Category: D-Stories

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Divabetic Salutes Deborah Cox

“I prefer Princess. I would love to be known as a diva later on in life when I’ve had far more experiences,” says Deborah Cox. 

With six top-20 Billboard R&B singles and an impressive eleven number-one hits on Billboard’s Hot Dance Club Play, Deborah Cox can call herself anything she wants, including a multi-platinum selling artist. 

Deborah Cox, inspired by her idol Whitney Houston, began performing in television commercials at age 12. “I remember wanting to be a singer from when I was a young girl,” she recalls. “I would sing a lot in my room as a kid and just fantasize about being an entertainer.”

She was hired as a professional backup vocalist for Céline Dion.

Clive Davis was signed to Arista Records by Clive Davis. Her debut album featured an infectious mix of pop and R&B and her first dance hit, “Who Do U Love.”

From there, Deborah Cox’s career hit its stride on the dance floor.  he released a string of dance songs, “Things Just Ain’t The Same,” “Absolutely Not,” and “It Could’ve Been You,” that stormed the club scene. Some artists look down on being categorized as dance artists or having their songs remixed, but not her. ” I think it’s about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that’s great,” she said. ” f I could do a classical version, that’ll be great too. It’s all just about expression.”


Her sophomore album produced the  slow jam hit “Nobody’s Supposed to Be Here.” The soulful ballad became an instant sensation and held the then-record for the longest-running No. 1 R&B single of all time. But then, it got a second life on the dance floor and topped the Dance Charts.   

When asked about reworking her signature ballads and dance floor stompers, she said, “My opinion is that music is music. As long as you approach doing a remix with truth, I don’t see the dance remixes being any different than a hip-hop remix—it’s really a different version of the song.”


Deborah Cox lived out her fantasies when she worked with her idol, Whitney Houston,  on the song “Same Script, Different Cast” for the album Whitney: The Greatest Hits. Working alongside her idol, she said, “

It gave me a chance to really sit one-on-one with her and have that mentor-to-student sisterhood moment where we could just talk, kick it, and have raw conversations about the business, family, and so much more.”

She took another leap by performing Whtiney’s role in the musical rendition of the classic film, The Bodyguard.  She performed the singing vocals on the Lifetime film, ‘I Will Always Love You: The Whitney Houston Story. “I  knew I had some big shoes to fill,” says Deborah Cox.

I’m looking forward to seeing Deborah Cox on Broadway, starring in the revival of ‘The Wiz.’

Luther Vandross wrote “A Brand New Day,” also known as “Everybody Rejoice,” for the musical.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Shirley Brown

“You can go around all your life singing stuff that’s just basically a song,” Shirley Brown said. “But I think you are supposed to relate to what’s happening—inner feelings.”

Shirley Brown sang in church in West Memphis, Arkansas, until she was discovered at age 14 by Albert King, blues guitarist, and singer, singing at the Harlem Club in Brooklyn, Illinois.  She worked with Albert for nine years (where he was her manager) and rubbed elbows with Soul luminaries such as Johnnie Taylor and Little Milton.


Blues legend Albert King persuaded Shirley Brown to sign with Stax Records and release her smash single “Woman To Woman.” 

Soul Express Magazine describes Woman to Woman as a milestone in the history of Southern soul music. Starting with a dramatic rap, it tells of a woman determined to hold on to her man and tell it over the phone to her rival. 

Hello, may I speak to Barbara. Barbara, this is Shirley. You might not know who I am, but the reason I’m calling you is because I was going through my old man’s pockets this morning and I just happened to find your name and number. So, woman to woman, I don’t think it’s being any more than fair than to call you and let you know where I’m coming from.”

Woman to Woman, lovingly referred to as the soul soap opera, was written by James Banks, Henderson Thigpen, and Eddie Marion. The songwriters offered the song first to Inez Foxx, who passed on it. “She didn’t want to do it. She felt like the rap part in the beginning of the song was for a male artist, and a song like that with a rap would be better for a person like Isaac Hayes,” James Banks told Soul Express. 

The song’s recording took more than one session. But Bobby Manuel, who played guitar on the sessions, said, “The recording session (for Woman to Woman) was magical. We all knew it was a hit record. Everybody was really excited.” 


Shirley was nominated for a Grammy for Best R&B Performance, Female, but Aretha Franklin and Ain’t Nothing like a Real Thing won that year.

