Divabetic Salutes Oleta Adams

“I loved being a part of bringing joy and solace to people when I sang,” said  Oleta Adams,  platinum-selling recording artist and four-time Grammy nominee. “It made me feel that I had something significant to contribute to the world, and that became the main reason for making it my career.”

In 1985, while performing at the Peppercorn Duck Club in the Hyatt Hotel in Kansas City, Oleta Adams’s powerful vocals caught the attention of Ian Stanley, the keyboardist for Tears for Fears. The band asked her to record and tour with them – launching her global career.


“Roy Orzibal, Tears For Fears cofounder, had written a song entitled, “Woman In Chains” and he asked me to bring that same emotion to his song,” she said. 

Oleta Adams’s work on their record led to her signing to the band’s same recording company, Polygram-Fontana. “It gave me integrity and a real boost to my own career,” she added.

This jumpstart to her career led to her performing with legends like Phil Collins, Michael Bolton, and Luther Vandross.

I remember when she opened for Luther Vandross. She was down-to-earth, very approachable and kind. Sitting behind a grand piano, she memorized audiences with warm, rich vocals. Her debut album, “Circle of Love,” was like nothing else at the time, and it took the musical world by storm.  Oleta Adams’ deep, clear voice in her breathy rendition of Brenda Russell’s “Get Here” is a torchy masterpiece. It became one of the 90’s great love ballads.  The song became an unofficial anthem of the 1991 Gulf War.

Celebrating 45 years in the music industry and having released nine albums, including secular, gospel, and Christmas, Oleta’s musical odyssey continues to garner her legions of fans worldwide.

Variety wrote, ” Oleta Adams is a singer of immense talent. She infuses the songs with a drama and sensitivity that leaves you limp, and hungering for more.”

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Natalie Cole

“I think that I am a walking testimony to you can have scars. You can go through turbulent times and still have victory in your life,” Natalie Cole said.


When she was a girl, Natalie Cole started singing with her father, crooner Nat King Cole. She made her first recording at age 6; by 11, she was performing on TV alongside her dad.

She won two Grammy Awards, Best New Artist and Best Female R&B Performance, for her debut album, “Inseparable” in 1975. 

Her third — and first platinum — album, “Unpredictable,” spawned another No. 1 R&B hit: “I’ve Got Love on My Mind.”

Her fourth album, “Thankful,” features one of my favorite songs, the smooth and sultry ballad “Our Love.” It was written by Cole’s regular team of Chuck Jackson and Marvin Yancy, both former members of the R&B group the Independents.

In 1979, Natalie Cole received a star on the Hollywood Walk of Fame, signifying and solidifying her prowess as a performer.

But her ongoing recreational use of substances turned into a heavy, crippling drug addiction. 

In her autobiography, “Angel on my Shoulder,” she wrote, “I never got to make the transition from little girl to young woman … and that really screws you up.”

Her addiction became so prominent in her life that, on more than one occasion, it nearly killed her. She overcame her addiction after checking into rehab. 

Our friend, Jennifer Jacobs, who worked with Natalie Cole on several of her music tours, shares her memories of working with this extraordinary woman on Divabetic’s Diabetes Late Nite podcast inspired by Adele.

After becoming sober, Natalie Cole returned in the 1990s with “Unforgettable… with Love”, featuring renditions of songs previously sung by her father. 

When Natalie Cole began her career, she admitted she was determined not to capitalize on her father’s name and wanted to forge her separate identity. In an interview, she said, “My father led by example. He wasn’t much of a talker—he walked life.” For many years, she also found the prospect of recording her late father’s songs too painful on a personal level. But overcoming her fears certainly paid off. 

The album’s breakout single, “Unforgettable,” features a track dubbed over a previous Nat King Cole recording to create a father-daughter duet. The album sold over 11 million copies and garnered several honors, including seven Grammys, Record of the Year, Album of the Year, and Song of the Year.

One of my other favorite moments from Natalie Cole’s career is when you replaced Whitney Houston at the Oscars and performed “Run To You” and “I Have Nothing” from the Bodyguard soundtrack. 

In 2008, Natalie Cole was diagnosed with hepatitis C, a disease of the liver. She received a kidney transplant after her kidneys began to fail. 

