Join us for my Luther Vandross: Never Too Much Birthday Party, celebrating his iconic Music and Style. This free program features a Music Panel, Fashion Show, Live Performances, Style and Tea Vendors, and Live DJ Dan C.E. on Wednesday, April 17, 2024, from 5:30 -8:30 PM at THREAD Lounge at the Renaissance Hotel.
This is my way of thanking Luther fans for their ongoing love, support, and admiration for my boss, Luther Vandross. I started working for Luther on the “Never Let Me Go” tour in 1993. I’m looking forward to sharing my memories, celebrating Luther’s love of fashion and style, hearing his music, and welcoming fans.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, and Luther’s Choreographer, James Ervin, discuss their experience working with Luther. Graffiti Glamour Makeup Artistry Founder Alicia Mitchell shares how small steps led her to big rewards in her healthy journey as she demonstrates how hair and makeup artistry can transform your attitude.
FASHION SHOW: Harlem Heaven’s Hats, Kynetik Soundz, LPS Collection, Baro Sanchez, DIG Ferreira, LPS Collection, Teresa Marie Collection, and Modafleur showcase the hottest trends in fashion. Plus, S Designs spotlights Luther’s Wedding Song, “Here & Now,” with funky, flashy, and fabulous wedding gowns you don’t want to miss! Hosted by Catherine Schuller.
LIVE MUSIC: Keith Anthony Fluitt will perform some of Luther’s most beloved songs, plus Special Guest performers.
DJ DAN.C.E. will spin Luther’s hits all night long. I’ll host the virtual FANDROSS Birthday Listening Party on Zoom on Saturday, April 20, at 3 PM.
Join me, Luther Historian, and Special Guests as we spin the group Luther’s glorious first album, “Luther,” featuring the songs “It’s Good For The Soul (Part 1 & 2), “Emotion Eyes,” and “Funky Music during the program. Register for both programs on Eventbrite.
I saw the musical, The Wiz: The Super Soul Musical Wizard Of Oz” on Broadway this week.
The 1975 Broadway production won seven Tony Awards, including Best Musical. Sadly, Stephanie Mills didn’t win a Tony Award, but she did win the Drama Desk Award. I feel you can’t touch her performance. Her voice soars, shines, and shatters your ears. She will always be Dorothy for me.
The musical’s idea originated with producer Ken Harper, who became the director and worked with Geoffrey Holder.
The original Wizard on Broadway actor Andre De Shields wrote, “It was Geoffrey’s masterful people skills and embrace of magical realism that metamorphosed The Wiz from caterpillar to butterfly,” according to Wiki.
The Wiz was a breakthrough for Broadway, a large-scale big-budget musical featuring an all-Black cast. Its success opened the door for future musicals, Dreamgirls, and Sophisticated Ladies, to be produced.
One of the first albums Santa brought me was the original Broadway cast recording. I would repeatedly listen to the music, especially “Ease On Down The Road” and “A Brand New Day.”
I didn’t learn that Luther Vandross wrote “A Brand New Day” until after passing in 2005. He never performed the song in concert, so I had no reason to make the connection. But what a song! I love his creative approach to writing a song about Evillene’s death.
Luther’s joyful concept of what’s to come versus celebrating the tragedy of the witch’s death is inspiring. “A Brand New Day” is featured in the new Broadway production twice.
Watching the show with my friends, Joe and Leisa, and FANDROSS CEO Seveda Williams was a beautiful experience.
I adore Deborah Cox, who plays Glenda. Several years ago, I saw her perform “Absolutely Not” and “Things Just Ain’t The Same” at a KTU radio listening party, and she blew the roof off with her electrifying performance.
Celebrating Luther’s songwriting talents and the cast’s wonderful performances was wonderful. Plus, I got to relive my childhood memories.
The film version of The Wiz starred Diana Ross as Dorothy, Michael Jackson as Scarecrow, Nipsey Russell as Tin Man, Richard Pryor as the Wizard, and Lena Horne as Glinda.
Join me for my Luther Vandross: Never Too Much birthday party celebrating Luther’s iconic Music and Style.
This free program features a Music Panel, Fashion Show, Live Performances, Style Vendors, and Live DJ Dan C.E. on Wednesday, April 17, 2024, from 5:30 -8:30 PM at THREAD Lounge at the Renaissance Hotel.