Millie Jackson, who was also nominated in the same category that year, told QuestLove on his podcast that Aretha should have been excluded from being nominated in that category because her recording failed to meet the qualifications. 

“Woman to Woman” reached No. 1 on the R&B charts and No. 22 on the pop charts. The song proved so popular that Country Music legend Barbara Mandrell covered it, and Lonnie Youngblood talked to Barbara and blew his horn on the mid-tempo answer song, Man to Woman. A year after the song’s success, Stax Records folded.  


Shirley Jones chased her dreams to New York City, where Clive Davis signed her to his Arista Records label. . “I was one of the first soul singers he (Clive) signed. I was there before Whitney and Aretha. Clive said that if we could ever get the right material, we could have a hit. But he felt that the material was too Southern. He didn’t want that Southern soul sound. 

Clive and Shirley Brown didn’t agree on the direction of her music. “Clive Davis wanted me to do a Bette Midler song or something like Barbra Streisand. I could probably sing those kinds of songs, but I didn’t feel them.”


In early 1977, Shirley’s first Arista single, a soul ballad called Blessed Is the Woman (With a Man like Mine) was released.  “I’ve always been a great admirer of Aretha Franklin,” Shirley Brown admits. Some people feel that Shirley Brown and Aretha Franklin are similar to the Isaac Hayes/Barry White situation.”


Some speculate that Clive felt she sounded too much like Aretha Franklin, and he jeopardized her career to boost Aretha’s.   


“Clive wanted to make Shirley like Whitney, “says Bobby Manuel. “He wanted to take somebody that had those chops, who could sing like that… and take them pop.  The marriage really didn’t work.  He was sending us pop songs, and she just wasn’t into them.”


Luther Vandross loved Shirley Brown. I would buy up all her albums in the UK for our tour bus and his dressing room. 

After Shirley left Arista, she signed with several other labels. She continues to make beautiful music. Some wonderful songs in her catalog include “I Ain’t Gonna Tell”, “Love Is Built On A Strong Foundation,” and the soul ballad “I Need Somebody to Love Me.”

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Cindy Mizelle

“I have mad respect for athletes and have penned a few songs with more to give all the way around,” says my friend, singer, and songwriter Cindy Mizelle.

Cindy Mizelle is the proud mother of three children. Her two sons are professional athletes. Devin Fuller, a wide receiver with the Atlanta Falcons, and Jordan Fuller, a safety for the Carolina Panthers, have had distinguished careers in the NFL. 

Her incredible career includes Bruce Springsteen and the E Street Band, Seeger Sessions Band, Steely Dan, Billy Ocean, Whitney Houston, Dave Matthews, Duran Duran, Freddie Jackson,  Carly Simon, Alicia Keys, and Luther Vandross.

Cindy told Rolling Stone Magazine that growing up, she knew a singing career was in her future, “I just said, “I know how to do this.” I played the flute, too, and I knew scales. Everything was a musical thing for me. And once I found that power, I was like, “I’m going!”


I first met Cindy on Luther Vandross’s Never Let Me Go tour in 1993. Cindy toured and recorded with Luther Vandross for over twenty years. She admits working with Luther felt like family. “I loved everything about him. I could relax and be myself, and he was so supportive. When it came down to my kids, he got them their first shoes.”

Between gigs with Luther Vandross and the Rolling Stones, Cindy managed to squeeze the recording of her debut album, Cindy Mizelle, on Atlantic Records. My favorite tracks include the lead single, “I’ve Had Enough,” ” Smile, and “Back To Emotions.”

Through Cindy, I met the talented performer Katreese Barnes, who was the musical director for SNL and won an Emmy for ‘Dick In The Box.”  I styled Katreese for several shoots and co-produced her show, Rocket Man, featuring the music by Elton John. 

A few years later, in 1995, Cindy gave me the gift of a lifetime when she sang lead vocals on the dance song I co-wrote with Keith Haarmeyer, “That Man Of Mine.” The amazing Brenda White-King also performed backing vocals on the record. 

I’ll always remember the day we recorded the song in Keith’s one-bedroom apartment in New York City. After Cindy looked at the lyrics sheet, she asked me if I had a specific idea of how I’d like her to sing the lyrics. Then, to my astonishment, she said the chorus line five or six different ways, varying her tone and phrasing with each variation. It was the most incredible thing I’ve ever witnessed. I still have goosebumps thinking about it. The power and control she has with her voice are incredible, too. 