I just wanted to say a big thank you for checking out my Women & Music series for Women’s History Month. I had a blast creating artwork for each of my favorite performers and learning more about their amazing lives. I hope you had as much fun reading it as I did creating it!

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Lisa Fischer

“Some people will do anything to be famous. And then there are other people who just – will sing,” Lisa Fischer said in the Academy Award-winning documentary, “20 Feet from Stardom.” “It’s not about anything except being in this special space with people and that is really the higher – calling, to me.”

My friend, the legendary backup singer Lisa Fischer, has supported the world’s biggest stars, including Luther Vandross, the Rolling Stones, Madonna, Tina Turner, and Sting.

Lisa captured my heart on my first Luther tour, “Never Let Me Go,” in 1993. She was so friendly, funny, and approachable. During that tour, she enthralled audiences with the performance of her signature song, “How Can I Ease The Pain.”  

Over the years, I have seen her mold, caress, undress, and shape this song on many stages. The melody and lyrics are so beautiful that Lisa finds something new to bring to the song for each listen.  

After the “Never Let Me Go” tour,  she left to tour with the Rolling Stones, but our paths continued to cross in the most unexpected places. 

I met Lisa Fischer while working in the American Conservatory Theater’s costume rentals department in San Francisco, CA. She came into our shop looking for a Halloween costume.

The next time we saw each other was in Europe. I took a brief hiatus from working with Luther Vandross to tour with Lionel Richie, who was opening for Tina Turner. Navigating the backstage area on the rolling hills of some outdoor venue, I spotted Lisa taking a break after a sound check. 

After Luther Vandross’s stroke related to mismanagement of type 2 diabetes, Lisa would visit his rehabilitation center to sing with Luther as part of his occupational therapy. At my urging, she also agreed with Nat Adderley Jr. to perform a Christmas concert for the residents of Whispering Knoll. She dressed to the nines, and Nat accompanied her on a piano, singing traditional Christmas tunes in the main lobby. I remember several residents telling me that it was the best talent that had ever performed there! 

Of course, I, like everyone else, was thrilled that the enormous popularity of “20 Feet From Stardom” sparked Lisa’s solo tour. Her live performances are electric. Last year, she performed the most incredible sonic rendition of ‘Never Too Much” during her show. She’s so captivating on stage that she easily erases my corny 6th-grade chorus memories of a song like “This Land Is Your Land” and turns it into a haunting, spiritual experience. 

She generously shared her talents with me recently on a holiday song collaboration. Our Zoom and phone sessions are a masterclass in songwriting. As a lyricist, I am grateful to her for opening my eyes to how a true artist interprets lyrics. It’s been an incredible experience. 

“This would be scary if I felt like the real focus were on me per se, but in my head, in order to deal with it, it’s the music that’s really being presented; it is about the music flying. Not so much me,” she says.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Register Now – It’s Free!

Divabetic Salutes Meli’sa Morga

“I learned a lot about discipline when I was a backup singer,” Meli’sa Morgan recalled in an interview with the Los Angeles Times. “You really need discipline and control. You have to know what your voice can do and know how to use it just right.”

Singer-songwriter Meli’sa Morgan is perhaps best known for her #1 hit in the eighties: “Do Me, Baby,” an original recording by Prince. She has sung backup and collaborated with Chaka Khan, Kashif, and Whitney Houston.

“I idolized Chaka Khan; she was the ultimate, so cute, feathery, big hair, leather-wearing singer of all times. I wore my style after how she presented herself, and what she had that was becoming legendary,” she told Chocolate Voice. “Every Black female singer in America sang “Sweet Thing” at a talent show somewhere.”

She studied music theory at the Julliard School of Music.“I do lyrics and melodies,” she told the Los Angeles Times.

Her vocal ability landed her a record deal at Capitol Records in the 1980s. She took the music industry by storm, releasing hit after hit, including “Do You Still Love Me,” “Fools Paradise,” and “Love Changes,” a duet with Award-winning singer-songwriter Kashif.

Music critics mention her knack for saturating a song with passion and sensuality. Whether she sings up-tempo funk or a silky smooth slow jam, she pours her soul into a song.