PANEL: Luther’s Vocalist, Cindy Mizelle, and Luther’s Choreographer, James Ervin, discuss their experience working with Luther. Graffiti Glamour Makeup Artistry Founder Alicia Mitchell shares how small steps led her to big rewards in her healthy journey as she demonstrates how hair and makeup artistry can transform your attitude.
FASHION SHOW: Harlem’s Heaven, Kynetik Soundz, LPS Collection, Baro Sanchez, and Modafleur showcase the hottest trends in fashion. Plus, S Designs spotlights Luther’s Wedding Song, Here & Now, with funky, flashy, and fabulous wedding gowns you won’t miss! Hosted by Catherine Schuller.
LIVE MUSIC: Keith Anthony Fluitt performs some of Luther’s most beloved songs. DJ DAN.C.E. spins Luther’s hits all night long.
I’m thrilled to announce I’ll host the virtual FANDROSS Birthday Listening Party on Saturday, April 20, at 3 PM on Zoom. Join me, Luther Historian Leon Petrossian, Fonzi Thornton, Carlos Alomar, Nat Adderley Jr., and more special guests as we spin the group Luther’s glorious first album, “Luther,” during the program.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ Dan C.E. on Wednesday, April 17, 2024, 5:30 – 9 PM
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
“When I listen to Luther Vandross’s music, it makes me happy. I want to sing along and move to the beat, snap my fingers, and stomp my feet. There is joy in his music,” says Harlem Heaven’s milliner, Evetta Petty. “When I design hats, I want them to make the customer happy. I am dressing people for important events in their life. I want them to smile when they see the hats and look great in them. I want my hats to evoke that same joy that I feel from Luthers’ music.”
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
Dan C.E. has been a professional DJ for 20+ years. Throughout his career, he developed his style of open-format DJing, which he refers to as RetroFitted, by has been a professional DJ for 20+ years. He developed his style of open format DJing, which he refers to as RetroFitted, over the course of his career, playing the family of R&B music (Funk, Soul, Disco, House, and Hip-Hop) across eras. He also leans heavily into spinning Hip-Hop/Lo-Fi instrumentals, which he calls “Spinning the Essence.”
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
Join us for our Never Too Much: Luther Vandross celebration featuring a Panel discussion, Fashion Show, Luther Games, Live Performances, and Live DJ on Wednesday, April 17, 2024, from 5:30 -9 PM at the Thread Lounge at the Renaissance Hotel in Midtown Manhattan. It’s free! Register at Eventbrite
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, tuxedos, and tailcoats on stage. He wore Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of wearing bright colors, animal prints, geometric patterns, and/or fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the glitz and glamour that made his concerts more memorable and set him apart from other entertainers.
Luther PANEL: How the Magic happened! Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell help us get a closer look at the Shine of the Rhinestones, Big Luscious Hairstyles, and Bold Makeup to the Graceful Moves and Tight Harmonies. Hosted by Max Szadek.
Luther-Inspired FASHION SHOW: Up-and-coming designers showcase their gorgeous creations inspired by the romance and elegance of Luther Vandross. Hosted by Catherine Schuller.
PERFORMANCE: Vocalist Keith Anthony Fluitt performs Luther’s most iconic songs.
GLAM MORE FEAR LESS: The happy healthcare host, Mr. Divabetic rolls out the Red Tomato Carpet at the Easter Parade on Fifth Avenue in New York City, NY.
The New York City Easter Parade has been an annual tradition since Civil War days and features marchers in elaborate Easter finery, including some of the fanciest Easter bonnets imaginable. People’s imagination seemed limitless, looking at all the head adornments. I was blown away by the style and sophistication of many of the participants.
Many people’s outfits were inspired by either the Gilded Age or MGM’s musical Easter Parade, starring Judy Garland and Fred Astaire.
Get inspired to ‘Glam More, Fear Less’ about living with diabetes. Make sure to protect your vision so you can enjoy a parade, street fair or gathering to its fullest. If you’re living with diabetes, make sure to schedule your annual eye exam.
Diabetic retinopathy is caused when high blood sugar levels damage the blood vessels in the retina. This damage can lead to temporary vision loss or permanent blindness.