I’m not Cindy’s only fan, either. Mariah Carey praises Cindy Mizelle in her memoir The Meaning of Mariah Carey: “To me, she was one of the absolute greatest. “Cindy Mizelle was the background singer. She sang with the most gifted vocalists of all time—Barbra Streisand, Whitney Houston, Luther Vandross, and the Rolling Stones. She was a real singer’s singer. Cindy was that girl to me. I looked up to her so much.”

It was also a thrill for me to design costumes for The Lovely Ladies (Tawatha Agee, Brenda, and Cindy) when they were on tour with Dave Matthews Band. Most recently, my boyfriend Joe and I filmed Cindy for Nils Lofgren’s “Ain’t The Truth Enough” music video. 

Music is definitely part of her DNA. Cindy Mizelle is the cousin of the famous Mizell Brothers (they dropped the word “e” out of their name), who wrote songs for the Jackson 5 and A Taste of Honey. She’s also the cousin of the Ronettes!!! She told Rolling Stone magazine, “I looked them up and was like, “Oh, my gosh!” That was my motivation there. I’d play their records and figure out what they did. I started singing in the basement and in bands after that.”

She mentions how Ronnie Spector always supported her in her career. It’s truly a pleasure to spotlight this amazing woman whose heart is as big and beautiful as her voice. 

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ.

Come dressed in your Big 80s Bling!


Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Lizz Wright

“When you want a great show, it’s not ‘entertaining’ the audience – it’s you sharing with them… an experience of communion,” says Lizz Wright. “Music is primal: when it’s done without pretension, you can feel the shape of someone’s soul.”

Through a voice that The New York Times describes as “a smooth, dark alto possessed of qualities you might associate with barrel-aged bourbon or butter-soft leather,” vocalist and songwriter Lizz Wright sings with a soaring reflection of the cultural fabric of America.

“I’ve followed my voice rather than forcing it to emerge.” 

I became a Lizz Wright fan when my friend, Carol, turned me on to her rendition of Nina Simone’s “Seems I’m Never Tired Lovin’ You.”  You can feel the emotion she pours into every note of this ballad. 

Lizz Wright’s 20-year career transcended social divides with her offer of love and a deep sense of humanity. She told NPR she is a big Otis Redding fan and finds inspiration in how he leaned into a song’s lyrics.. “

He sounds like he’s always at the end of a long day, and he just won’t give up. I just love his wearied devotion — that beautiful, beautiful, weathered sound.”She first made a name for herself nationally as a vocalist with a touring concert tribute to Billie Holiday. Lizz Wright released her debut album, Salt, on Verve Records, which topped Billboard’s contemporary jazz charts. On Concord, Lizz Wright released Freedom & Surrender (2016)—featuring the single “Lean In,” which landed on President Obama’s Summer 2016 playlist—and Grace (2017).   

“I started really opening up as a songwriter and an interpreter and taking songs from all kinds of genres and stripping them down to just lyrics and the story inside the lyrics, and trying to make them really mine.”Lizz Wright launched her own independent record company, Blues & Greens Records a few years ago. She released the album Shadow, which features five of her original compositions and 

celebrates the intimacy of romantic love, loss, community, and healing.

She avoids pigeonholing her music taste and instead listens to and appreciates all types of music. “What I like is not a particular genre; it’s storytelling,” says Lizz Wright. “There’s a lot of great storytelling in jazz, folk, and country music.” 

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and a Live DJ.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Nancy Wilson

“I just always did it. I never sat down and said, ‘I want to be, I’m going to be,” Nancy Wilson said in a CBS Sunday Morning interview. “The voice just had a life of its own, and it just happened.”

Nancy Wison stands among the greatest performers of all time.  During the 1960s, she was second only to the Beatles in record sales for Capital Records. 

Nancy Wilson blurs the line between jazz and pop singers, preferring to be called a “song stylist.” 
Nancy Wilson attended West High School in Columbus, Ohio, where she won a talent contest and was rewarded with a role as a host for a local television show.