Years ago, I saw her electrifying performance when she opened for Freddie Jackson in Rochester, New York. Her trademark hair was on full display. She admits she loved Chaka’s Big Hair and gave it her twist.

But let’s go way back to her amazing vocals on the dance hit “Keep In Touch (Body To Body) by Shades of Love. This New York City group of stelllar vocalists included  Meli’sa Morgan, Lisa Fischer, Claudette Polite and Jean Steals.

About a decade later, Junior Vasquez and Johnny Vicious dominated the dancefloors in Gay clubs with her monster remix of this song. I still get up to dance every time I hear it.

Two years ago, the scarlet-red-haired singer released the single “Footprints Of An Angel” on her independent record label, Asilem Productions. The song is a movie theme with the same title. Meli’sa Morgan co-stars as a mother who loses her daughter to cancer. “Footprints of An Angel” was a solid hit on the UK Soul Charts and the Independent Urban Influencer R & B/Soul Charts. 

I had the chance to interview Meli’sa Morgan for Divabetic’s Studio d podcast. If given the chance, she admitted that she would love to cover Luther’s “Bad Boy/Having a Party” song. Meli’sa Morgan maintains her health by following a strict diet and making time for herself.

When asked about the challenges of navigating a five-decade career in the music industry, Meli’sa Morgan said, “The easiest part of the business is, once you’re there, performing for your fans is the fun part. You embrace them, and they embrace you. But getting to the stage is the hardest—the political games, getting the gigs, promotion, the money, and all of that.”

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Mica Paris

“I wanted to put British soul music on the map,” says Mica Paris, who first tantalized US audiences with her “My One Temptation” in the late 80s.

She discovered her love of music when she was five or six and began singing in church. “I became this prodigy and [my grandmother] took me around all the churches around the UK. Kids are good. They know what people like. Every time I held a really long note, they’d go crazy,” she told the Irish Times.

By her teens, Mica Paris performed with the gospel choir “The Spirit of Watts.” She then began working as a session singer and landed a job as a background singer for the Brit-pop group Hollywood Beyond.
At 17, Mica Paris signed on with 4th & B’way and worked on a debut album titled “So Good.” Her debut single, “My One Temptation,” was released in ’88 and became her biggest hit, reaching #7 on the UK chart. And the album platinum.


Kris Kirk from Melody Maker described “My One Temptation” as “haunting.”

But after her initial success, she seemed to disappear from American audiences.  
“I had everything—the money and the fame—and I was like, ‘ Is this it?'” Mica Paris told the Standard in an interview. 


She admits she was disillusioned by the substance abuse surrounding her, so she married and walked away from her fledging career. Years later, she had to file for bankruptcy.  

“Last year, someone sent me an article in Smash Hits from when I was 18,” she said in the Standard interview. “It was titled The Making of a Pop Star. And I’m still trying to be successful. This is the joke. That was ’88. I’m still exploring.”


Her four-decade career includes Eighties pop superstardom, hosting a radio show, and acting on TV ( in EastEnders) and the West End Stage.  “All I care about is that whatever you have of mine – a book or album or a TV or radio thing – that you’re inspired. That’s my job.” she said. 

Mica Paris became an anti-gun crime advocate, lending her voice to the initiative Operation Trident after her brother, Jason Phillips, was shot dead on the street. “I’m 5ft 10in, I’m a black woman, I’m loud. But because I believe that what I’m doing is going to touch you and inspire you, that’s gonna open doors for me. And so you don’t get focused on all that negative stuff. Let that go.”

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

Divabetic Salutes Randy Crawford


“I always want to associate myself with any piece of music that feels good and sounds good. And a good song can come from anywhere,” says Randy Crawford.

Randy Crawford is an exceptional artist with a remarkable ability to connect with her audience through her soulful and emotional performances. Her pure, warm tone and emotional vibrato can transform any music she selects, creating mesmerizing light and breezy jazz and funk arrangements.