People with type 1 or type 2 diabetes are at risk of developing diabetic retinopathy, especially if their diabetes is poorly managed. Maintaining good blood sugar levels and having regular eye exams can help reduce the risk of blindness from diabetic retinopathy.
Tune in to Divabetic’s free monthly podcasts, hosted by Mr. Divabetic on blog talk radio, iTunes, and Spotify, featuring healthcare professionals, beauty, image/style, and fitness experts, entertainment industry leaders, and VIPs: women and men living with, at risk of, or affected by diabetes.
Join Divabetic’s Facebook page, follow Mr. Divabetic and Divabetic on Twitter, and learn more about sponsorship opportunities and event details.
Visit: www.divabetic.org
Original music by Douglas Clay: www.douglasclaymusic.com
“I want to be who I am now. I rock my gray hair because it is a blessing,” says Regina Belle. “I colored mine for many years, but I’ve gotten compliments from so many men and women about being brave enough to sport the gray. I even wear it on the cover of my record. I am comfortable in my skin and I want listeners to feel that as well.”
Regina Belle began performing at a young age at Englewood’s Mount Calvary Baptist Church in New Jersey. She studied opera and jazz at Rutgers University, with a combined major in Africana Studies and Music. She learned to play trombone, tuba, and steel pans before leaving college to purse a music career.
Her debut album, All by Myself, had her first hits, “So Many Tears” and “Show Me the Way.”
Regina, “If I cannot identify with the songs, and if the music does not move my soul, make me feel better, take me up when I’m down or higher when I’m up, then I don’t want to record it, play it or sing it!”
A few years later, her duets with Peabo Bryson, “I Can’t Imagine,” “Without You,” and “A Whole New World,” solidified her pop music success. “A Whole New World, from the soundtrack to the 1992 Disney film Aladdin, peaked at no.1 on the Billboard Hot 100 Singles chart and received a Grammy Award in 1993 for Best Pop Performance by a Duo or Group with Vocal and the Academy Award for Best Song of the Year.
I saw Regina Belle perform at B.B. King’s in New York City a few years ago. So many of Regina Belle’s songs are embedded in my soul, and I was excited about her concert.
Sadly, Regina Belle was still grieving over the loss of her brother, who passed away a few days before the concert. She admitted she wasn’t really in the right frame of mind. Her show underwhelmed me. I was frustrated when she melodied many of her biggest hits, “Make It Like It Was,” “Show Me,” “So Many Tears,””Baby Come To Me,” and “All I Want Is Forever.” I loved these songs, and a medley was not cutting it.
My disappointment got the better of me, and I took to social media to express my displeasure. Would you believe she responded? Regina Belle apologized and admitted that her brother’s recent death had affected her performance. So much for social media anonymity!
Thirty years after leaving Rutgers and 10 albums later, Belle started taking online courses, which earned her Bachelor’s Degree in Africana Studies and a Minor in Music. Belle walked the stage with her ‘new class’ from Rutgers in May 2015. She states, “This achievement of finishing my degree, which I started almost 30 years ago and finally being done, was a bittersweet moment and rates as high as my Grammy Awards.”
Her life was eventful, the journey purposeful but not without misfortune. After releasing her first Gospel album, Love Forever Shines, she was diagnosed with a brain tumor. Regina Belle returned to performing after two surgeries, health challenges, and 10 months of rehabilitation.
“I’m amazingly blessed. I will never ever say that I’ve lived the perfect life to be shown such favor with God or the people but here I am,” declares Regina Belle.
I wanted to create this series for Women’s History Month because many artists who made music in the 80s and 90s are no longer with us, or they’re not promoted as prominently as I had hoped. Once hip-hop took center stage, the lush, elegant songs I loved were being pushed aside. Sadly, most of these artists are no longer with us or aren’t actively performing.
I chose artists whom I greatly admired, and their music touched my soul and shaped my ideas about love and romance.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“You’ve got to look at different ways to survive,” Gwen Guthrie said in a Blues & Soul Magazine interview. “And being independent could be one way that works for me.”