In 1956, Wilson auditioned and won a spot as a vocalist for Rusty Bryant’s Carolyn Club Band. Afterward, she moved to New York and began working as a secretary at the New York Institute of Technology. While in New York, Wilson became friends with jazz saxophonist “Cannonball” Adderley, who introduced her to her manager, John Levy. With Levy’s help, she landed a record deal with Capitol Records and released her songs “Guess Who I Saw Today” and “Sometimes I’m Happy.” 

The exceptional storytelling of “Guess Who I  Saw Today” and Nancy Wilson’s dazzling delivery inspired me to write the lyrics to “Pink Champagne.” I was fortunate to collaborate with Paulette McWilliams and Ivan Hampden Jr. on this Christmas tune.  

She has appeared on several television shows and films throughout her career, including I Spy and The Cosby Show.

Nancy Wilson won a Grammy Award for her album “How Glad I Am” and hosted the Nancy Wilson Show from 1967 to 1968. 


“I’m a storyteller,” said Nancy Wilson. “I believe in a song with a lyric. I want you to feel something. I want it to touch the heart.” 

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesay, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Val Young

“I can get in where I fit in, ” says Val Young. “I love all music.”

R&B/soul singer-songwriter Val Young, also known as “Lady V,” was one of the original Mary Jane Girls Band members.

The Detroit-born former Motown recording artist began singing background vocals for The Gap Band, George Clinton, Teena Marie, El Debarge, Evelyn ‘Champagne’ King, Bobby Womack, and Roy Ayers. Her all-time favorite artist is Gladys Knight. Growing up, she used to listen to her music all of the time.

She began singing with Rick James in 1981 on the Street Songs tour. Teena Maire was the opening act. She was also a member of the original Mary Jane Band.

“What a great, great time I had with RJ (Rick James). Recording, working, touring, personal, everything,” says Val Young. “We could be laughing and talking, and he could create a song. Rick James was the best of everything.” She added, “I learned from Rick to be focused. Rick always told me to be someone that someone else wants to be.”

Rick James produced her debut album, Seduction, which included the hits “Mind Games,” “Piece Of My Heart,” and “If You Should Ever Be Lonely.”

“I always wanted to be solo,” said Val Young in a Truth in Rhythm interview on YouTube. “But I still sung backgrounds on the Mary Jane Girls records.”

Her talent and physical attributes impressed Rick James so much that he promoted her as the “Black Marilyn Monroe.”

Packed with so many great songs, Rick James decided against including Val Youngs’ recording of the song “In My House” on the album. Instead, he gave the song to his fledging girl group, The Mary Jane Girls, who released “In My House,” it became a mega-hit. Regardless, Val Young’s Seduction album achieved gold status.

I would listen to Val Yong’s hits on WDKX in Rochester, New York. After school, I would turn up the radio in the art room when I heard the first bars of “If You Should Ever Be Lonely.” I was such a big Val Young fan that I dragged my brother, Rich, and his friend, Teresa, to see her perform live at a small club in Downtown Rochester. The three of us stuck out like a sore thumb in the club.

I may never understand why I grew up listening to R&B when no one else in my family did, but I can trace my career trajectory back to those early years of listening to Val Young, Rick James, and Luther Vandross nonstop on WDKX.

I was a Luther fan long before I worked for him, so I am passionate about helping promote his legacy. It was one of the most magical, defining moments in my life. I’m grateful to stay in touch with Luther’s musical family, promote his musical legacy, and offer diabetes outreach support to his fans.

After the success of her first album and Rick James’s passing, I didn’t hear much of Val Young. I’m not a rap fan, so I assumed she had left the music industry. But her voice can be heard on hit songs with Dr. Dre, Snoop Dogg, Too Short, Mark Morrison, and Napoleon. Her most successful collaboration is the song “To Live & Die In L.A.” with Tupac Shakur.

You can’t help but fall in love with Val Young listening to her Truth in Rhythm interview. She’s down-to-earth, funny, and very humble about her success. She was genuinely surprised to learn Mariah Carey covered her song, “If Should Ever Be Lonely.” She said, “I was just so happy and truly blessed.”

Most recently, Val Young, Candice Ghant, and Rick James’ daughter, Ty James, have been performing as the new lineup of The Mary Jane Girls at various Rick James tribute shows.

Thank you, Val Young, for being part of the soundtrack of my life. Her music reminds me of the kid who grew up listening to R&B and was lucky enough to work for one of his idols.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Jean Knight

“Mr. Big Stuff is better to me now than 31 years ago,” said singer Jean Knight about her biggest hit. “All I have to do is sit at home and wait for the mailman.”