Born in Macon, GA, she started singing in Ohio nightclubs at 15. “Everyone was encouraging me to sing,” Randy Crawford told the BBC. Her collaboration on “Street Life” offered her a chance to join the Crusaders for a tour that gained her international recognition, and she remained more popular overseas than in America. “Street Life was a musical challenge to learn,” Randy Crawford told the BBC. “But it’s still a fun song because people related to it. It gets everybody up and happy.”

Her consequent albums were geared toward a more smooth jazz audience and played well overseas. She wrote the love about two political refugees from Eritrea, entitled “Almaz.” Randy Crawford witnessed an older man’s love and commitment to a younger woman. In the season of love, no song touches the heartstrings quite like Randy Crawford’s ‘Almaz’ wrote Justice B. Hill for Cleveland.com. “The song speaks of love surviving,” she said when discussing the song. 

Since then, Randy Crawford has released over 15 albums and had several international multi-platinum hits. And if she still goes relatively unrecognized in her native land, she has become one of the world’s most successful popular singers.

“I hope I will always sing. I don’t want to do anything else.”

Randy Crawford’s music can transform any music she selects, creating light and breezy jazz and funk arrangements that are mesmerizing. She has won numerous awards and accolades, including being named the ‘Most Outstanding Performer’ at the 1980 Tokyo Music Festival. With over 15 albums and several international multi-platinum hits, Randy Crawford has become one of the world’s most successful popular singers. She is truly a remarkable artist, and her music will continue to inspire and touch the hearts of listeners for years to come.

Divabetic Salutes Roberta Flack

Roberta Flack is the daughter of a draftsman and a church choir organist who learned to play music at her mother’s knee. She studied both Chopin and Methodist hymnody before gaining admission to Howard University.

“For the first three decades of my life, I lived in the world of classical music,” Robert Flack said in an interview with NPR. “I found in it wonderful melodies and harmonies that were the vehicles through which I could express myself.” 

After graduation, she dreamed of becoming an opera singer but instead chose a career in music education. She taught in rural North Carolina and Washington, D.C.- area schools while performing in nightclubs on the side.  Her unusual repertoire of folk revival ballads and Motown hits made her a sensation. In 1969, signed to Atlantic Records, Roberta Flack released  her debut album, “First Take.”  One of her many accomplishments is being the only solo artist to win the Grammy for Record of the Year two years in a row — in 1973 for “The First Time Ever I Saw Your Face” and in 1974 for “Killing Me Softly With His Song.”

Although she occasionally co-writes her material, Roberta Flack is mostly known as a deeply intuitive song interpreter.

“I always say that ‘love is a song’ — meaning that music reaches beyond age, race, nationality and religion to touch our hearts,” Roberta Flack told NPR. 

Throughout her career, Roberta Flack has had 18 Billboard-charting songs, four Grammy awards, 13 nominations, and the Grammy Lifetime Achievement award. 

 Her hits include soul-stirring collaborations with Peabo Bryson and Donny Hathaway and chart-topping singles, showcasing her musical brilliance and emotional depth.

“My music is inspired thought by thought, and feeling by feeling,” she said in the same article. “Not note by note. I tell my own story in each song as honestly as I can in the hope that each person can hear it and feel their own story within those feelings.”

In addition to her music success, she founded the Roberta Flack School of Music at the Hyde Leadership Charter School in the Bronx, offering underprivileged students a free, inspiring music education. Her dedication to music and welfare culminated in the formation of The Roberta Flack Foundation, which supports animal welfare and music education.

Roberta Flack’s music remains indelible in our lives, touching hearts and minds globally.

Divabetic Salutes Deniece Williams

Deniece Williams is an incredibly talented singer, songwriter, and producer making hit music for over 50 years. Her voice is enchanting, with a distinctive coloratura soprano and a four-octave range. She is a two-time inductee into The SoulMusic Hall Of Fame in the categories’ Female Artist’ and ‘Lifetime Achievement.’In the early 1970s, Deniece began her career working in a record store and then as a backup singer. She went on to become part of the female vocal trio Honeycone. In 1976, she released her debut solo album “This Is Niecy,” produced by Maurice White of Earth, Wind & Fire and Charles Stepney.