Singer, songwriter, and pianist Gwen Guthrie is best remembered for her infectious club hit, “Ain’t Nothin’ Goin’ On But the Rent,” It was one of the biggest dance anthems of the Eighties with its catchphrase: “No romance without finance. You gotta have a J.O.B. if you wanna be with me.” This club icon studied classical music and piano at school.
In the early seventies, she joined the Ebonettes and the Matchmakers alongside Larry Blackmon, who became Cameo’s frontman.
During a studio session, she met musician Patrick Grant, and the pair wrote seven songs for Sister Sledge’s debut album. They also wrote the sublime “This Time I’ll be Sweeter,” in which Angela Boffil created musical magic. The song has been recorded over eighty times.
After touring and recording with Roberta Flack, Gwen Guthrie relocated to Jamacia. She teamed up with Jamaican dub and reggae duo Sly Dunbar and Robbie Shakespeare and released `It Should’ve Been You’ for Island’s R&B department. With Sly Dunbar and Robbie Shakespeare as producers, the singer cut the rest of her debut album, Gwen Guthrie, and the follow-up album, Padlock, featuring “Seventh Heaven” and “Hopscotch.”
I love the concept and imagery of the “Padlock” song lyrics. “Padlock” reached #13 on dance charts, climbed to #25 R&B, and was heard all over New York City during the summer of 1985. Like many of her hits, “Padlock” was remixed by one of the most influential club culture DJs, Paradise Garage DJ Larry Levan. Her frequent performances at the Garage earned her the nickname “The First Lady of the Paradise Garage.”
Robbie Shakespeare recalls how easy it was to work with Gwen Guthrie in the studio.”In the studio, you only had to give Gwen the rhythm. She would sit and draw flowers while she worked on lyrics. She was wicked fun and had a great personality.”
Her biggest hit, “Ain’t Nothin’ Goin’ On But the Rent,” was a monster smash in the UK but didn’t achieve the crossover success it deserved in the US. The song begins with the lyrics “Bill collectors at my door,” and is the funkiest tune about financial hardships.
“Things are much harder in the music business; you’ve got A&R men at major labels who don’t come from a particularly musical-orientated background and make some incredibly strange decisions, then you’ve got to battle for a budget to promote your releases, she said in an interview with Blues & Soul Magazine.
Soon after, Guthrie moved from Polydor to Warner Brothers and released several more albums but with lukewarm sales. “My last album came out at the same time as Prince, Quincy Jones, and Al. B Sure and I felt ignored.”In addition to running and supporting a children’s theatre company, the versatile singer with precise pitch is also one of the first recording artists to raise money for the fight against AIDS. Gwen Guthrie donated proceeds from her 1988 song “Can’t Love You Tonight,” which also addressed the epidemic. Her contributions to disco, house, and dance music will forever endure.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“I prefer Princess. I would love to be known as a diva later on in life when I’ve had far more experiences,” says Deborah Cox.
With six top-20 Billboard R&B singles and an impressive eleven number-one hits on Billboard’s Hot Dance Club Play, Deborah Cox can call herself anything she wants, including a multi-platinum selling artist.
Deborah Cox, inspired by her idol Whitney Houston, began performing in television commercials at age 12. “I remember wanting to be a singer from when I was a young girl,” she recalls. “I would sing a lot in my room as a kid and just fantasize about being an entertainer.”
She was hired as a professional backup vocalist for Céline Dion.
Clive Davis was signed to Arista Records by Clive Davis. Her debut album featured an infectious mix of pop and R&B and her first dance hit, “Who Do U Love.”
From there, Deborah Cox’s career hit its stride on the dance floor. he released a string of dance songs, “Things Just Ain’t The Same,” “Absolutely Not,” and “It Could’ve Been You,” that stormed the club scene. Some artists look down on being categorized as dance artists or having their songs remixed, but not her. ” I think it’s about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that’s great,” she said. ” f I could do a classical version, that’ll be great too. It’s all just about expression.”
Her sophomore album produced the slow jam hit “Nobody’s Supposed to Be Here.” The soulful ballad became an instant sensation and held the then-record for the longest-running No. 1 R&B single of all time. But then, it got a second life on the dance floor and topped the Dance Charts.
When asked about reworking her signature ballads and dance floor stompers, she said, “My opinion is that music is music. As long as you approach doing a remix with truth, I don’t see the dance remixes being any different than a hip-hop remix—it’s really a different version of the song.”