The New Orleans singer reached #2 on the Billboard charts in 1971 with”Mr. Big Stuff.” and received a Grammy nomination. But a decade before her success, Jean Knight cut her first demo recording in 1965, a cover of Jackie Wilson’s “Stop Doggin’ Me Around.”

One of her biggest musical influences was Etta James. “The first time she heard “All I Could Do Was Cry,” she said in an interview on YouTube, “The first time I heard that song, I wanted to be like her.”

Jean Knight recorded a series of singles with lukewarm success. When her career stalled, she left the music industry and worked at a bakery.

Songwriter Ralph Williams connected Jean Knight to record producer Wardell Quezergue a short time later. Her recording sessions with Wardell Quezergue yielded “Mr Big Stuff,” which turned around her fortunes. Reflecting on the recording session, Jean Knight said she liked “Mr. Big Stuff” lyrics but not the melody. She felt the melody didn’t match the tone and emotion of the song’s subject. At some point, the producers let Jean sing it her way. She recorded her infamous version of the song in one take. Stax Records bought the rights and released the record, which peaked at no. 1 on the Billboard R&B chart and no. 2 on the Billboard Hot 100 chart.

“Mr. Big Stuff” topped the US R&B chart and crossed over into the main pop chart, reaching No. 2. The Bee Gees’ hit “ How Can You Mend a Broken Heart” kept her from the top spot. Her popularity soared, and she performed her hit on TV Shows like Soul Train and received Best Female R&B Vocal Performance nominations at the 1972 Grammy Awards.

After “Mr. Big Stuff,” Jean Knight recorded a few modest hits, including “You Think You’re Hot Stuff” and “Carry On,” but disagreements with her producers at Stax led to her being dropped from the label the following year,

Jean Knight said, “I’m the type of person that I never get too big for the people that I have been knowing,” explaining why she didn’t get caught in the trappings of fame. “My friends from when I was much younger are still my friends today.”

In the 80s, she joined the local oldies circuits, where producer Isaac Bolden spotted her. He signed her to his label, Soulin. The two produced the song “You Got The Papers, But I Got The Man.” It was a novelty answer song to Richard Dimples Fields’s hit, “She’s Got Papers On Me.”

“You Got The Papers, But I Got The Man” has one of the best sassy monologues ever recorded! Jean Knight’s defiant mistress tells off her lover’s wife, “What you need, girl, is a complete overhaul, your house, your body, your face and all!” It could be straight out of a season finale of The Real Housewives franchise and requires you to fasten your seatbelt before listening.

After reading the wife from A to Z, she sweetly expresses her undying love for her man. It reminds me of Shirley Brown’s “Woman To Woman” song that my friend, DJ Downtown Donna, used to spin at the classic dive bar Pendulum on Castro Street in San Francisco.

Jean Knight also remade the novelty hit “My Toot Toot,” which became her first international hit. It reached the top ten in the United Kingdom and # 3 in South Africa.

The Louisiana Music Hall of Famer’s legacy extends beyond her music. She passionately shared her time and talents with many New Orleans community causes. She represented the heart and soul of her hometown, earning respect and admiration far beyond her musical talents.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Paulette McWilliams

“I started singing before I could really talk, “Paulette McWilliams told Pop Matters.  “I would watch all the musicals and wish I was in them.”

Over the last decades, my friend Paulette McWilliams turned her childhood fantasies into reality. She has emerged as the consummate vocalist, equally at home in rock, R&B, jazz, house, Broadway, and hundreds of commercial jingles to her credit.

Paulette McWilliams is an incredible talent with a captivating voice. Her versatility and effortless transitions between genres are remarkable. I’m so impressed by her career journey and the impact she has made in the music industry.

Paulette’s first flirtations with fame were in Chicago, where she was the lead singer in Rufus before enlisting her friend Chaka Khan. After that, she appeared on Quincy Jones’s Mellow Madness (1975) album. A stint singing duets with Marvin Gaye and Johnny Mathis soon followed. But she met Luther Vandross while she was performing as one of Bette Midler’s Harlettes. For many years, Paulette recorded and toured with Luther Vandross, and we met on a Luther tour. 

Paulette’s voice is so distinctive. Her rich, warm tones, especially her low ones, give me chills and worldwide fans. 