“I met Maurice through a mutual friend. I had some songs on tape that I wanted him to hear,” she said in an interview with Classic Soul 1976. “We had a conversation, and he told me that he thought that I should sing them myself rather than letting them go to everyone else.” Deniece went on to explain she’d been concentrating on writing and getting her songs recorded. “I felt that I should get into one area — publishing — and then concentrate on others. Which is why I waited until I was ready to record.”

She said of Charles Stepney, “He’s probably one of the most incredibly talented arrangers that the music industry ever had. He was a very integral part of my music and the whole production and arrangement of my music and my voice. There’s only been one other person in my musical life who has understood my music the way Charles Stepney did as an arranger, and he is Thom Bell.” 

The album featured the hit single “Free,” which rose to #4 on the Billboard Hot 100 chart and was certified gold by the RIAA.


“It’s amazing when you can write a lyric, and you think you’re the only person that’s having this experience,” she said about writing “Free.” “Then you put it out there, and you find out that millions and millions of people feel the same way. I think that is what happened with Free. People really do want the freedom to be themselves and to have self-expression. Also somebody told me that I was the first woman that they heard in music that told those women at that time that ‘you don’t have to stay’.”

Deniece is also known as a prolific songwriter, with Merry Clayton, the Whispers, Frankie Valli, Billy Preston, the Emotions, and Johnny Mathis recording her songs. One of the biggest songs in her career is the infectious dance song “Let’s Hear It for the Boy” from the motion picture “Footloose.” The single hit #1 on Billboard’s Pop and Black charts and went platinum.

Throughout her illustrious career, including 12 Grammy nominations and four wins, Deniece Williams has become known as a singer of catchy, powerful anthems of love and romance. Her music is spiritual, and she considers it an essential part of her life. Deniece’s music has touched millions worldwide, inspiring new generations of musicians and music lovers alike.

Divabetic Salutes Jean Carne

Jean Carne has captivated the hearts of jazz and soul enthusiasts alike. Her Philadelphia International recordings are a testament to her unmatched talent, incorporating smooth instrumentation, soulful lyrics, and her remarkable vocal range and versatility.

Jean Carne’s first showbiz exposure was singing “Misty” on a morning radio show as a teenager in Atlanta, GA.

After meeting her husband, she joined his jazz fusion band as a vocalist, and they recorded three albums. Their recordings caught the attention of Earth, Wind & Fire, which Jean Carne joined as a backup vocalist on their first two albums.

Jean’s vocal interpretations of instrumental classics brought by Jazz greats such as John Coltrane, Miles Davis, McCoy Tyner, and Horace Silver expanded the display of her musical abilities to Jazz Lovers worldwide.

While Carne is still called a jazz vocalist in many circles, the label no longer applies to her musical legacy.” That’s how I started out, and I guess a lot of people will always think of me that way,” she told the Chicago Tribune.” Actually, I didn’t start out singing jazz at all. I guess I knew I would be involved in music in some manner. My parents told me I started singing with songs on the radio when I was 3. I joined the church choir when I was 4; I had to stand on a box. My parents thought I would teach music or possibly become an opera singer.”
After leaving Earth, Wind & Fire, she toured with Duke Ellington and signed with Buddah Records.

She teamed up with Norman Connors on the top-ten single “Valentine Love” in 1975. Throughout the rest of the 1970s, Carne continued to record and tour, releasing popular singles like “Was That All It Was?” “Free Love?” “Don’t Let It Go To Your Head?” and her number-one hit, “Closer Than Close,” in 1986.

In an interview with Soul & Jazz & Funk, she spoke about her recording experience with Philadelphia International Sound. She said, “Sometimes I would put down a scratch vocal while they did the rhythm tracks, and then the arranger would come in and sweeten it with horns and strings, and then I would come in and do the true vocal. Sometimes, I would stack my own backgrounds, and, sometimes, they were done by ‘The Sweeties’.”

Although she had multiple hits, she never liked to tour. ” I usually don’t enjoy touring. I’m a teetotaler, I don’t smoke, and I don’t party. So on the road, I usually feel out of place.”

Over the years, Jean Carne has worked with some of the most influential soul and jazz artists, producers, and songwriters, including Dizzy Gillespie, Norman Connors, The Temptations, Glenn Jones, and Phyllis Hyman. Her creativity and talent have never waned.