Deborah Cox lived out her fantasies when she worked with her idol, Whitney Houston, on the song “Same Script, Different Cast” for the album Whitney: The Greatest Hits. Working alongside her idol, she said, “
It gave me a chance to really sit one-on-one with her and have that mentor-to-student sisterhood moment where we could just talk, kick it, and have raw conversations about the business, family, and so much more.”
She took another leap by performing Whtiney’s role in the musical rendition of the classic film, The Bodyguard. She performed the singing vocals on the Lifetime film, ‘I Will Always Love You: The Whitney Houston Story. “I knew I had some big shoes to fill,” says Deborah Cox.
I’m looking forward to seeing Deborah Cox on Broadway, starring in the revival of ‘The Wiz.’
Luther Vandross wrote “A Brand New Day,” also known as “Everybody Rejoice,” for the musical.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“You can go around all your life singing stuff that’s just basically a song,” Shirley Brown said. “But I think you are supposed to relate to what’s happening—inner feelings.”
Shirley Brown sang in church in West Memphis, Arkansas, until she was discovered at age 14 by Albert King, blues guitarist, and singer, singing at the Harlem Club in Brooklyn, Illinois. She worked with Albert for nine years (where he was her manager) and rubbed elbows with Soul luminaries such as Johnnie Taylor and Little Milton.
Blues legend Albert King persuaded Shirley Brown to sign with Stax Records and release her smash single “Woman To Woman.”
Soul Express Magazine describes Woman to Woman as a milestone in the history of Southern soul music. Starting with a dramatic rap, it tells of a woman determined to hold on to her man and tell it over the phone to her rival.
Hello, may I speak to Barbara. Barbara, this is Shirley. You might not know who I am, but the reason I’m calling you is because I was going through my old man’s pockets this morning and I just happened to find your name and number. So, woman to woman, I don’t think it’s being any more than fair than to call you and let you know where I’m coming from.”
Woman to Woman, lovingly referred to as the soul soap opera, was written by James Banks, Henderson Thigpen, and Eddie Marion. The songwriters offered the song first to Inez Foxx, who passed on it. “She didn’t want to do it. She felt like the rap part in the beginning of the song was for a male artist, and a song like that with a rap would be better for a person like Isaac Hayes,” James Banks told Soul Express.
The song’s recording took more than one session. But Bobby Manuel, who played guitar on the sessions, said, “The recording session (for Woman to Woman) was magical. We all knew it was a hit record. Everybody was really excited.”
Shirley was nominated for a Grammy for Best R&B Performance, Female, but Aretha Franklin and Ain’t Nothing like a Real Thing won that year.
Millie Jackson, who was also nominated in the same category that year, told QuestLove on his podcast that Aretha should have been excluded from being nominated in that category because her recording failed to meet the qualifications.
“Woman to Woman” reached No. 1 on the R&B charts and No. 22 on the pop charts. The song proved so popular that Country Music legend Barbara Mandrell covered it, and Lonnie Youngblood talked to Barbara and blew his horn on the mid-tempo answer song, Man to Woman. A year after the song’s success, Stax Records folded.
Shirley Jones chased her dreams to New York City, where Clive Davis signed her to his Arista Records label. . “I was one of the first soul singers he (Clive) signed. I was there before Whitney and Aretha. Clive said that if we could ever get the right material, we could have a hit. But he felt that the material was too Southern. He didn’t want that Southern soul sound.
Clive and Shirley Brown didn’t agree on the direction of her music. “Clive Davis wanted me to do a Bette Midler song or something like Barbra Streisand. I could probably sing those kinds of songs, but I didn’t feel them.”
In early 1977, Shirley’s first Arista single, a soul ballad called Blessed Is the Woman (With a Man like Mine) was released. “I’ve always been a great admirer of Aretha Franklin,” Shirley Brown admits. Some people feel that Shirley Brown and Aretha Franklin are similar to the Isaac Hayes/Barry White situation.”
Some speculate that Clive felt she sounded too much like Aretha Franklin, and he jeopardized her career to boost Aretha’s.
“Clive wanted to make Shirley like Whitney, “says Bobby Manuel. “He wanted to take somebody that had those chops, who could sing like that… and take them pop. The marriage really didn’t work. He was sending us pop songs, and she just wasn’t into them.”