Last year, her career went into overdrive with the release of her stunning album, “These Are The Sweet Things.” The album captivated UK listeners’ hearts, and various album cuts appeared on the Sweet Rhythm and UK Soul charts for months.  

Lucky for me, she agreed to share her exceptional talents, co-write, and perform the song “Mama’s Kitchen Table.” Honestly, I could have chosen to spotlight any of the wonderful songs from “These Are Sweet Things,” her lovely rendition of Luther’s “So Amazing” from her impeccable “A Woman’s Story” album, or even my favorite untraditional Christmas song, “Pink Champagne” but selfishly I chose to spotlight the lyrics to “Mama’s Kitchen Table.”

I love the way her voice sounds in this song. Her low tones are spellbinding to me. She’s in the pocket with the groove, and she just sounds funky. Paulette’s a magician in how she seamlessly made my quirky lyrics seem funky.  Plus, my friend Ivan Hampden Jr. produced the heck out of this track. He’s truly a genius!!

My lyrics are inspired by my experience of accepting myself as a gay man. The dream of feeling comfortable bringing a partner home and welcoming him at our kitchen table was precious to me. The kitchen table symbolizes so many things to me. It reflects trust and honesty in a relationship. As gay men, many of us struggle with acceptance and often choose to keep that part of our lives a secret. Monsters grow in the dark.

A friend’s advice and objectivity are nonexistent in unhealthy, abusive relationships that are secretive. Denying yourself the support, encouragement, and resources of a friend’s shoulder and ear can have devastating consequences. I’ve known too many gay men who stayed in relationships because they felt they had no one to turn to. Thankfully, in my lifetime, my parents always welcomed me and my partners to their home.


I adore this woman! Please check out her music on your favorite streaming apps and her sensational rendition of “A Thousand Years” on YouTube.

You’ll be in for a treat! I hope you listen to more of her music and explore her unique artistry.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2o24 at Thread Lounge in New York City.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

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Divabetic Salutes Marlena Shaw

“When I sing, I want people to feel something,” Marlena Shaw said. “I don’t care if it’s jazz or pop.”


Celebrated soul and jazz vocalist Marlena Shaw, known for her hits ‘California Soul’ and ‘Woman of the Ghetto’ but it was her unforgettable recording of “Go Away Little Boy,” that caught my ear and captured my heart.  I was hooked on Marlena Shaw after one listen.

Her incredible spoken section: “I figure if I’ve got to get up and go to work every day, then every able-bodied in the household is supposed to get up and go … If for some reason you feel that you can no longer be the man you were at the beginning of our relationship, then I’ve got this one thing to lay on you, my sweet. Go away, little boy …” 

“Go Away Little Boy” became one of her most popular songs in live performance, the prefatory rap acquiring extra twists, turns, and layers of sardonic saltiness.

Sadly, I never could see her perform it live, but the live recording is so good that it doesn’t matter. 


She embodied the type of entertainer I adore. With her commanding presence, humor, and incredible vocals, I assume she, like Luther Vandross, knew who to put on a show. 

Marlena Shaw began her music career in the 1960s by singing in jazz clubs and continued to perform live into the 2000s. According to Variety, she released 17 albums with eight different record labels.

According to the 5th Dimension Forever website, the vivacious singer’s lyrics often communicated the strength of the Black American community and Black women at a time when there was a great racial divide in the country and its politics. 
 

According to CBS News, the musician who influenced music in the jazz, soul, disco, and R&B genres “spanned generations and was often featured and sampled in popular media, TV commercials, and other songs.


Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors, and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.
COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.


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Divabetic Salutes Brandy

“I needed to explore my talent and versatility and see if I had another side to me, another song, ” says Brandy Norwood.

Singer, songwriter, and actress Brandy Norwood is from McComb, Mississippi. Brandy received her first recording contract with Atlantic Records while she was still in 9th grade of high school. Soon, she also received a role on an ABC television sitcom, Thea. The song “I Wanna Be Down” from her debut album, “Brandy,” reached the No. 1 position on the Billboard Hot 100 charts, staying there for four weeks in 1994.

Brandy returned to acting in the UPN sitcom “Moesha”. The popular show ran for 6 seasons, and Brandy received an NAACP Image Award.

