, is experiencing a career renaissance. He is still designing clothes for Cher, starring in the new Bob Mackie: Naked Illusion documentary about this life and work, and auctioning off some sketches, historical memorabilia and costumes for Cher, Raquel Welch, Diana Ross, and Diahann Carrol at Julien’s Auction.
“I love doing the work” is how he explained his extraordinary career longevity to fashion insider Fern Mallis at their 92 Y Talk. Bob was joined on stage by Tony Award-winning actress Bernadette Peters, Tony Award Winning costume designer Gregg Barnes, Bob Mackie Design Director Joe McFate, and documentarian Matthew Miele.
“We have been approached to do another documentary, ” said Joe McFate when Fern asked about what led them to make this new documentary with Matthew Miele. However, Matthew’s approach to filming the documentary first and then worrying about selling and distributing it later synced the deal. After watching the film, one can assume that Bob Mackie and Joe McFate are executive producers and have final cut approval. Bob’s professional and personal conflicts are glaring omissions.
During their interview, Bob Mackie admitted that Carmen Miranda, her ruffles and platform shoes, and the film American in Paris fueled his interest in designing costumes as a child.
Bubbly Bernadette Peters said Bob Mackie is great at what he does because ‘you trust him’ as a performer. While working on the Carol Burnett show, she remembered how Bob would watch her scene run through to get ideas and often would come up with costume suggestions to help elevate the comedy with a sight gag. She admitted Bob Mackie has a great sense of humor, beauty, and sensuality; above all, he has taste. That’s what sets him apart and makes him so successful.
Costume Designer Gregg Barnes stole everyone’s heart in the audience, sharing fond memories of Bob Mackie. Bob Mackie mentored Gregg as a teenager about being a costume designer. Gregg recalled that Bob had given him advice that had guided him throughout his career. He said to be curious and kind and do the work to succeed in the business. Gregg alluded that Bob Mackie represents the LGBTQ+ legacy of creative geniuses in the arts.
Director Matthew Miele also directed Scatter My. Ashes At Bergdorf’s and Always At The Carlyle had plenty of material to work from when making the two-hour Naked Truth documentary. At times, the film could be more cohesive. Bob’s origin story is scattered throughout the movie at the oddest times. The viewer is left filling in the blanks regarding Bob Mackie’s personal life. Bob Mackie is guarded and tight-lipped. He can barely admit to being involved with his business partner, Ray Aghayan, an American fashion and costume designer, after his divorce from singer and actress LuLu Porter.
Ray played a pivotal role in Bob’s career. He introduced Bob to Mitzi Gaynor, who hired him as the costume designer for her TV show, which kicked off his career as a costume designer.
Sadly, Ray died in 2011, so Joe McFate is tasked with pulling personal details about their relationship from Bob in a very awkward scene. LuLu appears briefly in the film but never discloses any information about their romance, marriage, or enduring relationship. I would have enjoyed hearing her discuss how their sixty-year relationship transitioned from lovers and spouses to best friends and grandparents.
Sadly, LuLu and Bob are unable to discuss the death of the son, Robin Mackie, who died in 1993 after a history of substance abuse. Their inability to discuss their son sitting at a table with Robin’s daughter is uncomfortable to watch. Although it feels intrusive for Matthew to pry, you can tell he’s desperate to make Bob Mackie less one-dimensional. I was rooting for Matthew to crack the code and get Bob to discuss his son’s death. This tragedy, coupled with his lonely childhood with a despondent mother and hyper-masculine father, seems to fuel his undying desire to masterfully help audiences escape their grim lives and journey into a world of beauty and spectacle.
If there’s more to Bob Mackie’s life than his work, your guess is a good as mine which is a shame. Younger generations have little or no respect for the previous generation’s closeted lives because no one who lived that lifestyle can articulate their struggle. Bob Mackie and other successful gay and bisexual men, Rock Hudson, were forced to live in secret to keep their careers. Unfortunately, their pain, suffering, and struggles sound cliche without personal reflections, insights, and disclosures. People who love Bob Mackie may hate his documentary for not revealing more about his process or his romantic life.
Younger LGBTQ+ viewers, especially, might be disappointed in Matthew and Bob’s inability to discuss his personal life or disclose how his sexuality influenced his work beyond Bob’s midwestern crack about fashion and costume design fields being populated by gay men. Bob is part of the long history of gay and bisexual men creating glamor and feminine allure on screen.
Thankfully, Gregg Barnes masterfully helps the audience connect from the mega-musicals at MGM, Bob’s creations for the Carol Burnett Show, to his stage designs for the Kinky Boots musical. Watching the documentary, you get the sense that CAMP is not going anywhere and, like Cher and cockroaches, will survive long after the rest of us are gone.
Strangely, although Bob Mackie resists and seems to resent being associated as the Master of CAMP, the film opens and closes with Bob, John McFate, and Bob’s publicist attending the MET ‘What is CAMP?” Gala 2019. Yet, Naked Truth does not disappoint sparkle, sequin, rhinestone, and CAMP overs.
The film gives us a glimpse into Bob’s design process and the incredible work of his team of LA-based beaders for Cher’s ABBA-inspired outfit worn on multiple TV appearances. It also treats us to a glorious feast of Bob Mackie’s most iconic CAMP moments for television working with the 70’s most prominent female stars, Cher and Carol Burnett. Carol testifies that Bob’s best-known design, the Scarlett O’Hara dress for the Gone With The Wind sketch, brilliantly captures his wicked sense of humor and superb craftsmanship.
Carol Burnett mentions that Bob Mackie made 1700 costumes while working on her show. Cher admitted in the film that people tuned in to see Bob’s designs for her opening sequences on the Sonny & Cher Show and The Cher Show. Vicki Lawrence said she ran over from the Carol Burnett Show to stand in the wings of the next door Sound stage to see what Cher wore week after week.
The film includes numerous live performances and interviews with divas like Tina Turner, Bette Midler, Mitzi Gaynor, Miley Cyrus, and P!nk in Bob Mackie designs.