Luther Vandross loved Shirley Brown. I would buy up all her albums in the UK for our tour bus and his dressing room.
After Shirley left Arista, she signed with several other labels. She continues to make beautiful music. Some wonderful songs in her catalog include “I Ain’t Gonna Tell”, “Love Is Built On A Strong Foundation,” and the soul ballad “I Need Somebody to Love Me.”
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
“I have mad respect for athletes and have penned a few songs with more to give all the way around,” says my friend, singer, and songwriter Cindy Mizelle.
Cindy Mizelle is the proud mother of three children. Her two sons are professional athletes. Devin Fuller, a wide receiver with the Atlanta Falcons, and Jordan Fuller, a safety for the Carolina Panthers, have had distinguished careers in the NFL.
Her incredible career includes Bruce Springsteen and the E Street Band, Seeger Sessions Band, Steely Dan, Billy Ocean, Whitney Houston, Dave Matthews, Duran Duran, Freddie Jackson, Carly Simon, Alicia Keys, and Luther Vandross.
Cindy told Rolling Stone Magazine that growing up, she knew a singing career was in her future, “I just said, “I know how to do this.” I played the flute, too, and I knew scales. Everything was a musical thing for me. And once I found that power, I was like, “I’m going!”
I first met Cindy on Luther Vandross’s Never Let Me Go tour in 1993. Cindy toured and recorded with Luther Vandross for over twenty years. She admits working with Luther felt like family. “I loved everything about him. I could relax and be myself, and he was so supportive. When it came down to my kids, he got them their first shoes.”
Between gigs with Luther Vandross and the Rolling Stones, Cindy managed to squeeze the recording of her debut album, Cindy Mizelle, on Atlantic Records. My favorite tracks include the lead single, “I’ve Had Enough,” ” Smile, and “Back To Emotions.”
Through Cindy, I met the talented performer Katreese Barnes, who was the musical director for SNL and won an Emmy for ‘Dick In The Box.” I styled Katreese for several shoots and co-produced her show, Rocket Man, featuring the music by Elton John.
A few years later, in 1995, Cindy gave me the gift of a lifetime when she sang lead vocals on the dance song I co-wrote with Keith Haarmeyer, “That Man Of Mine.” The amazing Brenda White-King also performed backing vocals on the record.
I’ll always remember the day we recorded the song in Keith’s one-bedroom apartment in New York City. After Cindy looked at the lyrics sheet, she asked me if I had a specific idea of how I’d like her to sing the lyrics. Then, to my astonishment, she said the chorus line five or six different ways, varying her tone and phrasing with each variation. It was the most incredible thing I’ve ever witnessed. I still have goosebumps thinking about it. The power and control she has with her voice are incredible, too.
I’m not Cindy’s only fan, either. Mariah Carey praises Cindy Mizelle in her memoir The Meaning of Mariah Carey: “To me, she was one of the absolute greatest. “Cindy Mizelle was the background singer. She sang with the most gifted vocalists of all time—Barbra Streisand, Whitney Houston, Luther Vandross, and the Rolling Stones. She was a real singer’s singer. Cindy was that girl to me. I looked up to her so much.”
It was also a thrill for me to design costumes for The Lovely Ladies (Tawatha Agee, Brenda, and Cindy) when they were on tour with Dave Matthews Band. Most recently, my boyfriend Joe and I filmed Cindy for Nils Lofgren’s “Ain’t The Truth Enough” music video.
Music is definitely part of her DNA. Cindy Mizelle is the cousin of the famous Mizell Brothers (they dropped the word “e” out of their name), who wrote songs for the Jackson 5 and A Taste of Honey. She’s also the cousin of the Ronettes!!! She told Rolling Stone magazine, “I looked them up and was like, “Oh, my gosh!” That was my motivation there. I’d play their records and figure out what they did. I started singing in the basement and in bands after that.”
She mentions how Ronnie Spector always supported her in her career. It’s truly a pleasure to spotlight this amazing woman whose heart is as big and beautiful as her voice.
Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ.
Come dressed in your Big 80s Bling!
Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.
We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.
MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.
FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.
LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.
STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.