Brandy released her second album, “Never Say Never,” featuring the duet “The Boy Is Mine” with Monica.  The song reached the #1 spot on the US Billboard Hot 100 charts and won the Grammy for “Best R&B Performance by a Duo or Group with Vocals”.

Brandy’s “Never Say Never” became the bestselling R&B album of 1998 in the United States and sold more than 16 million copies worldwide.

.“In my life right now, in my music, and just overall I feel like I’m winning. It doesn’t matter what this person is saying or what the charts are saying or what award shows are saying, the public opinion doesn’t matter. I feel like I’m winning in my spirit.”

The song, “Have You Ever?” was written by Diane Warren and produced by David Foster. According to Wikipedia, the recording of the song marked the first time Brandy “had been in the studio with a producer like David Foster”,  she said in a 2005 interview. “My voice wasn’t as developed as it is now and the song required what producers call ‘money notes’ — the kind that get you a No. 1 on the charts! I was nervous but it all worked just fine.”


Her success allowed her to work with Whitney Houston on the TV movie Cinderella. Brandy said, “Whitney Houston is my idol and my mentor and my dream forever, like she will always be my favorite artist, ever, on the planet.”


Over the years, Brandy has also dealt with heartache and tragedy. Sadly, she was involved in a heavily publicized car accident in 2006.

“I went through a struggle, and I really needed to get myself together and connect with my purpose, which is music.”

In April 2015, Norwood made her Broadway debut as Roxie Hart in the musical “Chicago.” 

Most recently, Brandy announced her major label return after signing with Motown Records, under which she will release new music. 

“It just feels like I’m on the right path musically and I’m in the right mindset to continue out my mission in music because I’m not putting myself in a box.”

The happy healthcare host, Mr. Divabetic takes on the hot topic of  ‘Drinking Divas & Diabetes’ with inspiration from Kathie Lee and Hoda. 

According to experts, drinking too much alcohol can raise blood pressure to unhealthy levels. Having more than three drinks in one sitting temporarily raises blood pressure. Repeated binge drinking can lead to long-term increases in blood pressure.

Kathie Lee Gifford and Hoda Kotb always seem to have a drink in hand for the fourth hour of The Today Show.  If you’re around a TV at 10 AM with nothing to do, you should be watching the fourth hour of Today, filled with Hoda and Kathie Lee’s theater reviews, occasional dancing, wine reviews, and women’s issues. It’s eclipsed The View as my new favorite hour of mid-morning television.

Join us for our Luther Vandross: Never Too Much birthday celebration featuring a Music Panel, Fashion Show, Luther Trivia Games, Live Performances, Style Vendors and Live DJ on Wednesday, April 17, 2024.

Come dressed in your Big 80s Bling!

Luther Vandross was known for wearing rhinestones, silk tuxedos, and tailcoats on stage and Versace, Gucci, Dolce & Gabbana, and Tom Ford off-stage! He wasn’t afraid of bright colors, animal prints, geometric patterns, and fringe. His style and incredible showmanship brought him legions of fans worldwide.

We’re celebrating the Glitz, Glamour, and Romantic Elegance that made his concerts memorable and set him apart from other entertainers.

MUSIC PANEL: Luther’s Vocalist, Cindy Mizelle, Luther’s Choreographer, James Ervin, and Graffiti Glamour Makeup Artistry Founder Alicia Mitchell give us a closer look into the Shine of the Rhinestones, Big Luscious Hairstyles, Bold Makeup, Graceful Moves, and Tight Harmonies comprising Luther’s iconic stage shows. Hosted by Max Szadek.

FASHION SHOW: Designers showcase their gorgeous creations inspired by Luther Vandross’s romantic elegance. See the latest styles from Harlem’s Heaven and Modafleur, among others! Hosted by Catherine Schuller.

LIVE PERFORMANCE: Luther’s most iconic songs performed by Luther’s most iconic songs by vocalist Keith Anthony Fluitt.

STYLISH VENDORS: Shop for apparel, jewelry, and teas from a dazzling array of small entrepreneurs.

COCKTAILS & LITE BITES: Enjoy signature cocktails and delicious appetizers.

https://youtube.com/watch?v=YZ122kzm70E%3Fversion%3D3%26rel%3D1%26showsearch%3D0%26showinfo%3D1%26iv_load_policy%3D1%26fs%3D1%26hl%3Den-US%26autohide%3D2%26wmode%3Dtransparent

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