Jean Carne is a true icon in the music industry, and her distinctive voice and impressive body of work will continue to inspire generations to come.

Divabetic Salutes Phyllis Hyman

Singer and actress Phyllis Hyman was best known for her soulful music from the late 1970s through the early 1990s, including the songs “You Know How To Love Me” (1979), “Living All Alone” (1986), and “Old Friend” (1991). 

Deep-voiced and statuesque, Phyllis Hyman’s power, skill, and versatility as a performer enthralled her audiences.

She earned a Theatre World Award and a Tony Award nomination for Best Performance by a Featured Actress in a Musical for her work in the 1981 musical Sophisticated Ladies, which was based on Duke Ellington’s music and ran from 1981 until 1983.

Born in Pittsburgh in 1950, Phyllis Hyman was the eldest of seven children. She grew up in Philadelphia, listening to a wide range of music from James Brown and Nina Simone to Karen Carpenter and Minnie Ripperton.

Her big break came when she gained the attention of jazz drummer Norman Connors, who had a reputation for discovering female vocalists such as Jean Carne. Norman Connors produced Phyllis Hyman’s sultry rendition of The Stylistics’ “Betcha By Golly Wow,” which proved a favorite on R&B radio stations in the United States.

She signed to the New York-based Buddha Record label and cut several fine tracks, which became staple fare on an emerging radio format, the “Quiet Storm,” soul ballads played late into the night.

Later, she signed with Arista Records, reaching an international audience with her albums “Somewhere In My Lifetime,” “Can’t We Fall in Love Again,” and the album that bears the title of one of her biggest hit singles, “You Know How To Love Me.”

1986 she returned to Philadelphia and signed with Kenny Gamble at Philadelphia International Records. Their hit album, “Living All Alone,” included the now-classic single “Old Friend.” This song was a comfort for many of us during the AIDS epidemic. She visited New York City hospices and performed at countless benefits. Phyllis mentioned her own loss made it difficult for her to perform the song.  It’s still one of the most beautiful songs ever recorded, filled with sadness and a heartfelt plea to reunite with a lost love. 

Phyllis was often plagued with self-criticism. In a 1991 interview with David Nathan, she said, “Up until 5 years ago, I didn’t listen that much to myself… When people would say they loved my voice, I’d wonder, ‘Why are they moved?’ Now, I’m beginning to understand how people can be turned on by my singing… I’ve been told that people can feel a lot more love and calm coming from me these days.”

When she should have been soaring like the songbird she was, Phyllis Hyman’s mental health issues took over her life.  She was diagnosed as being “bipolar,” a medical term for someone who suffers from the disease of manic-depression. 

As she got older, her disease became more and more challenging t for her to manage. She chose not to use pharmaceutical medication and instead self-medicate. Her self-medication distorted her disease more and more until she felt helpless about ever being able to recover from it. Her self-destructive behavior and problems became more evident to her family, friends, and music industry peers. She attempted suicide twice before she took her life a few days before her 45th birthday and only a few hours before she was due to appear at the Apollo Theatre in Harlem.

“As an artist, she sang her desperation. She has a song that is a soundtrack of her entire life, ‘You Just Don’t Know What I’ve Been Going Through,’ ” said Frank Sheffield, Hyman’s long-time friend who managed the jazz station at Hampton (Va.) University, where Hyman often appeared.

After Phyllis’ passing, Roberta Flack said, “Phyllis’ voice, at once breathy and resonant, will sing in my heart and spirit forever.”

We’re talking about ‘Diabetes, Sleep & Mental Health Issues’ on Diabetes Late Nite with musical inspiration from the iconic Phyllis Hyman.

Podcast guests include Alyson Williams, Queen Diva, Patricia Farrell, PhD, Kristina Wolfe, ‘Tabouli: The Story of a Heart-Driven Diabetes Alert Dog’ Author Matt Pelicano, Elizabeth Vaughan Gallagher, Stacie Shonkwiler, and the Charlie’s Angels of Outreach with Patricia Addie-Gentle.

Throughout the podcast, we will feature music from “The Essential Phyllis Hyman” album courtesy of SONY Music.